Albert Manlii has walked this earth for more than two thousand years, but survival on his own was never easy. Now he leads a faction of highly organized vampires who carefully guard the secret of their existence. Unlike the old days, potential recruits are carefully selected and presented with an offer.
Phillip Brewer has weeks to live — if he lets his disease run its course. He doesn’t want to die, but given a choice, will his desire to live outweigh his concerns about the vampires’ ethics?
When the new recruit’s missteps are cause for concern, can Albert control the fallout, or will Phillip’s life once again be torn apart?
I have to confess I actually came to this book having read snippets from the next book in the series via the Rainbow Snippets facebook group and so I had already fallen in love with the character of Albert and seen flashes and hints of how their story plays out in the future.
I’m a sucker for vampire stories but can’t stand the ‘Twilight flavour’ so many now seem to carry, so I delighted in the fresh feel of this series and loved the combination of appealing characters and engaging plot.
I fell more in love with Philip than I thought I would – he is a beautiful character without being at all delicate or whiny or precious which I think is over-done in vampire novels.
Overall, I loved the characters and their world, especially Albert, and I would recommend the series to anyone looking for a modern vampire series with lovable characters and a fresh, unique feel.
Born in the abandoned subway shafts beneath First City, Trina measures life in the coin she steals from her wealthy father’s people living above. She gives little weight to her dying mother’s fairy tales about how her father will rescue Trina and her twin sister, taking them away from this planet. Yet the stars catch her attention every time she goes to the surface.
Trina is the protector, a role she created more from heroic tales in books her father gave them than anything in a shafter’s life. When she sees drunken aristocrats harassing laborers, she can’t turn away even though attacking them carries a death sentence. Her paternal grandfather discovers Trina before the enforcers can and offers everything she has ever desired—safety for her family and a way off Ceric.
Can she trust their family connection, or will the price of her dreams be more than Trina is willing to pay?
I fell in love with Margaret’s wonderful story weaving skills through her Steampunk series The Steamship Chronicles. This was my first encounter with her Sci-fi series and, as someone who tends to steer away from space-based Sci-fi and more towards Fantasy and Steampunk I was taken aback at how instantly I was drawn into this world.
Once I had pulled my head out again at the final page and re-orientated myself to reality, I realised that what had pulled me in and held me there so firmly was the characters – not just the focal two, but even those who only featured in one or two scenes were so intricately and lovingly portrayed I cared deeply about all of them at once.
I won’t mention the plot because it is marvellous and can’t be mentioned without spoiling the marvellousness but there is a lot to chew over in here – darkness and light, love and bitter hatred, intention and risk and an overall sense of ‘the human condition’ as being well intentioned but sadly often painfully fallible.
There is great love here in many forms – some of them dangerous – there is pain, yes, but at the end, thankfully, there is immense hope.
A Hangover From Hell is exactly what greets rock star Callum Carter on the final morning of an ‘On the Road’ trip along Route 66, taken with his partner, artist Daniel Flynn. Theirs is a story of fame, lust, laughter and all-consuming love. They met five years ago, when the infamous ‘enfant terrible’ was commissioned to paint Callum’s portrait and have been together ever since. The latter remains a closely kept secret…until the morning they wake up in Las Vegas. Married. Dan has no memory of this miracle taking place, only one thing seems certain; he has somehow managed to pull off his masterpiece of mischief, and inveigled Cal down the aisle.
Zakarrie Clarke has an ineffable knack for infusing her stories with the perfect balance of humour and heart – Even in the first chapter of this book her writing broke my soul with pain and had me almost on the floor with peels of wicked laughter.
That first glimpse at Dan and Cal’s relationship was but a siren’s song that swiftly pulled me so deep into their beautiful / painful / hilarious / fragile / exhilarating but ultimately feel-good world, I never wanted to surface again and so I was over the moon to find there was a sequel to dive into and more of the series planned as well for the future.
This is an utterly entertaining – raw at times – thoroughly heart-warming read, filled with passion and mischief and that kind of Bohemian love that risks all and rises, on broken wings, victorious (and perhaps with a wicked two-fingered salute to those who said it couldn’t survive)
Good morrow, and well met! Welcome to the Annual Lancastrian Frost Fair on the frozen River Lune.
My name is Stephen Palmer and I write alternate history novels with a heady steampunk flavour. Sit down if you will… You can see my novels displayed here for your perusal, please feel free to browse at your leisure.
My work ranges from Tommy Catkins in the Great War, back through the Edwardian era in the clockwork, steampunk Factory Girl trilogy and The Conscientious Objector, to the surreal Dodgson-esque Hairy London, which ranges from Victorian times to WW1…
Enjoy! Be mystified! Then enjoy once more!
But wait just one heartbeat before you skate away. In these days of social media there are links to be had – fine links! And here they are for you…
Good Morning! Welcome to the Annual Lancastrian Frost Fair on the frozen River Lune!
My name is Zakarrie and my stories are a rollercoaster ride of lust, laughter and all-consuming love. Even at their most contemporary, i should p’raps tag them #quirky #mmromance and (more often than not) #ownvoices.
You can see my wares displayed here for your perusal, please feel free to browse at your leisure…
Amazon Author Page:
I hope you enjoy your time on the ice today, thank you so much for stopping by.
If you’d like to read a free, full length shapeshifter novel, I’ve been serialising my latest story on my blog:
The Beast of Bodmin Moor
Two years ago, Jake McCain met an irresistible stranger at the Glastonbury festival. A few days later his life, as he knew it, was over. Enter Jack. The ‘two’ of them have…cohabited ever since. Much to Jack’s dismay, Jake is relentless in his bid to be the most bloody minded human a jackal ever had the misfortune to manage.
Phin Finley has set off on a magical mystery campervan tour of south-west England. Having flown the family nest for the first time, he is determined to prove to his parents that he can manage just fine, despite being a bit too…Phinnish for most folk’s comfort, his mum’s peace of mind and dad’s constitution.
This is the story of his misadventures. Of finding your (happy) place in the world, making (foxy) friends and the fabled Beast of Bodmin Moor.
Full story: https://zakarrie.com/tag/beast/
Happy Sunday folks! I don’t usually do a Sunday post but I was fortunate enough to be invited to do a guest post on Stephen Palmer’s blog on the subject of Rromani representation in fiction so I thought I’d share it at the weekend so that it doesn’t get trampled by Collin and his Frost Fair shenanigans! XD
Here’s the link to the guest post: http://www.stephenpalmer.co.uk/
Stephen Palmer writes a variety of diverse fiction including Sci fi and Steampunk. You can find his authour page on amazon here: https://www.amazon.co.uk/Stephen-Palmer/e/B0062Z5R78?ref=sr_ntt_srch_lnk_1&qid=1581086881&sr=8-1
Good Morning Ladies and Gentlemen, welcome to Max and Collin’s rambunctiously raucous and chi-chi to the core parlour located high above it all on board our beautiful rainbow-sailed ship, The Harlequin Ladybird.Our tentacles are all of a quiver this morning and our china cups are chattering because we are honoured to have Stephen Palmer joining us for elevenses this morning.
Do please have a seat, (Max, get off the chaise and let him sit down … hm? … no he can’t sit on your lap, just move aside.)
Would you like tea? Earl Grey? Lapsang? Assam? Darjeeling? ( We are all out of Oolong Max so don’t even think about making that joke again)
Definitely Darjeeling. Nothing else will do! But I’ll just cross my legs and place this pocket abacus on my lap so that Max is stymied…
That is very kind and unnecessarily accommodating of you Stephen, here is your tea. Now then, do tell us more about yourself and your latest books.
Well… it’s a long story. Many years ago I was taken off the slush pile by Orbit Books, which started my time as a published author. Since then my career has scaled some heights and descended into some depths, though recently it’s been on a bit of a high. At the end of 2016, my steampunk/alternate history trilogy Factory Girl (The Girl With Two Souls / The Girl With One Friend / The Girl With No Soul) was published, to a very positive reception. Earlier this year we decided to relaunch it with covers designed by famed steampunk illustrator Tom Brown (he of Hopeless, Maine), with a fourth, supplementary novel – not published with the original trilogy – also set for publication. This latter novel is set in 1914-15 and is called The Conscientious Objector.
Oh that does sound like an intriguing series! We very much admire Tom Brown’s artwork too and did you hear that Max? That last book sounds like just your cup of tea! ( Many people find Max objectionable, I’m sure you can see why.) What inspired you to write the series?
The entire plot, characters and structure of Factory Girl came to me one evening during a two hour blitz of ideas. That this happened means it was waiting in my subconscious ready to appear. The overarching theme is whether or not souls exist, an area explored via Victorian-style automata, though also through the life stories of the main characters. Of these, the main ones are: Kora Blackmore, an illegitimate mulatto (used here for historical accuracy) girl imprisoned in Bedlam Mental Hospital; Erasmus Darwin, grandson of Charles; Dr Spellman, an entirely mysterious benefactor; other members of the Darwin family; an enigmatic automaton who can speak and understand; and Sir Tantalus Blackmore, Kora’s father, the greatest industrialist of his age and owner of the Factory in Sheffield, where all the Empire’s automata are manufactured. The story takes place over all three novels during 1910-11.
I see, it sounds most enticing… er, no Max we do not need to hear about your experiences in Bedlam thankyou… nor why there is a young lady there who swears you have tentacles… I’m so sorry Stephen I’m afraid he has been at the sugar again this morning. Moving swiftly on, what would you say most influences your writing in general?
I’m known in the genre world for rarely reading fiction. Most of my influences are non-fiction. For instance, I recently read: Mama’s Last Hug (the emotions of animals), Novacene (James Lovelock’s new one, celebrating his 100th birthday), and The Hare With The Amber Eyes (an extraordinary memoir about netsuke).
How interesting! But if not any fiction then are there any authors who have particularly inspired you?
In my earlier days I was influenced by authors such as Jack Vance, Gwyneth Jones and Gene Wolfe. These days there aren’t many authors of fiction who inspire me, but in the steampunk world I much enjoyed the YA novel Cogheart.
Hm. Excellent. (No he does not want to hear your poetry Max, that is not in least bit inspiring, stop interrupting) Battenburg?
Do you have any parkin? I understand they make it in Leeds.
We certainly do have some Parkin – left over from a tea party with the Brown’s in fact! – although this was made in Lancaster. You know, writing is something I’ve always fancied turning my talents to – having so many tentacles I imagine I could be quite productive as an author. Tell me, what was your own road into fiction writing like?
It was an extraordinary stroke of luck. I had been sending sample chapters and the like to various London publishers, but without much by way of reply. Then, mere days before I moved house (never to return for reasons best not mentioned), I received a letter from Orbit asking me to send the full MS of a novel I’d sent them over a year before. I was surprised! So I sent it off, but then, because of various life-events getting in the way for me and for them, I didn’t hear anything for a while, during which time I wrote a third version. This version was eventually accepted, to be published in 1996 as my debut Memory Seed.
I see, what marvellous good fortune! And do you have any plans for new projects in the near future?
When I do writing events or author appearances I usually mention writer’s volcano – the opposite of writer’s block. So, yes, I have lots of projects on the go! This winter I’ll be writing the final volume of a steampunk trilogy set in an alternate Shrewsbury (my home town) and in London. Set in 1899 and 1900, it follows the fortunes of a couple of orphans.
Ah, we are well acquainted with a small army of orphans so can easily see how that subject could provide ample plot-fodder – in fact Max often wishes he was an orphan. So, where can we get our tentacles on your work?
My novels are available in all the usual places online, both as paperback or ebooks. Infinity Plus have most of the ebooks of my back catalogue.
Splendid. And can we find you online?
Wooooah! Dear me I do apologise, the airship must have slipped and I seem to have landed in your lap I hope I haven’t covered you in octopus slime?
It’s no problem! I’m wearing Dr Avebury’s Secret Trouser Improver, from which liquids dissipate.
What a marvellous invention, perhaps we should invest in some ourselves. But Are you sure you’re alright? Can I perhaps tempt you with another cup of the hot stuff?
If it’s my usual poison, yes indeed… but I must away. A Nigerian automaton has just leaped from my blazer pocket and told me the time. Farewell!
Oh dear, Max I do believe your menacing threats of mostly awful poetry and ill-concealed amorous advances have scared off yet another of our guests. You really must learn to behave yourself ‘In Company.’
Thankyou, friends for joining us this morning on board our beautiful rainbow sailed ship The Harlequin Ladybird and until we see you again, please remain always
Good evening and welcome to my awe inspiring athenaeum of praiseworthy pamphlets – or as that ridiculous octopus calls it, my ‘lovely library.’
I am the ghost of Perilous Wight and here in the bowels of the city of Lancaster, in the disused tunnels of an underground train system that never was, I have made it my mission to collect, catalogue and review every book that our self-proclaimed ‘supreme ruler of the universe’ and his mincing minions have banned from the bookshelves of the new world.
But I have not always been a bad tempered ghost in charge of an underground library. Once upon a time I was a bad tempered gentleman who had devoted his life to the collection of evidence which might perhaps one day bring about the downfall of our oppressive overlord, Wiz.
Not to be put off by death, I have struggled to find a way to continue my work and I have indeed found a method by which I can sporadically leave this library, to which I am otherwise bound, and travel abroad.
This method is known as The Opprobrious Pith Helmet.
By securing the services of a less than reputable Wizard I have had my soul partially bound to an ancient piece of explorational headwear and am therefore able to possess the wearer for short periods of time, with their consent…hm? Did I have to drug them first? Well how very rude of you of course I did not have to drug them…I mean the very idea!
So, this evening I am most honoured to be occupying the form of authour Guy Donovan and I… no those are NOT blood stains on his shirt. It is red paint. I may have had a very minor altercation with a disgruntled barge woman who mistook my innocent enquiries about leather bound tomes for something else entirely, but I managed to set her straight in the end… after I’d clambered out of the canal and removed most of the pond weed.
Anyway I do not have time for an interrogation on the moral use of other people’s bodies, can you not see that I have just returned from a most important business trip? I have new books everywhere and I must review and catalogue them and… what’s that? What are you wittering about? Help? You’d like to help me transcribe? You’ve brought along some single malt to keep out the chills as we work?
Well, I suppose that puts a very different slant on things doesn’t it? Very well then, I will dictate a short extract of each story and a review, and you can pour…I mean type… a-hem…
A WIZARD’S QUANDARY BY JAQ D HAWKINS
The story concerns the wizard Lesana, who is employed by her local king to keep him in potions that preserve his youth. She lives alone in her tower far from the capitol, unless of course you count the small, green dragon in her keeping that she found as a hatchling and named Khadri. No one but Lesana knows about Khadri, and they both intend to keep it that way. If the king found out about him…well, you can guess what would happen, right?
Then one day, a soldier comes from the capitol with orders to take Lesana to the king and teach him how to make her magic potions for himself. Naturally enough, Lesana isn’t very interested in doing anything of the sort, so she and Khadri abscond, with the soldier pursuing them into the mountains—the same mountains in which Lesana found Khadri. The mountains where the dragons live.
What I liked most about the story is the relationship between Lesana and Khadri. It’s very playful and touches on maternal without ever getting cloying. The below sample shows that very well, I think.
Lesana peered carefully into the crucible, closely observing the swirling, black mass within.
“If that pops, you could lose an eye.” Khadri, Lesana’s miniature green dragon companion, hopped onto Lesana’s shoulder, causing her to brace herself against the weight of an animal the size of a full-grown wolverine. He glanced at the churning elixir.
Lesana pulled her head back a little, but continued frowning at the crucible.
“Your eyes see more colours than mine,” she stated aloud. “Can you see any hint of vermilion?”
Khadri danced around on his shoulder perch, pretending not to notice when Lesana steeled herself against the new claw punctures in her partially healed, damaged skin.
“I see the red glowing crystals forming rapidly, as always. You’ve never failed in your efforts to make the Philosopher’s Stone to my knowledge.”
“You should have seen my early efforts, when you were just a hatchling,” she replied. “It’s more by luck than judgement that I never blew up the entire tower.”
“It’s a dangerous business,” Khadri acknowledged. “I don’t see why the king doesn’t just send you to Egypt to retrieve the cinnabar from mummy wrappings.”
Lesana guffawed, pushing herself away from the table where the crucible continued to send sulphuric vapour into the close space of the uppermost tower room where she kept her laboratory, just in case. Fire and explosions tended to travel upwards.
“I can just see the Egyptian Department of Antiquities allowing a foreign wizard to help herself to the preservatives in their precious national tourist industry. Last I heard they didn’t even know the nature of the red ochre. I’d rather not be the one to explain that they’ve had the key to immortality within their relics all this time.”
She wandered to the arched window that looked out over the dead forest to the north. The elevation provided by the fifth level tower room allowed Lesana to see the Crystal Mountains in the distance. A wistful note entered her voice.
“Besides, if I ever leave the king’s employ and travel somewhere, I’d like to go back to the Crystal Mountains.”
“Where you found me?” Khadri gasped. “The dragons would eat you!”
“Perhaps,” Lesana admitted. “But they didn’t before. I felt something while I was there. Something…magical.”
Being a writer of dragon tales myself, (I grew up reading Anne McCaffrey’s fantastic Pern series and the influence shows) I think it’s very important that they be treated as characters in their own right, rather than simply bestial antagonists. Now that’s not to say that dragons can’t be the bad guy! I just think that they’re better storywise when they are presented as more than mere powerful animals. Besides, being that us humans are so good at being bad, I prefer stories where the dragons are more noble. Jaq D. Hawkins did that very well.
And I think we had better leave it there for this evening don’t you? The bottle is dry and I must be getting this body back to its rightful owner… hm? What’s that you say? You don’t think I should give it back in this state? Well we’ve only had a few haven’t we? It is hardly my fault if Guy can’t hold his liquor… hic…
MANY THANKS TO AUTHOUR GUY DONOVAN FOR BEING A FABULOUS SPORT AND SHARING HIS REVIEW IN PERIL’S LOVELY LIBRARY! YOU CAN FIND GUY HERE
AND YOU CAN READ THE REST OF A WIZARD’S QUANDARY IN THE DREAMTIME DAMSELS ANTHOLOGY HERE:
library image courtesy of http://www.freeimages.com
This #indiethursday I’m sharing my love of ….
A small, self-published poetry book written by Nimue Brown, with cover by Tom and Nimue Brown, printed by Stroud Print.
Poetry exploring landscape and the relationships between humans and place, inspired by life along the Cotswold Edge and the Severn Vale.
Human bodies are much like landscapes.
We have our contours and crevices,
Signs of weathering, history written
Into soil and skin alike.
Some of us are flat land formations
Others are complex, curving hillscapes
Verdant forested or marble smooth.
Clay and bone and watercourse.
The places we are inhabiting
Inhabit us in turn, as we move
These bodies through localities, as the
Shape of them shapes or motions.
To compensate for my lack of time to do long reviews just now, I’m using the #indiethursday hashtag to share the indie love and point at some fabulous indie books I’ve enjoyed reading 😀
So, what fab indie fiction are you reading / writing this month? Blessings on your brew and best of luck with all your indie endeavours, lets keep flying the flag for indie writing!
Happy MythpunkMonday! A while back in September, we looked at the mythology and folklore of trees and I shared an extract of some of my tree-based mythpunk Opre! I promised then that I would spend another post looking at working trees into our Mythpunk, so here we go…
As comfortably as trees sit within the heart of many world Mythologies, they don’t lend their image so readily to the realm of punk, at least not at first glance.
We tend to associate trees with the countryside, with high fantasy or historical settings, they might be used in writing to create the feel of tranquillity or terror but we seldom see trees being used to create a gritty urban backdrop for a dystopian situation, or being the catalyst for a postmodernist plot. Fictional trees that speak, tend to speak like old men and women, or very occasionally naive young girls. I would like very much to see a Mohawk sporting, forty-something, jaded Willow Tree hurling cans at litter louts in a psuedo-park in central New London…
That’s an extreme and slightly comical example of course, but I think it’s a good hammer with which to smash our preconceptions about trees in mythic fiction. Trees are, to my mind, too often portrayed as benign life givers, old fonts of wisdom and healing, sources of magic, resources to be used and abused. But they have other faces too ; they can poison, choke, harm, barb, wound, unbalance, tear down and destroy … I mentioned Tolkien’s Ents in the last post in relation to anthropomorphism, but I do very much like their verve!
Our historic abuse of trees and their land surely has enough fodder in it for gritty, feral, subversive voices to rise up from the asphalt and the concrete, the timber frames, furnace and cellulose packaging and bite back so, here is a little list of tree-mendous (had to be done) tree-punk to give us some inspiration, click on each title to follow the links and feel free to share your own ideas, examples and gawd-awful tree puns in the comments! XD
I very much like the trees described in Blades In The Dark ; Jayan Park in the Charterhall district is full of beautiful alchemical abominations in a sunless world, deadly to touch and utterly useless for supporting life, but still revered.
“The great alchemist for whom this park is named contrived to formulate soil and seeds that could produce real, growing trees, without sunlight or radiant energy. They are horrifically toxic to all living things and must not be touched but they still grow beautifully here, over 100 years later.” – Blades In The Dark P262.
In a world not so different from our own, a vigilante group of techies have shut down all the computer systems on the planet in an attempt to put an end to the war and destruction orchestrated by technology. But where there’s a will, there will always be a way and a new ‘cellulose tech’ has now been developed. But using living plant cells in communications technology leads to some disturbingly sentient systems… and then the people begin to vanish…
A POISON TREE
This poem by William Blake is, of course, not actually about a tree but I find the imagery and metaphor strongly evokes a punk sense of proactive subversion; the vengeful gardener, the poisoned fruit / the bright lure to death – in many ways the song of technology to the heart of human kind; the two fingered punk salute at the end…
Here’s a suckerpunch one for you, this one got me right in the windpipe when I saw it so I’m only going to post the link in the title and you can follow it to the picture. It’s inspiring my WIP at the moment!
This broke my heart, appalled and held me enthralled with grim fascination when I first saw it a few years back. The video gives one side of the coin, click the title link for the other…
And just as a fun note to end on – Yes they do exist!
I hope you enjoyed this #MythpunkMonday post, do feel free to join in and share your own work or that of others, using the hashtag and post your own thoughts and tree-punk wisdom in the comments 🙂