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#MythpunkMonday: Owl Punk

barn-owl-1506611

Happy #MythpunkMonday! Today I thought I’d take a look at owls. I’ve always loved them and our myth-bank has a particularly sad and moving story about the barn owl which has haunted me since I first heard it.

In this tale, the sun god chases his sister the moon goddess around the earth in lust until at last he catches her. Her child is born, a winged, liminal creature of darkness and light with a terrible shrieking cry. The moon draws her night cloak over all her children – the foxes, bats, badgers, deer and all the other nocturnal creatures – but the barn owl she casts out in revulsion because she shines with her father’s light – a wood demon burning with a ghastly flame –  and her mother, after all she has suffered, finds that light too painful.

Across world mythologies owls tend to be recognised as symbolic of either wisdom / good fortune or death / ill fortune, or sometimes both.

There’s a nice article on some different cultural beliefs about owls right here: https://www.owlpages.com/owls/articles.php?a=62

Owls are also often associated with the divine feminine – often linked to a goddess such as Lakshmi / Alakshmi, Athena or Blodeuwedd and it’s this aspect of the owl-image within our collective consciousness that I feel is a good in-road for punk fiction.

In truth of course all owls are not wise, or evil and seeing an owl is more likely to indicate that we have stumbled into its territory rather than it has sought us out to give us some dire warning of our own imminent demise.

But it is interesting, I think, that a creature which is seen as magical, wise, lucky (if you eat it), ill-omened, deadly and even evil should also be so often associated with the feminine. I feel it says a lot about historic cultural views of innately feminine attributes which now, in the light of modern cultural paradigm shifts, need to be challenged.

So bring on the stories that break the owl-shaped mould for the parameters of feminine form – and visa versa of course! Bring on the stories which illuminate the prison bars of feather and bone, and set us free to really fly.

How about you? Do you have a favourite owl myth? Have you included owls in your own mythpunkery? Or do you have a real life owl encounter you’d love to share? Feel free to join in the fun in the comments below or using the #MythpunkMonday hashtag!

 

Beautiful owl image by Gavin Vincent http://www.freeimages.com

 

#RainbowSnippets: Necromancers

Firstly I have an ENORMOUS apology to make to everyone who has pre-ordered the first Smith and Skarry book and is as disappointed as I am with the formatting mess that landed in their kindles on Friday 😦  Despite hours (read months, lol) of careful checking and formatting,  the file has landed and it’s … weird… fonts which I carefully embedded haven’t been embedded properly, page breaks carefully added haven’t worked, for some reason some is in capitols and some in lower case… I am going to enlist help and sort it out somehow asap.

I can only apologise to anyone who has pre-ordered and say that if you’d like a free PDF of the file and / or a free copy of my small tea painted book on gender and identity ‘Utterly Myself’ featuring Max and Collin as an apology get in touch via fb or email (ladywiththewyvern@gmail.com) and I will send you one.

I have published digital books before and not had this problem, and the digital proofs they sent me all looked fine but it seems all the research I did into the new KDP publishing platform hasn’t paid off or perhaps there is a discrepancy between the digital proof they send for us to spend hours going through with a fine toothed comb… and the actual way they format the final book? I don’t know. Any experienced advice with the new system would be hugely appreciated!

So, yes, very contrite and disappointed, I apologise enormously and if you have pre-ordered and are as disappointed as I am, please message me and I’ll find a way to make it up to you.

In the meantime, HAPPY SATURDAY! (maybe, lol!)

Here’s my #RainbowSnippets post for this week – if you’re new to this, Rainbow Snippets is a chance to read and share 6 sentences of LGBTQIA+ fiction every Saturday. There’s a huge variety from Steampunk, like mine, to Romance, Fantasy, Paranormal, Comedy and everything in between. You can join the fun and read all the other fabulous snippets at the wonderfully friendly and supportive official facebook group here.

As it’s still the spooky season I thought I’d do a few snips from a WIP which is the very last book (probably) in my Steampunk series Ashton’s Kingdom.

About 500 plus years after the events in the first book (The Curious Adventures Of Smith And Skarry) a forgotten cult are still obliviously serving their long-dead leader, Wiz, and trying to find the secret of immortality. Sort of. Actually daily temple life revolves more around knitting circles, bridge nights and summer fetes… until two novices stumble upon the secret of undeath themselves and unleash a couple of very unlikely ‘gods’ (and one disgruntled octopus) upon the unprepared and erstwhile peaceful community.

If you missed the last part you can catch up here: #RainbowSnippets: Necromancers

rendered

 

 

Douglas gulped as tapers flared on either side of him and the candles were slowly re lit illuminating hundreds of furious faces all glaring at him. He fumbled frantically with the circular tin he had been cradling… 

“I…. I brought cake…”

“What?” Arch Cleric Francis lowered their knitting needles and the rest of the assembled necromancers did the same. 

“Sticky toffee double fudge triple chocolate tray bake with crystalised ginger?” Douglas ventured, prising off the lid and offering the tin with a trembling hand.

“Oooooo!” 

General pandemonium ensued as the Necromancers all abandoned their half completed cast-ons and scrambled for a slice of Douglas’s offering. 

 

 

Cake really is the answer to everything isn’t it?! 😉 Have a fabulous weekend folks 😀 and don’t forget to check in at the #rainbowsnippets facebook group for more fabulous snippets of LGBTQIA+ fiction

#indiethursday: Cry of the Firebird

This #indiethursday I’m sharing my love of…

https://www.amazon.co.uk/Cry-Firebird-Paranormal-Fantasy-Fairytales-ebook/dp/B00R613D78/ref=sr_1_1?crid=FUD9KCDI1CM9&keywords=amy+kuivalainen&qid=1567087663&s=gateway&sprefix=amy+ku%2Caps%2C172&sr=8-1

 

Blurb

Steeped in Finnish and Russian mythology, Cry of the Firebird is a fantasy that would appeal to fans of American Gods by Neil Gaiman, C.Gockel’s I Bring the Fire series and Sergei Lukyanenko’s NightWatch.

After the murder of Anya’s shaman grandfather, Tuoni the Finnish God of the Dead, arrives to give her a mission; awaken her magic and take up the family mantle of Gate Keeper to Skazki, the terrifying world of legend, before monsters and dark gods break in and start a war in the human world.

Joined by Yvan, a Skazki prince who can transform into the legendary firebird, Anya is hunted by the prince’s dark-magic-wielding brother, and they are forced to flee to Skazki for safety. There, they meet a host of friendly and hostile forces, and Anya learns the secret history of her family.

Anya’s magic is unstable, and she finds herself returning to the real world, bringing all of her new enemies with her…

 

 

To compensate for my lack of time to do long reviews just now, I’m using the #indiethursday hashtag to share the indie love and point at some fabulous indie books I’ve enjoyed reading 😀

So, what fab indie fiction are you reading / writing this month? Blessings on your brew and best of luck with all your indie endeavours, lets keep flying the flag for indie writing!

 

#WritingWednesday: In The Cities Of Cloaks And Daggers

Happy Wednesday! I’m using Wednesdays to share some short bursts of the stories I’m working on… because that way, I figure, I’ll be motivated to keep working on them

Right now (besides the Smith and Skarry adventures, which get quite enough attention in my other posts) I’m working on an LGBTQIA+ Mythpunk standalone novel called In The Cities Of Cloaks And Daggers whose central themes are identity, voice and power.

It’s based in a world where Time grows like grass and is harvested, where people of the four cities – Gnarl, Ash, Slain and Caligari – wear their whole lives on their backs in the form of patchwork story Cloaks. Those who don’t have a Cloak, have no clue as to who they are. Those who have Cloaks guard them jealously for fear of the desperate Daggers who would steal them for themselves.

The novel is divided into four books – The Book Of Bujo (which btw is a complicated word whose closest meaning would be heist/ joke/ prank/ trick), The Book Of Scales, The Book of Feathers and The Book Of End – but in the opening the reader finds themselves in a burned down library where the pages of all these books have been scattered, charred and disarrayed across the floor so the narrative has to be pieced together in fragments and the time line dawns slowly rather than being obvious from the start.

It’s ambitious, I’m scared about failing at the vision I’m aiming for, but I love pushing the boundaries of what I can do and I’ve done similar things with short stories so I really hope I can make it work, let’s see… This is the fifth extract, you can find the fourth part here: #WritingWednesday: In The Cities Of Cloaks And Daggers

 

Victorian Steampunk Plague Doctor Assassin

 

The Duchess listened to the wind screaming protest against the canvas of the Land Kite sail. There was no other obstacle to its passage across the Seaglass Isle for another six or so kilometers ; then it would shatter into gusts against the buttresses of Gnarl and howl, fragmented and broken as the citizens, through the twisted streets, biting flesh in ire at the city’s presence here in its domain.

She frowned beneath her black leather beaked mask ; Nav had indicated that this would be their last foray into Gnarl and while the others had all made at least some progress here, The Duchess would be heading to Caligari with no further clue as to who, or what, she was, or might once have been. It was a vexing situation and beneath her black lace gloves her mechanical hands bawled unconsciously into fists, betraying her frustration.

 She could sway them to stay a little longer ; even The Magon, with all their great strength, was no match for her bladecraft… but that wasn’t the way this worked. The Navigator could see things hidden in The Shattered Sky ; patterns and signs encrypted in the miasma of scales and feathers which rolled above the land in prismatic clouds – a denundated landscape of shifting grains. 

The Navigator knew exactly where they should go next and what they should do when they got there and they’d all learnt the hard way that following her guidance was always the sensible option ; The Grass Temple had been a mistake but it wasn’t ever going to be repeated, if The Navigator said it was time to move on, then that was what they would do.

 

There you go, I hope you enjoyed reading the next little extract 🙂 What are you writing at the moment? Feel free to share links to your own works in progress or Writing Wednesday posts in the comments 🙂

Blessings on all your writing endeavours!

#MythpunkMonday: The Mythos Of Pain

Happy #MythpunkMonday!

It feels appropriate at this time of year, in my dark Mordorish little corner of the earth, to talk for a while about things other than the joyous and the beautiful. There is much here in life that is ugly and that stings, that hurts the flesh and the soul and when our Northern winter comes, bringing with it long stretches of cold damp weather, illness and isolation, many of us are forced to sit in company with these grim beasts for weeks or months on end. That’s not to say that winter cannot be a blessing, and to many it is, but today I’m going to talk about the issues for those for whom it definitely isn’t.

How we deal with pain depends on many factors – the nature of what pains us, whether it is curable or not, whether rest helps or is detrimental, whether medication or analgesics are available or useful, whether we have free will to choose our own path through pain or whether it is thrust upon us by well-meaning Others…

Pain is usually a signal that something is wrong somewhere and no form of cure can be complete unless it recognises first the cause of the pain it is trying to eliminate.

I live with RA. For me pain is usually a sign I have done too much and need to slow down, in those cases taking analgesics and pushing through only makes things worse. Occasionally, it can be a sign that I have been too inactive and need to do more, in that case painkillers can help.

The stories we tell ourselves and eachother about pain are important because they shape our expectations of ourselves and others. If we only listen to tales like that of Elija under the broom tree, we will labour under the assumption that all and any pain is an indication that we need to rest, indulge in self care and remain passive until the pain is passed. On the other hand if we only listen to stories of tenacity like that of  Demeter, for example, we are likely to carry the idea that all pain is something that can be pushed through and overcome by sheer force of will.

Both these extremes are, in my opinion, dangerous. Personally, I prefer stories where the cause of physical or emotional pain is brought to light and examined, where possibilities are left open, where many paths forward and back are visible and viable.

Mythpunk, with its postmodernist roots, can speak into this space effectively, can question and ridicule the notion one a ‘one size fits all’ philosophy for dealing with pain; the pain that cries ‘stop! enough!’, the pain that is the sweet release of hidden things, the pain that says ‘move, now, come on, get going,’ the pain that harms, the pain that heals, that births or ends, the pain that needs to be put in its place and told ‘pipe down, this is being dealt with, hush now and let us get on with it’… and all the other types of pain, they each deserve their recognition and their voice.

Here’s an extract from two of my own mythpunk pieces that deal with the subject of pain, both mental and physical, the first is from The Painter’s Daughter, which is currently published in Invisible The Mystery Of Hidden Illness and the other is from Ado which you can find in my own mythpunk collection, Mahrime: Mythpunk for monsters.

The Painter’s Daughter

The little demon jabbed the quill spike hard into the soft, pale flesh of her arm.

Out leapt a tiny spurt of paint.

Then slowly, and with the girl in thrall,

He dragged the rainbow colours out

In swirls and spirals, tree cassyn pathways to guide the flow of all that weary weight into traces of beauty and scope.

Here was a dream in flesh.

Here was pointillized pain.

Here was inside out for all to see and staining no one but herself; surely, no words would be needed now . The world would smile and nod its head at her, as they knocked shoulders in the street, and whisper

‘ah, so, that is how it is with her, mm, we understand now why she walks so slow and dares not speak. How could a child do otherwise, with so much colour inside?’

So she stepped out.

Stained.

With the bird quill tucked behind one ear…

 

Ado : When all is lost

“But look, ” she said, “we are still here.”

“No we aren’t” I said “There is something left that was not destroyed, but it isn’t us.”

“Look,” she said.

I kept my eyes on the sunrise.

For brief seconds there was beauty. The smoke seemed to bleed through the light like the flourish of a dancing hand – a love letter on pink paper.

For the space of a breath, the thousand fragments cart wheeling on the breeze were pale moths journeying to find the moon.

Up and Up.

Catch them, they crumble. They are only the little grey ghosts of all the things we loved. Echoes that stain our fingers and nothing more.

“Don’t tell me this is love,” I said. “Don’t tell me this is the plan.”

 

Thanks so much for joining me again for another #MythpunkMonday, do feel free to jump aboard and share your own / others work or thoughts using the #MythpunkMonday hashtag or in the comments below. Big blessings to all who struggle, at this time of year or any, it is tough but together we can support eachother and make space for our voices to be heard.

#RainbowSnippets: Necromancers

Happy Saturday! I hope you’ve enjoyed whatever festivities this season brings you! I’m writing this post on Friday and out the window is a lush blue sky and crisp cold morning with the Rowan next door giving us a last late burst of flame! Tomorrow we are supposed to have snow, I’m not sure how I feel about that! lol! The RA has kicked in and I’m sky high on painkillers right now so things that are going to make mobility even more difficult are a bit daunting! LOL. Here’s wishing that when snow does hit we can all enjoy it (even if it’s just admiring it from a window seat!) 😀

Here’s my #RainbowSnippets post for this week – if you’re new to this, Rainbow Snippets is a chance to read and share 6 sentences of LGBTQIA+ fiction every Saturday. There’s a huge variety from Steampunk, like mine, to Romance, Fantasy, Paranormal, Comedy and everything in between. You can join the fun and read all the other fabulous snippets at the wonderfully friendly and supportive official facebook group here.

As it’s still the spooky season I thought I’d do a few snips from a WIP which is the very last book (probably) in my Steampunk series Ashton’s Kingdom.

About 500 plus years after the events in the first book (The Curious Adventures Of Smith And Skarry) a forgotten cult are still obliviously serving their long-dead leader, Wiz, and trying to find the secret of immortality. Sort of. Actually daily temple life revolves more around knitting circles, bridge nights and summer fetes… until two novices stumble upon the secret of undeath themselves and unleash a couple of very unlikely ‘gods’ (and one disgruntled octopus) upon the unprepared and erstwhile peaceful community.

If you missed the first part you can catch up here: #RainbowSnippets: Necromancers

rendered

 

“Sorry,” Douglas ventured, shuffling sideways along what he hoped was the back row of folding chairs. There was an almighty crash as something large and metallic clattered to the flagstone floor. “Sorry! So sorry,  Francis, er, I mean Your Grace…”

“Douglas!” 

“Sorry!”

“Late again Douglas, and I see the rest of your red-robe order are a no-show as usual, we have already begun the casting!”

 

 

Poor Douglas, can he appease Arch Cleric Francis and their fellow Necromancers for disturbing their casting? I’ll let you know next week 😉 Meanwhile have a fabulous weekend folks 😀 and don’t forget to check in at the #rainbowsnippets facebook group for more fabulous snippets of LGBTQIA+ fiction

#indiethursday: A World Of Intemperance

This #indiethursday I’m sharing my love of…

 

Blurb:

“I say, Mr. Temperance, you would do well, sir, to be more aware of the world around you. The clamour of war threatens to engulf the globe. Moreover, I confess a trepidation in my soul stemming from other quarters in this galloping age of invention. I feel certain that we are at risk from threats of a supernatural origin. Do you not agree, eh hem?”
“Yes, Ma’am, Miss Plumtartt, Ma’am, I have the same sense of nameless dread gripping my pumper in it’s icy grip. Why, it looks as if you and I have uncovered a conspiracy to plunge all the world’s countries into mayhem and disaster, leaving the spoils of a conquered planet to the tender mercies of heartless tyrants using means inhuman to gain their sway. I’m glad we have the companionship of a telepathic doggie, a tin-man, and all sorts of other entertaining folks to see us through this peril, for I think we might be in a lot of trouble!”

 

To compensate for my lack of time to do long reviews just now, I’m using the #indiethursday hashtag to share the indie love and point at some fabulous indie books I’ve enjoyed reading 😀

So, what fab indie fiction are you reading / writing this month? Blessings on your brew and best of luck with all your indie endeavours, lets keep flying the flag for indie writing!

 

#WritingWednesday: In The Cities Of Cloaks And Daggers

Happy Wednesday! I’m using Wednesdays to share some short bursts of the stories I’m working on… because that way, I figure, I’ll be motivated to keep working on them

Right now (besides the Smith and Skarry adventures, which get quite enough attention in my other posts) I’m working on an LGBTQIA+  Mythpunk standalone novel called In The Cities Of Cloaks And Daggers whose central themes are identity, voice and power.

It’s based in a world where Time grows like grass and is harvested, where people of the four cities – Gnarl, Ash, Slain and Caligari – wear their whole lives on their backs in the form of patchwork story Cloaks. Those who don’t have a Cloak, have no clue as to who they are. Those who have Cloaks guard them jealously for fear of the desperate Daggers who would steal them for themselves.

The novel is divided into four books – The Book Of Bujo (which btw is a complicated word whose closest meaning would be heist/ joke/ prank/ trick), The Book Of Scales, The Book of Feathers and The Book Of End – but in the opening the reader finds themselves in a burned down library where the pages of all these books have been scattered, charred and disarrayed across the floor so the narrative has to be pieced together in fragments and the time line dawns slowly rather than being obvious from the start.

It’s ambitious, I’m scared about failing at the vision I’m aiming for, but I love pushing the boundaries of what I can do and I’ve done similar things with short stories so I really hope I can make it work, let’s see… This is the fourth extract, you can find the third part here: #WritingWednesday: In The Cities Of Cloaks And Daggers

Victorian Steampunk Plague Doctor Assassin

 

The Dragpie smirked, their eyes bright with jewels of wicked mirth, “I can hardly be blamed if I have more of worth to say than the rest of you and my turns pass quicker because my wit is sharper, what I have to say in an hour takes the rest of you days – weeks in your case to…”

The monologue was guillotined in a breathless squawk as The Magon clamped an expertly aimed and conveniently breadthy fist around their windpipe and lifted The Dragpie several inches off their perch. 

With the other hand, The Magon reached inside their shoulder holster, secured the vial and pulled out a battered notepad, flipped it easily open to a well worn page and shoved the words ‘SHUT IT, DICK’ printed in a shaky, unpractised hand, into the Dragpie’s face. 

The Dragpie choked, spluttered and reached inside their leather waistcoat for a strange looking blade-tipped quill, their hand trembled and their bright eyes began to leak tears as they strained to breathe and steady the tool at the same time. 

The Magon frowned but didn’t release their grip, as The Dragpie trawled the diamond quill slowly, shakily and dramatically across the ink black, scale flecked skin of their forearm to carve the words ‘EAT SHIT, DARLING’ which glowed silver, with whatever fluid ran through The Dragpie’s veins, for a few seconds, like a triumphant two fingered salute, before fading as the coal-smoke flesh healed over and swallowed the words back down inside.

The Magon growled in frustration but, seeing all else was futile, let their captive fall to the boards in a heap of choking, chuckling feathers, wiping tears of laughter from their eyes even as they coughed and spat and  massaged the feeling back into their raw neck. 

The Magon shook their head and began to walk away towards the helm of the Land Kite, pulling out the vial without looking at it and stepping carefully around the sleeping she-wolf on her bed of faded silk flowers and tarnished treasures.

 Hearing the Dragpie getting to their feet, they turned, expecting another onslaught of hyperbole, but as the Dragpie opened their mouth gleefully to continue their mocking tirade, no sound came out. 

The Magon could easily have laughed as their companion’s crest fell and their eyes filled with sudden distress, turning quickly to tears of panic and frustration, but they knew what addiction was, even addiction to the ability to express one’s self through sound. Instead they shook their head and turned their attention back to finding the Duchess and delivering her draught of Voice ; it was her turn, afterall.

 

There you go, I hope you enjoyed reading the next little extract 🙂 What are you writing at the moment? Feel free to share links to your own works in progress or Writing Wednesday posts in the comments 🙂

Blessings on all your writing endeavours!

Elevenses: With Stephen Palmer

rainbow keeper, put the fairy rainbow on the sky, magic ship in the dreamland, scene from wonderland,

image copyright Nadiaforkosh

Good Morning Ladies and Gentlemen, welcome to Max and Collin’s rambunctiously raucous and chi-chi to the core parlour located high above it all on board our beautiful rainbow-sailed ship, The Harlequin Ladybird.Our tentacles are all of a quiver this morning and our china cups are chattering because we are honoured to have Stephen Palmer joining us for elevenses this morning.

Do please have a seat,  (Max, get off the chaise and let him sit down … hm? … no he can’t sit on your lap, just move aside.)

Would you like tea? Earl Grey? Lapsang? Assam? Darjeeling? ( We are all out of Oolong Max so don’t even think about making that joke again)

 

Definitely Darjeeling. Nothing else will do! But I’ll just cross my legs and place this pocket abacus on my lap so that Max is stymied…

 

That is very kind and unnecessarily accommodating of you Stephen, here is your tea. Now then, do tell us more about yourself and your latest books.

 

Well… it’s a long story. Many years ago I was taken off the slush pile by Orbit Books, which started my time as a published author. Since then my career has scaled some heights and descended into some depths, though recently it’s been on a bit of a high. At the end of 2016, my steampunk/alternate history trilogy Factory Girl (The Girl With Two Souls / The Girl With One Friend / The Girl With No Soul) was published, to a very positive reception. Earlier this year we decided to relaunch it with covers designed by famed steampunk illustrator Tom Brown (he of Hopeless, Maine), with a fourth, supplementary novel – not published with the original trilogy – also set for publication. This latter novel is set in 1914-15 and is called The Conscientious Objector.

 

Oh that does sound like an intriguing series! We very much admire Tom Brown’s artwork too and did you hear that Max? That last book sounds like just your cup of tea! ( Many people find Max objectionable, I’m sure you can see why.)  What inspired you to write the series?

 

The entire plot, characters and structure of Factory Girl came to me one evening during a two hour blitz of ideas. That this happened means it was waiting in my subconscious ready to appear. The overarching theme is whether or not souls exist, an area explored via Victorian-style automata, though also through the life stories of the main characters. Of these, the main ones are: Kora Blackmore, an illegitimate mulatto (used here for historical accuracy) girl imprisoned in Bedlam Mental Hospital; Erasmus Darwin, grandson of Charles; Dr Spellman, an entirely mysterious benefactor; other members of the Darwin family; an enigmatic automaton who can speak and understand; and Sir Tantalus Blackmore, Kora’s father, the greatest industrialist of his age and owner of the Factory in Sheffield, where all the Empire’s automata are manufactured. The story takes place over all three novels during 1910-11.

 

I see, it sounds most enticing… er, no Max we do not need to hear about your experiences in Bedlam thankyou… nor why there is a young lady there who swears you have tentacles… I’m so sorry Stephen I’m afraid he has been at the sugar again this morning. Moving swiftly on, what would you say most influences your writing in general?

 

I’m known in the genre world for rarely reading fiction. Most of my influences are non-fiction. For instance, I recently read: Mama’s Last Hug (the emotions of animals), Novacene (James Lovelock’s new one, celebrating his 100th birthday), and The Hare With The Amber Eyes (an extraordinary memoir about netsuke).

 

How interesting! But if not any fiction then are there any authors who have particularly inspired you?

 

In my earlier days I was influenced by authors such as Jack Vance, Gwyneth Jones and Gene Wolfe. These days there aren’t many authors of fiction who inspire me, but in the steampunk world I much enjoyed the YA novel Cogheart.

 

Hm. Excellent. (No he does not want to hear your poetry Max, that is not in least bit inspiring, stop interrupting)  Battenburg?

 

Do you have any parkin? I understand they make it in Leeds.

 

We certainly do have some Parkin – left over from a tea party with the Brown’s in fact! – although this was made in Lancaster. You know, writing is something I’ve always fancied turning my talents to – having so many tentacles I imagine I could be quite productive as an author. Tell me, what was your own road into fiction writing like?

 

It was an extraordinary stroke of luck. I had been sending sample chapters and the like to various London publishers, but without much by way of reply. Then, mere days before I moved house (never to return for reasons best not mentioned), I received a letter from Orbit asking me to send the full MS of a novel I’d sent them over a year before. I was surprised! So I sent it off, but then, because of various life-events getting in the way for me and for them, I didn’t hear anything for a while, during which time I wrote a third version. This version was eventually accepted, to be published in 1996 as my debut Memory Seed.

 

I see, what marvellous good fortune! And do you have any plans for new projects in the near future?

 

When I do writing events or author appearances I usually mention writer’s volcano – the opposite of writer’s block. So, yes, I have lots of projects on the go! This winter I’ll be writing the final volume of a steampunk trilogy set in an alternate Shrewsbury (my home town) and in London. Set in 1899 and 1900, it follows the fortunes of a couple of orphans.

 

Ah, we are well acquainted with a small army of orphans so can easily see how that subject could provide ample plot-fodder – in fact Max often wishes he was an orphan. So, where can we get our tentacles on your work?

 

My novels are available in all the usual places online, both as paperback or ebooks. Infinity Plus have most of the ebooks of my back catalogue.

 

Splendid. And can we find you online?

 

My blog: https://stephenpalmersf.wordpress.com/

On amazon UK: https://www.amazon.co.uk/Stephen-Palmer/e/B0062Z5R78?ref=sr_ntt_srch_lnk_1&qid=1569234616&sr=1-1

On amazon US: https://www.amazon.com/Stephen-Palmer/e/B0062Z5R78?ref=sr_ntt_srch_lnk_1&qid=1569234674&sr=1-1

At Goodreads: https://www.goodreads.com/author/show/5625764.Stephen_Palmer?from_search=true

 

Wooooah! Dear me I do apologise, the airship must have slipped and I seem to have landed in your lap I hope I haven’t covered you in octopus slime?

 

It’s no problem! I’m wearing Dr Avebury’s Secret Trouser Improver, from which liquids dissipate.

 

What a marvellous invention, perhaps we should invest in some ourselves. But Are you sure you’re alright? Can I perhaps tempt you with another cup of the hot stuff?

 

If it’s my usual poison, yes indeed… but I must away. A Nigerian automaton has just leaped from my blazer pocket and told me the time. Farewell!

 

Oh dear, Max I do believe your menacing threats of mostly awful poetry and ill-concealed amorous advances have scared off yet another of our guests. You really must learn to behave yourself ‘In Company.’

Thankyou, friends for joining us this morning on board our beautiful  rainbow sailed ship The Harlequin Ladybird and until we see you again, please remain always

Utterly Yourself

#MythpunkMonday: The Road Back Lost

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Happy #MythpunkMonday! Last month we talked about the power of Mythpunk, this week I’m going to ask how we wield that power responsibly – or if we even need to? I’m going to look at one particular Mythpunk song by my favourite singer/songwriter, talk about my own journey in Mythpunkery and give you a little snippet of one of my own Mythpunk stories.

So, last week we looked at the power of myth and the importance of Mythpunk as a subversive form that can challenge mainstream culture and instigate social change.

That makes Mythpunk powerful too and – as all us true geeks know – ‘with great power comes great responsibility’ (cheesy but true, guys, cheesey but true!)

So what responsibility do Mythpunk creators have and to who?

It’s not an easy question and the answer is likely to be a very personal one for all of us – different for each punk who puts pen to parchment. But I think it’s vital for us all to consider and to create ongoing discourse around this point.

From my own point of view, I came to Mythpunk (although I wasn’t aware of the phrase at the time) feeling as though I wanted to bite back at the restrictive, prejudiced, tired and boring old tales I had grown up hearing. I was carrying fire in my blood and in my head and it flowed out through my pen in rage against the morals and values inherent in those tales, all of which seemed to say that ‘people like me’ were not acceptable, could not be heroes, needed either rescuing or destroying and would certainly get our comeuppance one day … etc etc.

So I wrote to bite back, I wrote to destroy and obliterate and to replace all that ancient, old hat, prejudiced nonsense (as I saw it) with my own values, morals and world-view.

As I got older, I learned a revelation that made me stop and think. It didn’t make me regret what I’d written before, but it did make me proceed from that point onwards in a different way… I learnt the history of my people – a history which my family had been forced to hide from us because of deep rooted and continued prejudice against our people, a history which, I now realise, had been partly encrypted in story and song and passed down through generations in the hope that one day we would understand… and here I was taking a scythe to it all in anger.

Worse still, I soon found – as I now hungrily hunted for more stories, myths, tales, legends and songs which would tell me more about our culture and history – I came up blank ; most of it has been lost and what remains has been twisted and manipulated (not ‘punked’ which is something quite different) out of all recognition by other cultures in order to maintain the myth of the ‘Gypsy Creature’ by people who are not even Romany.

I felt hurt and lost and angry and guilty and very many other things as well and eventually those feelings lead me to write Mulengi Sinija (a tale of cultural appropriation and white-washing which shows how a less powerful culture can be forced to hide themselves while the dominant culture wears their clothing and beliefs like an exotic mask, until eventually the grandchildren of the less dominant culture have forgotten who they are. ) and also The Road Back Lost, which I’m going to share an exert of today.

So after that point I decided that although there really were parts of my culture that needed to evolve, so much had been lost that I wanted my Mythpunk to focus on preserving the good, the beautiful, wise and historic aspects to make tales worthy of passing on to my own children.

I’m still on uncomfortable ground here – there are definitely dark moments when I ask ‘do I have the right to do this?’ and I can only comfortably answer ‘yes’ because it is my own culture and belief, my own experience, the voice of my own blood that is singing through me. I am not certain I could always give a resounding ‘yes’ if that were not the case.

I think that, for me, the subject boils down to questions of Power,Voice and Ownership – does the mythology I’m punking from exist in enough written forms that its power and voice resound through history and are unlikely to be altered / obliterated forever by my work here and now? – does the culture which this mythology hales from have enough power and voice on the world stage to protest against my meddling with it, should it choose to do so? – and lastly, is the culture my own?

But this is just my story, my journey, my own evolving view on things, – I’d be really interested to hear what you think on the subject! Should Mythpunk be a free-for-all? Is it OK to punk from other cultures? Should we not punk at all? Or is there a middle road and if so, how do we stay on it?

In that contemplative vein, I’m going to share with you Black Jack’s Lady by my favourite singer/songwriter of all time Heather Alexander / Alexander James Adams.

It’s a Mythpunk’d version of the child ballad The Raggle Taggle Gypsies / The Gypsy Laddie / Black Jack Davy, a ballad I grew up with, which tells the tale of Lady Cassillis and her lover the Romanichal folk hero and Rom Baro Johnnie Faa.

In that folk tale, the Earl of Cassillis marries his young wife against her will, but her lover, Johnnie Faa, or Black Jack Davy, rescues her and they run away together. The Earl eventually catches them, hangs Faa and his brothers and imprisons his wife for the rest of her days. There isn’t any truth in the tale as far as Faa and Cassillis are concerned, and of course there are aspects of it which seem wonderful and other aspects which seem dreadful.

Here’s the song and above it I’ve included Heather’s introduction/ explanation of it as well – I’ve chosen it because, as with the original, there’s a lot about it that I love from a fun and feminist perspective and also a lot that feels uncomfortable … see what you think?

 

And finally here’s the excerpt I promised from The Road Back Lost, if you like it and want to read the whole things you can find it on Vocal… https://poets.media/the-road-back-lost

THE ROAD BACK LOST

Do you know what it is like to gut a wolf, child? Do you think you have the stomach for the knife? If you are a daughter of the wood, you ought at least to have that. But perhaps the tool they have given you is not up to the task? Faced with the breath, the lure of iron scent, the clinging claret clots that call to your own quickened pulse, the sharp, sharp teeth a grotesquery of your

Little

Knife

Perhaps you would rather flee?

Or perhaps that dilation of your dark and precious orbs betrays your lust to leave this wood and simply be devoured, melting on a hot tongue, melting in a hot belly, melting like a shadow into night? How many times have you tried to lose yourself that way? How many times have you wandered from the path, waiting for your wolf?

Well

Here she is, child, here she sits; white throat waiting to welcome you home.’

 

 

Thanks for joining me for another #MythpunkMonday and please feel free to join in a share your own / others Mythpunk either in the comments or using the hashtag – let’s fill every Monday with marvellous Mythpunk madness 😀

 

 

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