Light In The Lantern: With Jan Stone
Gracious! You startled me!
Apologies, dear friends. I was expecting this old city watchtower in Steampunk’d Lancaster to be empty when we entered. Ah, but given the conditions outside – all those flesh eating Liver Birds plaguing the skies and the Sugar-Zombies roaming the streets and spreading their curse like a plague – I can’t blame you at all for taking refuge here.
Permit me to introduce myself. Jan Stone, story-maker and general assistant and dogsbody to a group of diminutive steampunk ladies and gentlemen who know me as Mrs Euphoria Steampunkle. I have brought a few of them with me tonight to provide some much needed help and protection. You’ll see them more clearly once I get the lantern burning.
As I’m sure you know by now, some of us have decided to re-kindle the old beacon in this watchtower and keep its flame burning each night as a way of giving hope to those being hunted down by terrifying monsters, or evil scarecrow landlords. Tonight is my shift.
Luigi, would you be good enough to pass me a lucifer? No, best I strike it, I think, given your long, flowing sleeves. There, that’s better. We can see one another more clearly now. Feel free to shuffle closer and warm yourselves slightly. Let the little ones come close to the flame; they look half-frozen.
But why are you huddling in that corner, whimpering and clinging to one another in that desperate way?
Oh, bless you, no! These are not flesh eating Liver Birds! I admit at first glance they have a slightly corvid-like appearance, but they are good plague doctors who have travelled all the way from the disease-ridden city of Roma to lend us support and assistance, having heard that we too are in dire circumstances at present.
No Giulio, I don’t think kissing the urchins on each cheek would reassure them of your friendly intentions at all, although it was a kind thought.
So you see, my friends, we are in safe hands for this night at least and since we will be here in the watchtower together for a while, let me tell you a little about my work, to pass the time.
‘Mwumph mwah gruphg.’
Luigi, I think it would be best if you left the talking to me. I agree that your English is coming along splendidly, but those masks, stuffed as they are with wormwood, make it quite hard for others to understand what you’re saying.
‘Gaph gogh eegha eegg!’
Exactly, Paolo, that’s why you carry your sticks. They allow you to show people what they need to do to keep safe. And obviously they are also fearsome weapons, are they not? No? Ah. Well I’m sure you will protect us perfectly, should the need arise, and if all else fails, we have a good supply of books we can hurl at any assailants.
So yes, I divide my time between curating these gentlemen and their fellow steampunk characters and accessories at The Steampunk Dolls House – a virtual shop located in the aether which exports worldwide – and writing blogs, books and so forth.
In fact, I have recently published a novel aimed at 8 to 12 year olds called The Glassmaker’s Children. Perhaps the urchins would enjoy listening to an extract from it? Here is a section from near the beginning, in which we are introduced to the Glassmaker and his craft:
He had a workshop right down by the coast and each day he would fire up the great, enormous furnace to a temperature you can’t even imagine. He had to wear special leather gloves and a heavy helmet and apron to protect himself. Imagine having all those thick clothes in such heat!
Once the furnace was roaring away, he would take his cart down to the beach and collect masses of soft, white sand. These days, all kinds of strange substances are added to sand when it is heated to make glass, but back in their times, it was usually just sand plus heat. He would tip the sand into the furnace and it would melt into a bright, glowing sticky liquid, like pale treacle.
Carefully, carefully, the glassmaker would take great globs of the glass out of the furnace with a long hollow pole and blow it and turn it. It was like a big, wobbly balloon. He would shape it and move it and stretch it, quite wonderfully, into whatever the villagers wanted – windows or drinking glasses, jugs or mirrors, bottles or ornaments.
Sometimes he would bring home gifts he had made for the children. For Ruby, he made a pair of glass slippers, so she could pretend to be Cinderella. (Her mother thought this was the stupidest gift she could imagine and worried that the child would fall and cut herself horribly each time she wore them.) For Stellan he created a magnifying glass with a silver frame and a brass handle, so that he could explore all the tiny wonders he found in the garden, and the mother was happy with that.
The children thought their father was a very clever man, and so he was.
Ah, but the Glassmaker had secrets. There were secrets about glass that were passed down from one glassmaker to another through the ages. Glass is a magical substance. You can see it, yet you can see straight through it. Sometimes you can even see your own reflection in it.
There’s something more, though – something chemical. Chemistry is hard to understand. What we really need is a chemist to explain it to us. Luckily, there is a chemist hidden in the pages of this book. He isn’t supposed to appear until later in the story, but I think I’ll bring him here for a while, to see if he can make things clear. He’s called an apothecary, which means he mixes medicines and potions and stuff to unblock drains and powders to make cabbages grow enormous and so on.
Here he is.
Good day, Apothecary.
“What? Where am I? And, ugh! What’s that smell, for goodness’ sake? Salt? Seaweed? This is the seaside, isn’t it? I HATE seasides! Nasty windy places with sand getting between your toes and into your lunch… and all those noisy, greedy seagulls. You can’t just pick me up and dump me here! I was in the middle of mixing some cough syrup for little Lily Jenkins. I’m not supposed to come into this story until Chapter 11!”
I’m sorry I shocked you, dear Apothecary, but I’m afraid we need you here, just for a little while, and then you can go back to mixing the medicine and I promise I’ll leave you in peace until your part of the story. You see we are talking about glass, and the Glassmaker. I need you to explain what is special about glass – the chemistry of glass – to our readers. Would you mind?
“Humph! It seems I don’t have much choice. Story-makers! How you mess about with people’s lives! Very well, then. Let’s get on with it, so that I can get back to my work. Glass is an amorphous solid.”
A WHAT? I think that’s a bit too complicated for us, Apothecary, dear. Could you make it a bit easier to understand?
“Oh blah! Well, let me see. Remember when the children and their mother made biscuits? The squishy mess went into the oven to be heated and came out as crisp golden biscuits, didn’t it? A chemical change. The dough turned into solid, tasty little shapes. Is that simple enough?”
Yes, we understood that perfectly. So what about glass?
“Glass is far stranger. Sand goes into the furnace and is heated up until it melts into a very hot goo. When it comes out of the furnace, it gradually cools down and becomes almost a solid thing.”
“Yes, almost. That’s the strange thing. No matter how much you cool it, it never turns completely solid. Certainly it feels solid, when you tap on it or drop it or drink out of it, but it isn’t. That’s what an amorphous solid is – something almost solid, but not quite. It’s like a frozen liquid.”
Beautifully explained! Thank you so much, Apothecary. Would you like me to move you back to your proper place in the story, now?
“Well as I’m here, could I just take a peep at the Glassmaker at work? Such an interesting job.”
I suppose it wouldn’t do any harm, but don’t spoil the story, will you?
“Oh don’t worry! I’ll just look through the window. Ah, there he is. I thought he might be blowing some glass. I love watching them do that, but – hang on! What is that in his hand? Is he doing what I think he’s doing?”
There, I knew this wasn’t a good idea! Please don’t give his secret away just yet. I was building up to that.
“But he has – unless my eyes are deceiving me… No, it really is. I’m certain of it. He has a sly-glass! That’s outrageous!”
Oh! Enough! Right, I’m sending you back to Chapter 11. We’ll see you later. Thanks for all your help.
Oh dear, I hope that hasn’t ruined the story for you. I suppose, then, I’d better tell you the Glassmaker’s other secret.
As you have discovered, glassmakers are very talented people. They work with this not-quite-solid stuff in all sorts of ways. They know the many secrets of this magical substance and a few glassmakers – a very small few, luckily – work out how to make the most magical and dangerous thing of all. They discover how to make a sly-glass.
I can’t tell you exactly how it’s done. It’s something to do with smoke and mirrors, but it doesn’t usually end well.
And if you want to discover what happens to the Glassmaker and – far more importantly – to his children as a result of his unfortunate discovery, you can search for The Glassmaker’s Children by Jan Stone on Amazon, where it is available as a Kindle e-book or a regular paperback.
Here is a link to the UK site: https://www.amazon.co.uk/Glassmakers-Children-Jan-Stone/dp/B08HTM1LNK/ref=sr_1_1?crid=23CSEKIU0C17K&dchild=1&keywords=the+glassmaker%27s+children&qid=1600758506&s=books&sprefix=the+glassm%2Cstripbooks%2C351&sr=1-1
Should you be more interested in the 1:12 scale hand-crafted steampunk miniatures and other delights at the SteampunkDollsHouse, you will find them here: www.etsy.com/uk/shop/SteampunkDollsHouse .
If you’d like to connect you can find me here:
https://opentheboxweb.wordpress.com/ (story-maker blog)
https://steampunk-shrunk.com/ (website and blog about the steampunk miniatures)
Well it has been a delight to meet you. Thank you so much for joining me this evening as we keep the light in the lantern burning. I’m afraid that’s my shift over for the night. No doubt the ferocious appearance of my three companions here kept even the most audacious adversaries at bay.
I’ve heard some authors have had their spines ripped to pieces up here by those Liver Birds and there was tell last week of an artist who fell foul to a hoard of sugar zombies and is now best avoided… although his artwork apparently is better than ever…
Stay safe friends, whatever assails you, and when times are dark, look for the light in the lanterns of others and treasure the light in your own….