Hello! Mrs Albert Baker here, otherwise known as The Last Witch Of Pendle. Obviously there is no Pendle any more, since The Chronic Agronauts utterly destroyed it with treacle and sprats, but I’ve set myself up quite nicely here in Lancaster, running this little soup kitchen for the street urchins. There certainly are a lot of them and I’m always looking for helping hands to cook up and serve something delicious!
Helping me this morning is photographer and Steampunk Charli Anderson-Farrar, Mastermind behind the awe inspiring Pagan – Steampunk project ‘Shades’, which you may have seen exhibited at The Asylum back in August. Good morning Charli, my dear, thank you so much for coming to help me in my soup kitchen today! Tell me, have you brought along some soup to share with us?
I have indeed, and I hope you like it! I’m a bit of a cheese addict, I’m not ashamed to say it, and I discovered a wonderful creamy cheese and bacon soup recipe on geniuskitchen.com a while back that I adapted to be more to my taste by using Blacksticks Blue cheese! This recipe serves 6 and takes about 1 hour and ten minutes to complete.
2 Starchy Potatoes
8 slices smoked bacon (you can use unsmoked if you wish but Blacksticks and Smoked Bacon taste amazing together!)
115g Blacksticks Blue cheese (you can substitute this for another blue cheese or stilton if you prefer)
475ml single cream
Salt and pepper to taste
- Boil the potatoes until soft.
- Drain, then transfer to a pan with the milk and blend thoroughly. Grill the bacon until crispy then cut into small pieces.
- Crumble the cheese over the potatoes and gently stir it in until the cheese has melted. Then add the cream and salt and pepper to taste. You can also add the bacon now if you wish to infuse the smokey flavour. Bring the soup to the boil, then remove from the heat.
- If you did not add the bacon before boiling, place it in the bottom of the bowls or in the soup tureen. Serve the soup over the bacon immediately.
Mmm, it smells delicious, I’m sure the little urchins will enjoy it immensely. Now while that is simmering away nicely, why don’t you have a seat here by the fire and tell us all about the main concept for your exciting steampunk project Shades ?
The idea behind “Shades” was initially going to be a staged version of a British myth, prompted by a topic in my university course, but I was encouraged to move away from British Myths and ended up doing a Greek one instead. The idea stayed with me though, and it quickly moved into the idea that those things that go bump in the night, the traditional zombies and vampires, were not the only things that hide in the shadows.
I was more interested in the stories that many people have forgotten over the centuries. These are Gaelic and “Celtic” tales, pre-Christianisation spirits and Gods, word of mouth stories passed down for centuries and often lost to the mists of time; the Courts of the Ancient Fae, the Aos Si, tales of Banshees and Phantom Horsemen, personifications of Human Evils and even Humans themselves touching the darkness with their desire for power and wealth. I love the origin stories of natural phenomena, such as Will o’ the Wisps (gas lights in marshes) being the lanterns of pixies causing mischief, or how fire came to the world through the theft of Faerie Fire. These stories are more open to interpretation, as there are fewer popular preconceptions and film visuals dictating how they should look, dress, act or think, which will allow me a certain freedom from modern cultural influences when it comes to creating the aesthetics of the characters.
And what inspired you to merge forgotten myths with the Steampunk aesthetic?
Even those that move in the Shadows have to move with the times. The television series “Grimm” shows fairytale creatures in the modern setting of Portland in the USA, hiding in plain sight, while the film “Percy Jackson and the Sea of Monsters” shows the God Hermes as having a day job at a Courier Centre. I already knew that I wanted to create my images in an alternate-world setting, as I felt that just bringing them forward into the modern era was a little bit limiting in terms of fantasy design and that was something I really wanted to keep a hold of – I didn’t want to just mimic Grimm and Percy Jackson by having old objects in a new setting. I wanted the objects to still be aesthetically relevant.
The alternative-world opens the way for even greater creativity surrounding the character and costume design of these fantastical creatures, and because of this, I desperately wanted to include a Steampunk element. While not exactly “modern” in its primary aesthetic, Steampunk is something that I love and cherish, and with so many possibilities and creative avenues to explore within the genre, there is something there that will cater to all the characters that I have planned. Not only that, it gives me an excuse to utilise modern ideas with a much older aesthetic.
It certainly is a marvellous and original idea, oh and I see you have brought some photographs along to show the orphans?
Those look marvellous! Who designs and creates the costumes for each character?
I do! I did some theatre and film design studies a while back, so I had some experience in designing costumes and props already. Originally I had planned to have a local seamstress make them, but I couldn’t afford to pay her as the whole project is voluntary. She wasn’t willing to work in that way, which I can understand, but it did leave me in a bit of a pickle. So I re-acquainted myself with the use of a sewing machine and revisited some of my old stage costume and prop-work from when I was at school to get myself back into the swing of things. Some of the outfits, like the Wisp, are put together from charity shop and Ebay finds or donated items, while others, such as Lorell the Embodiment of Fire, are made 100% from scratch.
That is amazing! And what is your ultimate vision for the project to be presented to the public? I have heard whispers of a book or possibly a performance piece?
Yes, eventually I want to get all the pictures together into a photo-book, perhaps with some short stories or essays in to compliment the images. I also like the idea of presenting the project in a slightly more interactive way than a traditional exhibition – I want people people to be interested in the project on an educational level, as many people don’t know the history of our country from before the Roman settlement. I’ve always felt that if you give people the opportunity to get involved and interact with things, they tend to be more interested and remember what they have learned.
Indeed! I am aware that Shades is a collaborative project, is there any way that the good folks gathered here can get involved or support the project?
Well, one way to support the project is to make a donation of money or materials, either to the one-off donation box on the Shades website, or you can sign up as a Patron on Patreon. Most of my Patreon earnings go towards Shades, and those that don’t help support other projects that I am currently working on, which in turn also generate interest in Shades, so either way, Shades wins!
Another way people can get involved is by supporting the exhibitions. I keep a list of exhibitions on the website, so you can come and visit, or if you are a festival or event organiser, we are always interested in hearing from people who might like to have Shades displayed.
Finally, if you keep an eye on the “Get Involved” page on the website, you can see if we have any voluntary openings coming up. These are usually for models, but I do occasionally need specialist skills that I can’t personally do, and these will go up there as well. I also sometimes take requests for work experience and portfolio development opportunities, but I don’t take requests for secondary photographers.
And where can we see the costumes displayed, learn more about the project and keep up to date with future developments?
The outfits can be seen “live” at exhibitions, though currently I don’t have any confirmed shows coming up just yet. I have just finished my application to take part in Asylum X in August, so hopefully I should have some news on that soon! Otherwise, you can check out www.charli313.wixsite.com/shadesproject where all information regarding Shades is kept. You can also follow the project on Facebook at https://www.facebook.com/TheShadesProject/, follow me on Twitter (@charlianderson) or Facebook (https://www.facebook.com/CharliAndersonCreations), see pictures on Instagram at https://www.instagram.com/charliandersonfarrar/ or check out my Patreon for special Patron-Only updates and exclusive behind-the-scenes pictures and footage! (https://www.patreon.com/charlianderson).
I sometimes take my work to other kinds of shows, depending on the theme. For example, the Lorell outfit is dedicated to a gaming community of the same name, they I recently took the outfit to a game fan convention to display there, so keep your eyes peeled for those odd occurrences too!
And finally, the all important question, on which the fate of the world may hang… the kettle is singing so which is the brew that inspires your creative endeavours, coffee or tea? (and how do you take it?)
Always tea for me, as coffee gives me headaches! NATO standard, milk with two!
Well thank you so much for coming to help out in the soup kitchen today, Charli, it’s been wonderful to chat with you and I must say that soup smells delicious. I think it must be about ready and the little urchins have their rosy noses pushed up against the glass in anticipation so shall we start dishing it up?
No problem, I’ll grab those bowls for you! And if you ever have a particular British spirit or God you’d like to see me represent, I’m always up for a challenge, so drop me a line sometime!
We certainly will my dear, and I hope you will come back and visit us again some time!
Thankyou all for joining us in the soup kitchen today, I will see you next week when Poet and Science Fiction authour Kevan Manwaring will be telling us all about the launch of his new Eco-sci-fi Thriller Black Box!
Until then, Blessings on your brew my dears!
Good Morning Ladies and Gentlemen!
Welcome back to Max and Collin’s marvellously magical parlour located somewhere within the bowels of the splendidly scenic city of steampunk’d Lancaster!
True some have called it a house of illusion and deception where strange creatures wait to lure unsuspecting travellers to doom, but we consider that such people are merely embittered that they have not yet received an invitation.
This morning we have some exciting news to share with you all! As well as our wonderful Hopeless Shenanigans at Time Quake Steampunk Festival last month, we had the very great honour of meeting The Ministry Of Steam Wizards, being sorted into our steam wizard houses by Aethelred The Pigeon Of Pigeonholing and taking part in their wand making, potions and wand duelling sessions!
WE CANNOT STRESS ENOUGH, THE ENORMOUS AMOUNT OF AWESOME THAT IS THE MINISTRY OF STEAM WIZARDS!
But if you were not at Time Quake, fear not! You can join us at The Ministry Of Steampunk Wizards right now and become part of this fabulous, friendly, supportive and super-splendiferous steampunk society!
Just like the Harry Potter houses, there are four Steampunk Wizard houses which Aethelred the pigeon of pigeonholing can sort you into. A quick questionnaire (which of course, just like the Hogwarts sorting hat, takes into account your own personal preference) will determine whether you would be best placed in
Shackleton : The best house to be in and not just because it is the house that we – and by association Penny – were sorted into! Named after the great polar explorer Ernest Shackleton, some may call us bold, pigheaded and obstinate but we know that is just the green eyed monster speaking.
Here’s a word from our head of house:
“Good evening everyone I shall take this opportunity to introduce myself and the next school house.
My name is Professor Albert Vastin and I am the head of Shackleton house, I am also the Duelling instructor at our school. We of Shackleton house are said to be Persistent and strong willed to the point of obstinacy, I prefer to see us as determined in all our endeavours. It’s a fact that we are the more likely of our brethren to put our magic aside and get our hands dirty be it adapting non magic gadgets to meet our own needs or expanding our knowledge of far flung corners of the world, it’s no wonder many of the great explorer of the last century came from our house, after all one of the greatest is our founder and patron! Our house colour is blue and house song is Nimrod. (At least it will be when I persuade the other heads that we should have house songs!)
Our house motto is “Exultemus in faciem adversis.” Which means “Triumph in the face of adversity.”
Our house founder Earnest Shackleton lived these qualities in abundance. A wizard of iron will he lead several polar expeditions braving sub zero temperatures and hard ships that would make most of us tremble, he managed all this without magic. (He lived too close to them to hide it). He greatest achievement was the saving of his crew while they were trapped in ice and their supplies ran low.
I look forward to greeting those who join our endeavours to discover just what is beyond the horizon, we can equip you for that journey in Shackleton House.”
Nightingale : Named after the famous founder of nursing Florence Nightingale, never cross a Nightingale they say, for the only difference between medicine and poison is the dose!
Here’s a word from their head of house:
“Felicitations my good people! Welcome to the next House in The Steam Wizard School- Nightingale 🙂 I am Queenie Goldsteam, your Head of House and Matron. We are inspired by the great heroine, Florence Nightingale, the lady of the lamp (who was, of course, a light magic user). A pioneer in her field. Our attributes are that we are caring, considerate, patient, helpful but ruthless. We are resourceful and respond well to crisis and change. We are leaders and specialists in any field we choose.
Our House Colour: Red (for the blood of life)
I look forward to meeting fellow Nightgalians! Do you have what it takes to:
“A cool head and a warm heart light the way” ? ”
Edmonstone Named after John Edmonstone the taxidermist who taught and inspired Charles Darwin, Edmonstonians are persistant in the face of adversity and prefer to work quietly behind the scenes supporting and encouraging the endeavours of others – a bit like ninjas really… only more kind-hearted and possibly bearing cake… cake ninjas?
Here’s a word from their head of house:
“Good evening ladies and gentlemen! I am Professor Solis Dark and I am here to introduce the final of our four houses- Edmonstone.
Edmonstone house is known for perseverence. We will not give up no matter the odds, and grow in the face of adversity. Our quiet strength comes from our rigour, and we apply ourselves thoroughly to any task. We are often most comfortable behind the scenes, providing knowledge and support.
We are a creative house, learning and growing together (as our symbol would suggest). In Edmonstone you are encouraged to be the best you can without judgement. Education is valued in Edmonstone in all forms, as is creativity. We are creators, in science and in the arts.
Our founder was John Edmonstone, the freed slave who taught Charles Darwin, ultimately encouraging him to move from medicine to naturalism. He inspired Darwin with tales of his time in the deep rainforests of South America and was a talented taxidermist. He was a learned man, who achieved great things in time, and we are proud to bear his name.
Our house motto is ‘gutta cavat lapidem’, inspired by his perseverance. It translates to “a water drop hollows a stone” or “constant dripping wears the stone”. I look forward to welcoming new members of Edmonstone!
A small admin note for any prospective Edmonstonians: I am primarily based on Venus for field research and am often away from my office for long periods. My Acting Head of House is Lauramavic Caradonna who will be representing Edmonstone at some events we attend. Feel free to direct queries at us both.”
Earheart Named after Amelia Earheart, the first female aviator to fly solo across the Atlantic, ask an Earheart where they’ve been and you’ll likely be told “Where haven’t I been? WOOOOOFF!”
Here’s a word from their head of house:
“Good evening, fellow Steam Wizards!
The first house that I proudly present to you is the House Of Earheart. Named after the great Amelia Earheart, female pilot (and secret witch of the Ministry), Earheart has inspired the qualities of our House: Bold, adventurous, and lovers of derring do! Outgoing and brash- not afraid to break convention and fly with ideas!
I (Korbynn Talon) will be your head of house and I look forward to meeting fellow Earheartians! Do you have the derring do to be one of us?
On Wings We Fly!”
SORTED! WHAT NEXT? ….
Once you’ve sorted yourself, you’ll need to make a wizard name for yourself, you might have one in mind already but if you need a little help you can use this WIZARD NAME GENERATOR
Once you have your name and house you’re ready to come and introduce yourself on the facebook forum!
Here you can meet the staff and your fellow wizards, post anything pertaining to your steampunk wizarding adventures and create a personal Chronicles file which can build up over time as an on going in-character diary of your magical adventures!
Wizards and witches of all ages are welcomed at the Ministry Of Steam wizards and their ‘outreach programme’ seeks to encourage and support youngsters by sending them a letter of encouragement and support or congratulations for an achievement ( you can ask them to put a specific thing in the letter if you wish) along with a steam wizard certificate. This is a heart-meltingly wonderful idea which they are providing for free so if you know a young witch or wizard who could do with a boost let the steam wizards know!
Once you’ve settled in you’ll no doubt want to get yourself kitted out in some top wizarding tweeds so pop along to Madame Warpweft’s Academic Outfiters and pick up your wand, robes and official house badges, pins and hair bands, all at super-affordable prices (our little urchins were able splash their pocket money on plenty of fabulous things!)
Besides contributing to the online community there are plenty of fun and practical things you can do at home or at conventions which The Ministry Of Steam Wizards are present at.
The Ministry has devised an excellent system for wizard duelling with steampunk spells! The actual spells to be used will change at each convention or event, making it fair for newcomers, and the system works with a core of 5 spells where each spell defeats two others (exactly like rock, paper, scissors!) at the duelling master’s word the two duellists shout their spells and the judges determine who has won. Anyone can duel for fun or in the training workshops but formal competitors must be aged 10 years or over.
The spells used at Time Quake (so that you can have a go now at home!) were:
Coglito Totalis! (Beats Steamulto and Punkus)
Steamulto! (Beats Automata and Tenebitur)
Automata! (Beats Punkus and Coglito Totalis)
Punkus! (Beats Steamulto and Tenebitur)
Tenebitur! (Beats Automata and Coglito Totalis)
If you’re more of a potion brewer than a wand waver, we also had fun at Time Quake brewing colour changing potions of love, healing and death! our little urchins enjoyed this so much they had a potions day at home and devised their own simple system for naming steampunk potions, which you are welcome to borrow:
Take a Latin prefix which describes the type of potion you are making, add any word associated with steampunk, end with any Latin suffix that sounds cool!
So there you have it, what are you waiting for?! Come and join us at the Ministry Of Steam Wizards and look out for them at your next Steampunk convention!
We will be back in the parlour next week with a review of Selkie Cove by one of our favourite authors of all time, Kara Jorgensen, so until then please remain always
PS: It shouldn’t need to be said but, just in case: ” Intellectual copyright of everything in this post – rules, names and spells, competition and games etc. are the intellectual copyright of the Ministry Of Steam Wizards and not to be used elsewhere without prior agreement. Ministry of Steam Wizard (MoSW) and Mme Warpweft’s Academic Outfitters logos, house emblems, products and prizes belong to the group as intellectual property. The admins/staff reserve the right to refuse third parties to reproduce and access to MSW logos and emblems. Logos/ emblems/ names/ Houses/ intellectual content must not to be used for profit and resale. Use of logos in re-creation for personal use is permitted (and indeed encouraged- we love to see what you can do for your and your families outfits!) with copyright credited on anything shown online (physical produce, art work ,writing for instance).”
If you’ve been following this blog for a while now you’ll know that the word Gypsy (especially with a lower case g ) is a highly offensive word to most Rromani people. What you might not know is why it is so upsetting. You might also want to know the correct term to use instead and a google search might well leave you even more baffled on that score! So, hopefully this post will be a good resource for this subject and of course if you have any questions (or if you’re fed up with me banging on about all this) feel free to leave your comments in the … er… comments section 🙂
In order to understand this subject clearly, you first need to understand a bit about our language and history…
The Rromani People are a displaced diaspora of India. Back around the time of the crusades, Rajput military units were formed to protect different regions of India from invading Muslim armies. As these soldiers and their families and attendants all spoke different dialects / languages, a military language had to be formed which all could understand. This language formed the basis of what is now the spoken and written language of Rromani people worldwide.
When we refer to the way we speak might say ‘Romanes.’ But that is not the name of our language. The word Rom (s) / Roma (pl) means ‘a person / us / the people / (one of) the group / the family / ‘ so to speak Romanes means to speak ‘in the way of the group / the family / the people / us / to speak in our way … it is not the name of a language and, strictly speaking therefore, ‘Rom / Roma’ is not the name of our people.. it just means ‘(one of) the people.’ (It can also mean husband but not in this context – like the word ‘man’ can mean ‘a man’ or ‘people in general.’)
So, if you refer to Rromani people as The Roma or a Rromani person as ‘A Rom’ (which a lot of people do) you are saying ‘The People’ / ‘The Group’ / ‘The Family’ or ‘One of the people / the group / the family’. That is absolutely fine, many Rromani people speak in that way, most don’t mind it even if they don’t use it themselves. It’s certainly a polite, respectful way to speak to or about Rromani people.
Getting back to the Rajputs again, two groups were defeated by the Muslim armies and forced to leave their lands. Some were captured by Turkish armies and forced to join as slaves, those who escaped into Eastern Europe were immediately captured and enslaved for hundreds of years, those who fled west were unable to find a place to settle but continued travelling through Greece and eventually into the rest of Europe, using their military skills, skills in metal work and horse trading (as well as trades they learnt along the way such as entertaining, dancing and fortune telling – more about that in another post I think? ) to make money.
Obviously during this time The Group was forced to split many times. As each new splinter group moved through different countries, new words were added to the military language they all spoke – thus each clan now speaks a slightly different version of that first ‘Language of The Group.’ They also began to refer to themselves by different names, names that for the most part described their skills and trades much in the same way as surnames do the world over.
I belong to the Petulengros (Smiths) who are of the English clan known as Romanichals (which literally means ‘Rromani Chaps’ ) and the Kalderash (The cauldron makers / copper-smiths who turned their pots on fat posts hammered into the ground). Often a Rromani family have kept their clan name (or a version of it). Sometimes though they have had to change it in order to hide the fact they are a Rromani person and so allow them to avoid persecution and live an integrated, peaceful life with the rest of society.
So, some Rromani people don’t like to be called Rom or The Roma – you can understand that now right? They don’t want to be called ‘One of the group’ or ‘The People’ … they want to be called by their clan / family name (Like you might say ‘I’m a Jones’ or ‘I’m a McGill’) they prefer to identify as something related to who their family is and what they do / did.
If you think at this point that Rromani people seem incredibly fussy and it is all terribly difficult to know what to call them please look at it this way…
You might call yourself ‘English’ or ‘American’ defining yourself by your location.
If you do so / have ever done so, please take a moment to consider that it is a privilege to be able to claim a geographical location as an aspect of your identity. It implies that you are an accepted member of that place, you belong there, it is a part of you, it’s your home.
Rromani people do not have that privilege, have not been permitted to join another nation and call it home, they have been refugees for hundreds of years and so they must find different ways of defining themselves. (And, I feel, this is food for thought for all of us when we consider the long term impact of our treatment of refugees and immigrants today.)
(It has been suggested that Rromani people reclaim their Indian connection and that is ‘all well and good’ but as many of us now have fair skin and hair and look anything but Indian, that idea seems a little laughable really! So we continue to be ‘The Family’ / ‘That Group that left India together’ because no other nation has welcomed us and we cannot now go back.)
There are so many Rromani clans in the world today (Wikipedia has a quite dreadful map showing a very few in simple blocks which can only act as a rough guide) many, as I say, call themselves Rom / Roma and some prefer their specific clan name.
So, there you have it – When referring to a Rromani person or people you can say…
Rom – One of the people
Roma – The People
Romany (/ Romani / Rromani / Rhomani ) person – A person who is of the group (spelling is dependant on dialect)
Romany (/Romani / Rromani/ Rhomani) people – The people who belong to the group
Or you can use the specific name of the clan the person / people belong to eg: Sinti, Kalderash, Kale, Romanichal etc…
My advice is to just be clear about what word / spelling you are using, what it means and why you are using it.
“But why not gypsy?” I hear you say … well, again we need to look at history and language…
The word is a shortening of ‘Egyptian’. When Rromani people first fled into Europe their dark skin and hair caused people to mistake them for Turkish invaders and later either for Egyptians or people from Little Egypt (sources are unclear as to which). They were nick named ‘gyptians’ which soon became ‘gypsies.’ Obviously a homeless refugee population are powerless to dictate what they ‘should be called’.
The word gypsy became so far removed from the word Egyptian that, rather than describing the mistaken place of origin of a group of people, it instead took on its own bizarre set of definitions. Various leaders including Vlad The Impaler, Henry The Eighth and Hitler, all used the word gypsy to justify the de-humanisation and murder of thousands of Rromani people. Rromani people were burnt with the ‘gypsy brand’ on their skin which marked them as belonging to animal rather than to human kind and having no right to existence. They were then tortured, sterilised or simply murdered.
At least 250,000 Rromani people were murdered during the Holocaust alone, at least 85% of Germany’s Rromani population were branded ‘gypsies’ and exterminated because they were seen as sub-human.
During the industrial revolution, the notion of ‘being a gypsy’ was seen as a desirable alternative to the horrors of factory and inner city life. The dehumanisation of ‘gypsies’ at this time took a different turn as they were seen as wild, free, close to nature or at one with it, romantic, mysterious, magical, desirable, roguish, care free… writers, poets and artists failed to see the poverty and persecution suffered by a people who were not nomadic or ‘free’ , but shackled to a seasonal circuit of a few safe ‘atching tan’ (‘stopping places’) where seasonal farm work could be found, not allowed to own property, speak their own language or step foot inside shops. The Gypsy Law Society epitomised the attitude when they declared membership of their elite ‘research group’ required that the gentleman must first ‘bed a gypsy.’
You can, I hope, see why nobody would want this label. Why it is distasteful, sickening and upsetting for a Rromani person to be called a gypsy. Is it any different with a capital G? I don’t think so.
So, as writers and readers and steampunk enthusiasts who write and read and cosplay in an era where Rromani people were very visible and were habitually branded ‘gypsies’ how can we include the experiences of Rromani people of that time period without perpetuating the ongoing prejudice?
It might seem like a challenge but it’s really a no-brainer – look at other oppressed groups of the colonial period. How should they be referred to / treated / spoken about in historical or punk fiction? You might for example have a racist or ignorant English character refer to an African character using the N word, but you wouldn’t use the N word in the main text of the narrative to refer to that African person would you? You also wouldn’t call them ‘The N….’ , you would use their name. Just consider the G word, exactly the same as the N word. Because, to Rromani people , it is the same.
( Some Rromani people do use the word Gypsy – either because they are trying to re-claim and re-shape it as a form of empowerment or because the word Rromani is so often met with confusion from non-Rromani people. Many cultures take words that have historically been used against them and turn them into a form of personal power – that, surely, is their prerogative. )
If we couple the respectful use of language to talk about Rromani people, with an accurate portrayal of their history and culture, hopefully we can move the image of Rromani people away from the fantastical / de-humanised ‘gypsy’ and back into reality.
I really hope this info has been helpful – I’m by no means a linguistic scholar or historian though so if you think that I’ve made a mistake anywhere do please forgive me and feel free to discuss it, we are all learning together afterall 🙂 And of course if you have any questions or want me to cover any more topics on this subject let me know,
Big blessings, Penny 🙂
Greetings! Here, as promised, is another careful look at how to respectfully draw on aspects of Rromani culture and history in order to construct a Steampunk character. Again, I’ve used the word Gypsy in the title here because many people mistake the word Rromani for Romanian but most Rromani people find the term Gypsy offensive so it really is better not to use it. As several people have asked me for more details about this I will do another post soon explaining in detail where the various spellings of Rromani come from, which to use, the history of the word ‘Gypsy’ and why it is offensive.
But for now, let’s look at our next character…
Papusza means ‘dolly’ in the Rromani way of speaking and was the nick name given to real life Rromani poet Bronislawa Wajs by her mother. She was called ‘dolly’ because of her beauty but the word is a double edged sword – a ‘dolly’ is a pretty, powerless play thing, manipulated as suits the one who plays with it and then dropped when that player becomes distracted or bored.
Bronislawa’s poems about the difficulties faced by Rromani people on the road were used against the Rromani community by various government regimes as an excuse for the execution, sterilisation or forced settlement of Rromani people (not into decent housing and mainstream society, which most would have desired) but onto filthy containment camp sites where their strict religious codes of cleanliness and ritual (Rromanipen) could not be observed. The problems of illness, poverty, persecution and social segregation which Papusza wrote about were obviously not solved by this move and the Rromani community blamed her for the trouble she had caused them by trusting her words to the hands of non-Rromani people.
A lot of lies can be found about her on the internet – for example, that she was cast out by her people for being a poet, that women are not allowed to be poets in Rromani society, she was not allowed to read and write because Rromani people believe these things are evil, that she agreed with the forced settlement regime and that the Rromani family she travelled with were lawless nomads.
A film has been made about her life but I haven’t seen it personally and so I’m not sure how authentic and accurate it may be…
The sad truth is that most of her work is now out of print, recordings are like gold dust and versions that do exist have sometimes been altered slightly / interpreted differently “Dikchaw daj, dikchaw doj…” I look here, I look there, I cannot find my Papusza…
So I found myself wanting to pay tribute to her in my own small way, by basing a steampunk character around her real life self. But I know I’m on very dangerous ground here – what I absolutely don’t want to do is add to the false mythology that has grown up around her and now prevents people with a genuine interest from discovering the whole truth. I must remain respectful to the truth and evidence of who she was, as well as to her family and clan, her friends and everyone who may be affected by my actions in characterising her.
So, instead of trying to take Bronislawa (as little as I can ever know of her) and plonk her clumsily into my steampunk world, I’m going to build an entirely new character who suffers the same problem of being exploited because she happens to have a particular talent.
And I’m going to call her Dolly Cauldari…
Dorothy Cauldari (Dolly) is a Sho’vani character. The Sho’vani are a technologically advanced, displaced diaspora of the Jentacular Landmass. Their rebellion against Wiz and his evil army of Wizards went horribly wrong when the automaton army they had created rebelled against them and the twelve tribes, led by twelve princesses, fled across the sea to the scattered Isles Of Ire where they have been outrageously persecuted ever since.
(Colonialism is an important and troubling part of our world history but so is the historical and current treatment of refugees and immigrants and I wanted to reflect this part of Rromani history in the history of the Sho’vani.)
As the Jentacular Isle is believed by most to be purely mythical (Collin and Max can personally vouch for the fact that it is not!) the government has decreed that the Sho’vani must have come from Bohemia. They first arrived in Ire during the reign of Henry The Eighth and the mechanical wonders they brought with them caused them to be instantly branded as witches (an offence in Ire that is still punishable by death.)
It wasn’t until Elizabeth The First came to the throne that this persecution eased up a little and a deal was struck – if the Sho’vani would abandon their nomadic lifestyle (ie – hiding in woods and running from the witch hunters) and share their technological knowledge with the queen’s wizards they would be allowed to live peacefully in squalid little hovels just like any other peasant. Many agreed and became known as Tinkers, others did not.
When Ann became queen she tried to strike another deal with the travelling clans – if they would agree to transport the queen’s tea safely from her plantations to the elite county of Devon in their mechanised vans and prevent it falling into the hands of land pirates, all accusations of witchcraft would be dropped.
Dorothy Cauldari’s family were among the many Sho’vani clans who ‘agreed’ to this arrangement and so by the time Dolly was born, they had been transporting the queen’s tea from the plantations of Crumbria to the elite closed county of Devon for many generations. They moved from one government designated or safe known stopping place to the next, using their skills in technology to make life on the road that bit easier and their skills with spoon-playing and spoon-duelling to entertain themselves and break the monotony of the constant circular journeying. It was not the idyllic, nomadic lifestyle that poets like Christina Biscotti like to fantasise about, but neither was it as bad as the lives of the plantation workers, treacle miners or inner city factory workers.
Unfortunately, when Dorothy was about ten years old, the ideological militant sect know as The Pre-Cognitive Sisterhood (A group of women who violently enforce their beliefs that the world would be better off if The Cog had never been invented) attacked their convoy one night, destroyed the vans, burned the tea and murdered almost the entire clan.
Dorothy managed to escape and eventually made her way on foot to Lancaster where she soon made a home for herself, along with hundreds of other street urchins, high up amongst the new Skyway Rail system that criss-crosses the entire city, carrying the wealthy elite in safety away from the stench and commotion of the over-crowded and poverty-stricken streets below.
Here she quickly earned respect and notoriety in the illegal spoon-duelling rings that are run out of the basements of the many Tiffin Dens and Flop Houses that pepper the overcrowded docklands on the banks of the river Lune.
The urchins who live amongst the Skyway Rails are vulnerable to many predators. After her first few nights of clinging to the enormous metal girders, trying to wrap her skirts and shawl in such a way that would reduce the risk of falling should the wind blow too hard or her fingers become too frozen to grip on, Dorothy received a visitor. A kind and sympathetic woman who brought with her bottles of sweet, fizzy, sugar laden Lemonade.
Night after night the woman came, bring these little bottles of sweet, sweet hope, until Dorothy and the other orphans found their days melting into grey insignificance as they waited for their next sugar-fix.
Then one day when the woman came she was very sad, her money had run out and she couldn’t bring this free Lemonade any more. But she had a good idea! If the orphans could each sell two bottles of this illegal beverage and bring her the money, she could then buy them one bottle each. It seemed fair enough at the start. But the amount of bottles she expected them to sell in return for one bottle for themselves kept rising and when Dorothy decided that she had had enough of this game, the woman turned very nasty indeed and made it clear that opting out was not an option.
Dorothy was trapped and so she turned to the only resource she had left for comfort – her spoons. Dorothy had played the spoons since before she could walk and she often drummed out little rhythms on the Skyway Rails to pass the time. But now she threw herself into the art with a violent passion – drumming out her anger and frustration at the injustice and futility of the plight of all these children being secretly enslaved to the Lemonade Dealers. There were words too, but she never let those slip out.
People stopped to listen, although they couldn’t see the percussionist high above them, and then one day a curious theatre owner braved the climb and discovered twelve year old Dorothy. He persuaded her to come down, though she was careful to pay for her own coffee and oatcakes, and it wasn’t long before his ‘Little Dolly’ was making headlines at The Garish Theatre with her incredible displays of cutlery-based- percussion-craft.
As Dolly’s fame began to increase, she saw the opportunity to introduce lyrics to these displays and finally expose the true and dreadful story of the exploitation of Lancaster’s homeless children. Hearts broke, tears flowed, rallies were held and the government of Ire was backed into a corner – what was going to be done about this?
There’s always a man with a plan isn’t there? Some bright Whitehall spark quickly saw that what these children needed was shelter, food, clothing, soap and the prospect of a life long career. Fortuitously, Her Majesty’s treacle mines and tea plantations were struggling due to the fact that the adults ’employed’ there were often too large to perform all the terrible tasks that needed to be done.
Dolly Cauldari’s name has now become a curse on the lips of every street orphan who lives in fear that tonight may be the night when Her Majesty’s ‘Good Folk’ will arrive in their wagons and spirit them away to a ‘better life’ in the treacle mines or tea plantations. Many Sho’vani people have also loudly expressed their condemnation of her actions – claiming that she should have known better than to trust the secrets of her fellow poor people into the hands of the hated rich, who will always see something that they can get out of the exploitation and powerlessness of the poor.
Ignoring her critics, however, Dolly has continued to attempt to use her fame, wealth and influence to improve the lives of the street children of Ire. She channels all her earnings into campaigning against the ill treatment of children in the mines and plantations and exposing the corrupt empires of the Lemonade Barons, many of which she claims are members of the aristocracy.
Costume For Dolly Cauldari
Despite her fame, Dolly spends very little of her earnings on herself. Her clothing is largely home made and she places great importance on certain religious and sentimental items. She always dresses in red – the feminine, protective colour of her people. Her shawl once belonged to her grandmother and, along with her handkerchief-bag, in which she keeps her heirloom amber bracelet and silver snake hair-charm and spoons, it is the only thing she has left of her original family life. She is a traditionalist and always wears a red dikhlo (head scarf) and still braids her hair in a crown braid. The locket and mulengi dori (ribbon of the wind people) she always wears in memory of her parents.
So, there you are! As with the character of Amelia Manylentils , I have tried to draw respectfully on aspects of Rromani culture and history to create a character that is more realistic, respectful and removed from the Fantasy Creature we know from fiction and art as ‘The Gypsy.’ Again, I really hope this is helpful to anyone interested in writing Rromani characters into their Steampunk worlds or cos-playing a Steampunk Rromani character and if you have any questions feel free to leave them in the comments section.
Big Blessings, Penny 🙂
Greetings! Here, as promised some time back now, is a careful look at how to respectfully draw on aspects of Rromani / Gypsy culture and history in order to construct a Steampunk character. I’ve used the word Gypsy in the title here because many people mistake the term Rromani for Romanian but most Rromani people find the term Gypsy offensive so it really is better not to use it. You wouldn’t use the N word to describe a person of African heritage would you? No.
Rromani people are a fairly visible part of the Steam Era, cropping up in folk tales, art, literature and ephemera of the time but our portrayal is usually colourful , romanticised, demonised and mis-representative of the reality of every day life for Rromani people living in Georgian and Victorian times. (I’ll write in more depth about this in a separate article).
But we can move on from the mistakes of the past and make sure that, by educating ourselves, we don’t repeat or perpetuate them when we write , create or cosplay in the Steampunk genre today 🙂
So here is how I used Rromani culture respectfully to influence the creation of one the the primary characters here in Ire, Amelia Manylentils. If you have any questions about creating your own Rromani characters or other topics you want to me cover etc let me know in the comments as I’m happy to do more articles like this if folks find them useful.
Amelia is a Sho’vani character. I drew a fair bit on Rromani history and culture to create the Sho’vani people and so I have drawn on many aspects of Rromani culture to create the costume for Amelia.
The Sho’vani are a technologically advanced, displaced diaspora of the Jentacular Landmass. Their rebellion against Wiz and his evil army of Wizards went horribly wrong when the automaton army they had created rebelled against them and the twelve tribes, led by twelve princesses, fled across the sea to the scattered Isles Of Ire where they have been outrageously persecuted ever since.
Colonialism is an important and troubling part of our world history but so is the historical and current treatment of refugees and immigrants and I wanted to reflect this part of Rromani history in the history of the Sho’vani.
(For those of you who are unaware, the Rromani people are a displaced diaspora of India. Two groups of Rajputs were defeated by Muslim invaders and forced to flee their land. Some were captured by Turkish regiments and forced into their army, those who managed to escape into Eastern Europe were enslaved for hundreds of years. Those who fled to the west were feared, outlawed, imprisoned, murdered, not allowed to settle down , speak their own language, have children or own property. Many are still facing this persecution today. As soldiers and their entourage, they already had skills with metal work , horses and other crafts which they tried to use to earn money. When this wasn’t possible, they took on farm and manual work and also picked up skills such as entertaining and fortune telling along the way. )
Amelia’s Sho’vani father was ‘adopted’ (read: stolen) by a rich Tea Time Lord and his wife because they could have no children of their own and they thought it would be an amusing project to ‘tame’ a little wild woodling and make him into a proper Ire-ish Gentleman. They succeeded but when he grew to manhood he annoyed his parents by falling in love with and marrying the local watch maker’s daughter who was also Sho’vani. That is as far as his rebellion went however and he inherited his father’s estate and treacle mine and settled into life as a Tea Time Lord. His wife, who had always hated her father’s business and had been only too eager to escape her fate of having to become a ‘filthy Tinker’ (her words) took to the lifestyle like butter to a crumpet. Unfortunately their daughter Amelia was different…
“Amelia? Amelia where are you this time?” Gerda Manylentils wrung her hands anxiously as she scoured the ornamental gardens in search of her daughter.
From high amongst the whispering leaves of the grandfather willow, Amelia watched her mother’s progress through the labyrinth of repressed shrubbery. Each leaf of the neatly maimed privet hedges lapped at her crinoline skirts, like the wax-bright tongues of crouching goblins, green and catching the last drips of evening light like drops of honey.
“Amelia?” Her voice was grey with the coming dusk and it weighed on her daughter’s ears with the same impending doom.
Amelia carefully placed her dolls into their little wicker basket and secured it firmly to the hawser. She wiped her grease-stained fingers on an oil cloth and brushed an arm across her cheek, swiping off a layer of sweat and grime. She took one last look around the treehouse. Every nut, bolt and screw, every spanner, saw and wrench was neatly stowed away in its own private apple crate. The leaves of the old man were fainting and pale, fluttering as the tree drew his deep, ragged breaths. She tied the straps of her leather cap under her chin, flicked her goggles down over her eyes and clipped her utility belt to the hawser behind the basket.
Amelia sailed over her mother’s head like a whistling stormcrow and landed, inelegantly, beside the koi pond. She teetered for a moment on the brink, before steadying herself and unclipping the harness and the basket.
Meanwhile, her mother was passing through her usual colour scheme of emotional meltdown; parchment fright, scarlet shock and finally, purple rage. “Amelia, how could you? How, simply, could you do this to me? You know perfectly well that Watkin Caffiendish and his parents, Lord and Lady Sugar of Crumbria are here! That is to say, were here – they are leaving, and, to be perfectly candid, I cannot say I blame them.” She twisted her plump fingers together in agitation. “Oh, Amelia! I am not sure which is worse; that you didn’t make an appearance, or that you could have done and this is what you are dressed like!” She gestured despairingly at her daughter’s patched and grease-stained overalls. “No, it is no good, Amelia, no good at all. Your father will demand an explanation. I demand an explanation! What have you been doing all this time? Where have you been? Not up in that tree again? Oh no!” Her glance strayed to the basket, now hooked over her daughter’s arm. “Not those awful dolls?”
“Mother, they are not dolls they…”
“They were once!” her mother screeched. “Perfectly beautiful porcelain dolls, Amelia, which your Aunt spent months crafting the petticoats for! Why you have to…fiddle with everything, I do not know.”
“It’s not ‘fiddling,’ Mother, it’s ‘tinkering’ and look,” Amelia reached inside the basket and pulled out one of the dolls. It certainly didn’t resemble any of the prim and pouting manikins which graced the little bay windows of the toy shops in town. Any clothes it had once possessed were nowhere to be seen, large portions of the porcelain had been carefully hacked away and replaced with metal screw-plates and the entire chin was now a hinged collaboration of metallic scraps.
“Oh no, please, do not wind it up! Amelia, my nerves! You know I cannot abide…”
Amelia ignored her mother’s pleas and wound the key which protruded from the back of the doll. The moment she released it, the doll’s mouth began to slowly open and close and sweet string music, almost akin to lark song, filled the blushing air.
“See, it sings. I made it sing. And this one…”
“Absolutely not! No more, Amelia, no more! This whole nonsense has gone on for long enough. A Lady should not spend her time fiddling about with things like this, she…”
“It’s not fiddling, Mother…”
“No, enough!” Gerda snatched the basket of dolls and hurled it into the koi pond, where, of course, it floated like an infant Egyptian prince.
Amelia stared at it in silence.
“This is the last straw, my girl. Go to your room and make yourself presentable, whilst I speak to your father about what, exactly, can be done about you.”
Amelia let her head fall back, cradled against the warm wood of the ancient rocking chair which had been her grandmother’s, then her mother’s and was now hers. Her legs pulsed her back and forth like a living piston, the cogs of her brain whirring furiously. Above her bed, Love Triumphant rose on flaming wings into the golden dawn of eternity from the brooding brushwork wrought by G.F.Watts. Amelia pressed her index fingers together and a single eyebrow arched. To have wings. To rise from the grim clutches of the mortal bind. The drudge of duty and a course mapped out by incompetent navigators who would never sail this ship themselves, never set foot in the harbour for which they would doggedly insist it must be bound.
She continued to pulse. Each foot thrust a pump for the adrenaline that was fuelling her mind.
Above her head, the many ceiling fans looked down on her with sympathy, as redundant in the chill evening as a tinker at a tea party. The tiny automatons, arranged in regiment across her eiderdown, sat dutifully silent and even the pot bellied wardrobe seemed to suppress a sigh, bearing its burden of corsets and crinolines with sombre resignation.
Amelia scowled at the painting and out of the broad sash window to where bats were now looping gleefully like liberated gloves cast up in celebration into the greening light.
To have wings…
Amelia leapt to her feet, pulled her folding utility knife from her belt and wrenched a spring steel crinoline from the closet. Her furnace lit by the fuel of epiphany, she snipped at the light metal bands with her cutting tools, skilfully subduing the writhing serpents as they sprung and snapped, unleashed from their structural bindings.
Soon a nest of steel lay heaped in one corner of the room and Amelia turned her attention to the sheets beneath the eiderdown. Out came rulers and angle measurers, scissors and chalk and several tools she had designed herself; a rotating rivet setter and a hand held clockwork seam-stitcher.
Before long, a bat-like pair of wings lay spanning almost the width of the entire room. Amelia cast a critical glance at the rocking chair, made a few last minute calculations and then proceeded to strap the wings to the wooden framework at the back of the chair, using leather trunk-straps which she kept in store beneath her bed for just such emergencies. The wings concertinaed in on themselves perfectly and she arranged more straps which would release them at the precise moment of take off.
Next she turned her attention to the ceiling fans, which came down easily via the maintenance pulley system. Each fan came off in piece and was swiftly re-bolted to the chair, along with the small turpentine motor which powered them.
From somewhere deep in the belly of old house, a servant’s bell sang out its dainty falsetto like a knell. With no time to waste admiring her handiwork, Amelia heaved the chair up to the window and hoisted up the sash with practised difficulty, securing it with the tiny cheese wedges of splintering wood.
The giddy scent of pine teased through the fresh night air; exhilarating, promising adventure as it filled her senses until every cell stung with the anxiety to snap this leash of obligatory life.
Amelia raised the rockers of the chair against the sill and guided, slided, eased it into a position of perfect balance. Her breath caught in her chest, her heart a rapid rhythm as she carefully negotiated her way into the seat, feet now the stabilising factor and one arm braced against the rotting window frame, whilst the other tugged the motor into life.
The pang of pine was now intoxicating.
A shadow eclipsed the green. The bats fled, piping indignation.
The rocking chair teetered on the sill.
“I say, hello? Amelia?”
In a fulmination of fragrant annihilation, the chair staggered, slipped and spiralled down into the ravenous clutches of the psychotic shrubbery below and combusted, leaving Amelia dangling, dumb struck, from the cross bar of the sash.
“Oh dear. Er, terribly sorry about that. Hold on…”
The vivid lights, cast upward from the flaming shrubbery, illuminated the profile of a pathetically small dirigible, from which a rope was now being lowered. Amelia grasped the life line without hesitation and hauled herself up into the gondola which hung beneath.
“Grab an oar then.”
“Excuse me?” Amelia stared incredulously at the synergist of the Armageddon below, as silhouettes of servants began pouring from the house, to leap in frenzied state around the flaming privets like demons around a hell pyre. “Who even are you?”
“I said who are you?”
“No, sorry, I mean I am. I am Watt. Watkin Caffiendish, er, knight in shining armour, come to rescue you and all that shenanigans. So, grab an oar, fair lady. She rows out like a dream in this weather.”
Amelia looked down, bitterly, at the wreckage of her marvelous machine, now being stoically dowsed by the household domesticons. Behind the dark shutters of the house, the hue and cry was already up.
She picked up an oar and, for one glorious moment, considered trouncing this ballooning buffoon around the head with it and pitching him over the side into the dark abyss that was soon to be her past.
The scent of smouldering turps was becoming acrid and adrenaline-fuelled ecstasy was fast waning to fatigue and resignation.
Sighing inwardly, she fitted the oar into the rowlock and began to pull.
Above is one of the many mythical re-tellings of Amelia’s early life and the beginning of her infamous voyage to discover Siberia but rather than begin a philosophical debate on that subject, let’s have a look at her costume…
Amelia is more interested in dressing practically rather than in a way that is perceived as ‘feminine’ (a taboo both in Upper Class Western and Rromani society of the Steam Era!) so I made her a pair of the classic wide legged trousers worn by our Kalderash men and waistcoat to match from heavily embroidered fabric.
Embroidery is of great cultural significance in Rromani culture and I still have a lot of my family’s embroidered pieces which I wouldn’t dare use for costuming! In Ire, one of the Sho’vani families play an important role in the revolution and they use a cog-based embroidery to code messages into clothing they are ‘mending’.
Amelia likes to keep her inventing equipment close to hand. Belly dancing belts stitched with coins are a mark of shame and anger for many women – not just Rromani. In days where women (and men) were seen as property which could be bought to entertain rich people with dancing and other ‘tricks’ , many people were forced to lay aside their religious beliefs about modesty and proper sexual conduct in order to survive. The passion in many Rromani dances is an expression of the anger felt by the slave dancers at being forced to act against Rromanipen (their beliefs) in order to entertain the rich. For Amelia’s costume I decided to take the belly dancing belt of coins and re-purpose / re-claim it as a tool belt – a status-symbol for an independent young woman – so I have attached cogs and gears and similar things to the sash instead of coins.
I chose red for the belt because it is a sacred protective colour in Rromani culture and a very feminine colour too. I hate the fact that femininity is often seen as inferior and that when women choose to pursue traditionally masculine careers they are somehow seen as being un-feminine. I wanted to wrap Amelia in her femininity – her inventing and creating are expressions of her womanhood, not a rebellion against that. By the end of our little saga here she is a wife, mother, grandmother, chrononaut and the greatest inventor the world has ever seen and none of these aspects of her character contradict or corrupt the others.
The cap and goggles are necessary for any wife and mother and are just my own everyday wear for nappy changes , cricket matches etc. but I love the black and white lace and pearls adding lots of magpie-pretty to these functional items.
So, there you have it; part one of creating an authentic Rromani Steampunk character. In the not too far future I’ll do a completely different character for you, based on the real historical Rromani poet Bronislawa Wajs. (Yep, we have poets!)
Until then, best wishes for all you splendid steampunk capers and I hope you’ll join the boys in the parlour tomorrow for some marvellous masquerade madness 😉
Good morning Ladies and Gentlemen, welcome back to the parlour, pull up a lemonade crate and make yourself at home. I’m afraid you find us in a contemplative and, some might even say, philosophical mood this morning… so if the idea of a contemplative and philosophical octopus will put you off your tea, you may wish to call back another day when we have sobered up a little…
Staying? Oh marvellous, well then… a-hem… this is what we were discussing…
If steampunk sits, eyeing us all seductively across the poker table, shuffling the cards of re-imagined realities , be they past, present or future, then surely He / She / They or indeed It is well placed to grind one sneering scarlet stiletto boot heel into the face of the spluttering, over indulged prejudices and misconceptions that have thwarted the progress of humanity throughout history?
And it is our own, humble, modest and most tentatively proffered opinion, that anyone who is inclined to be a part of that boot, or the alluringly unshaven leg within it, or even to cheer from the side lines and pour the next round of absinthe laced tea, should be encouraged to do so.
You know the Age Of Steam has always been my Least favourite in history; so much of it makes my blood boil, and no less in your own dimension than here in Ire. Granted we don’t have the issues of colonialism or empire building that you have had, but if you think that means our world is free from oppression and bigotry then you really haven’t been paying attention.
Everyone hates the Wizards and the Tea Time Lords because they control everything, everyone hates the Witches because the Wizards tell us to, everyone hates the Tinkers because they can do things that most of us can’t , but everyone wants the Tinkers to do things for them, everyone hates the Land Pirates, the Tea Smugglers and the Tiffin Madams because they succeed in living outside the law, and everyone would love to live outside the law, but everyone wants the things these outcasts have to trade, and few want to examine the turbulent history that has lead them to their current mode of existence.
And of course everyone hates the Skyway Men because… well, have you ever met one? I rest my case.
Hm? Oh, Max says that “everyone hates the Skyway Men because they are a small group of Tinkers who have broken away from their allotted niche at the bottom of society and formed an aristocracy of their own built on oppressing those they deem beneath them, much in the same way that the royal family and its social entourage have done for centuries, and nobody likes it when the tables are turned or when an upstart minority group rebels against its allotted station in Iife.”
Well possibly, Max ,possibly, all I know is, last time I was in Annwn they called me a dribbling cephalopod and threatened to blow our brains out. Hm? I don’t care if it was a hand made lace tablecloth Max, I just don’t care, offence has been taken and that is that. And will you please stop interrupting!
Now then, the reason I love Steampunk is that it provides a splendid, hand crafted, gleaming brass, steam powered, time travelling, dimension hopping vehicle into which we can jump (teapot in one hand and energy-ray-blunderbuss-of-idiocy-thwartation in the other) and re-write the wrongs of the past, not to somehow exonerate or brush under the carpet our embarrassing ancestors (and lets face it, we all have a few of those – Max particularly…) but to create new narratives that grab these perpetrators of injustice by the shirt collar, tie them to a small rickety wooden chair in the basement of an abandoned mansion house, shine a spot light in their face and pelt them with a relentless barrage of witty abuse, whilst posing about in front of them wearing smug faces and fabulous amounts of bombazine…
Hm? No! It is merely a sartorial preference, Max, not a fetish. Honestly, for a Very Quite Gentleman you do an awful amount of interrupting.
… Far from allowing us to then traverse the murky rivers of the past with impunity, pith helmets on crying “Oh it’s alright, we’re not like that any more see?!” these new narratives help inform the development of the future, both real and imagined. By not only slaying the beasts of the past but paving the road forwards with their carcasses, we create a poignant ‘bone road’ for those who follow in our adventurous footsteps.
But are we obliged to do this? Is it possible that all this talk of ethics, equality, diversity and inclusivity should not cross the boundary from the real world into the imagined? Can’t we just romp around in whatever costumes we like and write or ridicule whatever we fancy because, at the end of the day, it’s just a bit of fun and nobody means any harm and we don’t want the fun taken out of the thing now do we? Leave politics for the pub and steampunk for the cons? Hm? Does it matter if we create an accidentally segregated situation in which certain groups of society do not feel welcome in our ranks or are offended or hurt by our actions or unable to join in the fun because they cannot gain access to it?
Probably everyone’s opinion will be different, we can only offer our own…
Speaking candidly, as folk who are usually in the minority wherever we go (there not being many people in the world-above-waves who sport such fetching tentacles as myself and my Vary Quiet Gentleman Friend), Max and I think these things do matter and that in the Steampunk arena, as in every other area of life, everyone has a duty to follow the wise words of that hypocritical oath that so many doctors swear by…
Hm? Hypo what? Oh Hippocratic is it? So sorry I thought it said ‘first do no harm’ … oh it does say that does it? I’m sorry your human world is so very confusing.
But all this waffling is only the humble opinion of one tea-sotted octopus, over the next few weeks we will be talking to some seriously salt-worthy Steampunks who are passionate about the issues of inclusivity and diversity.
As I said earlier, I believe that anyone who is keen to jump into their space-time-dimension vehicle and begin wreaking restorational havoc upon the past, present or future should be encouraged to do so… but anyone who has encountered our own dear Gail Force will know that such well meant endeavours can occasionally blow up in one’s face, so I will also be getting some first class advice on how not to end up causing more harm than good.
Max and I encountered an irate individual the other day who, rudely but quite rightly, said that we shouldn’t go through life terrified of offending others. This is true and we would like to place it now upon the record that, as creatures with many tentacles, we do not wish anyone to be terrified of the ramifications of treading upon one of those limbs. Accidents happen all the time and any reasonable creature will understand that. (An Elder God may not, but they are thankfully few and far between).
We would however like to help create a world where everyone is aware that creatures with tentacles exist and where, just as we try to be polite and courteous and not to trip anyone up or dribble over your best lace table cloths (be quiet Max!), others try to be polite and courteous to us and not trample on us in their eagerness to get to the free biscuits.
More tea? No? Five cups is your limit is it? Ah well, thankyou for staying and enduring the ramblings of a tea-sotted octopus and the embarrassing ejaculations of his Very Quiet Gentleman friend, we hope you will join us again next week for more marvellous tea and excellent Steampunk fiction and of course tomorrow Mrs Baker will be talking to Nils Nisse Visser about his Steampunk book Amster Damned.
We wish you a very biscuit-full afternoon and, until we see you again,
please, be always
A small but unpleasant thing happened at a con recently which brought to my attention several issues that, in my naivety, reclusiveness and small-scale social paddling pool of carefully vetted beautiful-hearted human beings I had not been aware of.
But before I talk about the little incident and the road forward from there, I need to make it clear that I am speaking and writing and feeling from a situation of immense privilege. For anyone who doesn’t already know, I am half Rromani. Over the generations the parents and grandparents of my family have done all they could to merge with mainstream British culture to the point that all the children of my generation (and now my children’s generation) can live without the stigma associated with being labelled with the racist term ‘gypsy.’
That means they totally (publicly) abandoned their names, culture, religion, traditions, language, dress, beliefs… so that we could have full access to jobs, education, a social life and all the other aspects of life which they had been denied because of their ethnicity. Being Rromani was dangerous, it still is for many, and so my family hid – becoming invisible in plain sight.
Because of their sacrifice, I am able to choose to stand shoulder to shoulder with any other middle class British person, blissfully unaffected by racial issues of disadvantage or prejudice. So when I choose to reclaim, explore or celebrate aspects of my cultural heritage I am exercising that right from a position of safety and privilege ; I am able to choose to opt in or out, to reveal or to hide.
Often I choose to opt in because I feel that, if I don’t, all the beautiful and terrible things that are becoming lost will be lost forever. All the stories will pass away. I feel that the efforts of my elders will have been wasted if I don’t stand in the place their sacrifice has put me and wave their flag for them. Opre Roma? Well, here we are! And although I have endured the odd idiotic remark, that is by no means comparable to the atrocious suffering undergone by many Rromani people, both historically and today.
So when my husband and I Steampunk we always draw inspiration from Rromani history and culture (real Rromani history and culture, not this, frankly insulting, ‘steampunk gypsy’ aesthetic that can be seen wafting around the internet) and, probably because we always Steampunk small-scale with friends and family, this has never been an issue.
But this year we went to something big and I’m sad to say that we received some rather idiotic remarks from a few other Steampunks about our overtly Rromani costumes not being ‘Proper Steampunk.’ Thankfully our children didn’t hear and obviously we didn’t run off to blub in the toilets but just got on with the day and had a marvellous time. But it has lead my husband to say that perhaps we shouldn’t dress like that anymore (in case it happens again and the children do hear and get upset), that we should just wear top hats, goggles and lots of high tech gadgetry to try and fit in more rather than stand out as something outside the norm, perhaps we’re ruining it for the mainstream and they don’t want people to stray from the approved aesthetic? Or perhaps they just don’t understand and it’s not worth trying to educate them.
Well I thought about it long and hard – at first I have to say I was shell shocked because I’d always assumed that my small but very diverse circle of educated, enlightened, all-accepting and utterly beautiful friends was reflective of the entire Steampunk Community. I did some snooping, hoping to discover that my first impressions had been correct and that what we experienced was a one off… sadly I found lots of folks had had similar experiences … but happily I also found that lots of folks like us were trying to put their own cultural stamp on Steampunk and THAT I felt was something to dwell on, to pay attention to, to celebrate and to encourage.
I need to respond to what happened, because it left such a nasty taste in my mouth, and fortunately I am in a position that enables me to choose to respond by ignoring those trolls and instead drawing attention to as many fabulous folks as I can find who are doing good things and helping to make our community diverse, interesting, welcoming, representative, inclusive and fun for everyone who wants to be a part of it – because I think that for the most part it is!
So I stand very awkwardly, very humbly, and very nervously before you all today, in the shadow of those far better and wiser than me, on the shoulders of those far stronger and more deserving, hoping to spend some time celebrating the diversity that already exists within our wonderful Steampunk world by bringing together some fantastic writers, artists, musicians and creators who are actively shaping the genre into a really splendid scene to be a part of. (rather than an exclusive, fusty old gentleman’s club stuck up it’s own rear end).
So that is what will be happening here over the next few months ( I mean, hopefully it sort of inadvertently happens already!)
Nimue Brown spoke recently about creating types of sacred space, the more we all work together to try and create sacred spaces where we can celebrate and explore our own histories and cultures side by side through the medium of punk fiction, the more the trolls will be pushed to the sidelines where they belong.
(Thankyou for humouring me. Apologies for the interruption to the usual schedule of frivolity and mayhem, normal tea service will resume as soon as octopoidly possible…)
😉 – Penny
Hello! Mrs Albert Baker here, otherwise known as The Last Witch Of Pendle. Obviously there is no Pendle any more, since those dreadful land pirates , The Chronic Agronauts, utterly destroyed it with treacle and sprats, but I’ve set myself up quite nicely here in Lancaster, running this little soup kitchen for the street urchins. There certainly are a lot of them and I’m always looking for helping hands to cook up and serve something delicious!
Now I am extremely honoured this morning because Faerie Tale Minstrel, Alexander James Adams has very kindly agreed to help me dish up some soup for our poor unfortunate orphans here in Lancaster. Good morning Alexander! Can I take your hat and coat? This is supposed to be spring but nobody has told the weatherman as usual!
Oh, and who is this you have brought with you?
While not always visible except to such discerning folk as yourself, my Lady, my feline familiar Bartholomew Dragon Master is always with me since he became a ruler of the Sun. When he ascended from this realm in 2015 during Samhain, he made it known to me to have his name inscribed on my neck where he liked to rest his paw when sleeping and the ink used was to be infused with his ashes so now he is a part of me and I of him.
Oh what a touching tale! Well you are both most welcome. Have a seat here by the fire and I will put the kettle on, and here of course is a saucer of cream for Bartholomew. Now do tell me, how was your journey here from your own dimension?
Wonderous and unthreatened. That is not always the case when traveling, but you gave very safe directions so I was able to avoid the Unseelie Court and Their kind. They like to invite me to Their parties, but I try to have other things to do so as not to be tempted so often to do mischief with Them.
Oh dear me yes, there are many who delight in leading the unwary traveller astray! But of course you must be quite used to time and space travel by now; from Victorian, Medieval and Renaissance times on earth to the realms of Fairyland, your music speaks of a most exciting and adventurous life! Are there still more stories to tell?
Yes. I have been to many magical places, not the least of which was the Land of Fae Itself where I was abducted to by the Fae at the time of my birth. A changling took my place bearing the name of Heather Alexander and she dwelt among the Mortals for forty years or so enchanting folk with her magical music. Then she got bored and returned home, where upon I saw my chance, challenged the Queen of Faeries in a dual of fiddles, won my freedom and came here to the realm of Man. I plan on traveling to more and more magical realms to collect new songs and stories. The lands of Steampunk, furry talking animals who walk upright like humans, and even the Realm of Aegis, a new world of high adventure and canticles where I bear the name of Everon the XIII, a false immortal bard who battles for the Light of the World:
Goodness it all sounds so exciting! And certainly puts my own meagre adventures to shame! But it is so kind of you to brave the trip to our blighted Isle Of Ire to come and help me out this morning in my humble little kitchen , tell me have you brought some soup along to share with the orphans?
I brought my favourite! As a musician and sometimes empty pocketed, I have learned to make the most of what I have and can save for a hard time ahead. I call it Boiled Bone Soup. I use the frozen bones from various dinners previous, reboil them til I can strip every little bit of meat from them, toss out the bones, add rice, cloves, cinnamon, brown sugar and nutmeg to taste, plus any vegetables I have around. If I’m really lucky, I‘ll have a little port or red wine to add. Stir and cook until it’s all soft and warm and serve with fresh homemade bread. The next day, it will be almost solid and becomes a casserole until it’s all gone, but it’s so good, that doesn’t take too long at all.
Oh how delicious! Let us take out my largest cauldron then and make a double batch so we have plenty for tomorrow as well. Now while that is simmering away nicely, why don’t you tell us about your exciting new Steampunk project?
It will be a huge event. A kind of Cirque du Soleil presentation with musicians, elaborate settings and four to five “Mechanical Technicians” to run “Hypnotica’s Magical Mind Machine”. It is a form of stage hypnotism themed in a setting of Steampunk and done by music and singing rather spoken suggestions. It won’t be just simple entertaining parlour tricks and making folk do silly things either. Everywhere they “travel” in the machine will give them an experience that will give them a sense of accomplishment and fun. I want to make sure that everyone who comes, whether they volunteer for hypnosis or not, are transformed and empowered by the show. Hypnotism does work much like real magic. It is a way of allowing your brain to accept a specific suggestion and then believing it to be real. If done with proper intent and respect, it can change the way a person thinks and behaves for the rest of their life. When folk see the Magical Mind Machine, they will learn that with the power of their own minds, they can change life for the better. That’s good magic, right there.
That certainly sounds like a marvellous thing to look forward to! When do you hope it will be released?
The musical album should be out by the end of summer this year. The show itself will take a little more time, but we hope to see a version of it come out next year. The producer himself, Mark Maverick, is a Manchester man, so we hope to have the show in London in the first year, if possible.
Oh how exciting! Now I know you’re rather a legend in the folk / filk arena but this new project isn’t your first Steampunk album is it?
Not entirely. I released a faerietale/steampunk combination album in 2014 called Summer Steam. It combines the 5 songs of Summer Releases from that year and 4 songs called Clockwork Collection all bundled to make a 9 song album.
I have heard it playing on Max and Collin’s spirit radio, it really is marvellous! But tell me my dear, what first sparked your interest in Steampunk in particular? Was it the tea?
Indeed, the tea is exceptional, but I really love the old ways of air travel like with dirigibles and hot air balloons. They seem so much more connected to the air and the magic of flight. Also, it is a genre where the gentlemen can have as much fun with clothing as the ladies and I’ve always enjoyed accessorizing!
Oh indeed! You know I think you would get on very well with our dear Captain of The Chronic Agronauts, he shares both those views entirely! But, I do find it very curious that so many people who have their roots in folk eventually find themselves drawn towards Steampunk, do you think there may be some intrinsic link between the two?
Perhaps. While Steampunk does involve the machinery and innovations of Man, it works so much more intimately with Nature and the land, leaving a much lighter footprint, so to speak, which the Folk culture tends to favour. If we had been smarter and more respectful of our world when we first started inventing, perhaps we would have become more like the world Steampunk represents.
Now there’s an interesting thought indeed… Ah, now the kettle is boiled, what is your hot beverage of choice, my dear, and how do you take it?
Hmm…I think some hot chocolate with a twist of brandy would be good, if you please.
Splendid, there you are. I’m afraid I cannot indulge in the brandy myself though, it’s my husband Albert who is the drinker. Now while we are waiting for your new release, where can we see you performing this year?
I will be traveling to the Renaissance period for the month of May performing for the Queen in Castleton, Muskogee, Oklahoma and then just popping in and out of many realms and times as I am invited to do for the rest of the year.
Most of the friends that gather here can actually see me bi-monthly if they wish through the magic of a service called Concert Window.
I try to perform an online concert from my home every other month and I ask my friends via the Book of Faces for their favourite dates and times during a given weekend. If those gathered here contact me through the Book of Faces under my full name of Alexander James Adams, I will be happy to arrange a time where this side of the pond will be more awake to attend.
Oh that is splendid news indeed! I know many of us here were thrilled to see you perform a few years ago when you visited the UK as part of Tricky Pixie, do you have any future plans to pay the UK another visit?
If I get an invitation and some help with the travel, I would jump at a chance. The Steampunk CD will bring me to Scotland to mix and master it with my good friend Fox Amoore so perchance this summer I will schedule a gig there and possibly elsewhere if I get information and the schedule to make it happen. If any one of your friends can help, please contact me at email@example.com and let’s talk!
That sounds promising indeed! And for those of us who are trapped in another dimension entirely and cannot make it out to your live performances, where can we purchase recordings of your marvellous music?
Through my web page:
or direct download through Bandcamp:
They can also get access to music, videos and art that no one else can if they wish to join my Patreon subscription:
It starts at 1 dollar US currency per month but it will be helping to pay the monthly fee on my live-in Pro Tools Studio which I hope to have built by the end of this summer so I can make even more music and magic than before.
Splendid! Now I know that the little street urchins were hoping you might play a song for them before we eat?
This being May and still a little chilly, I recommend a “Good Beltaine Fire”!
Oh marvellous! Well thank you so much for coming to help out in the soup kitchen today, Alexander, it’s been delightful chatting with you and I hope you will come back and see us again sometime. Now I must say that soup smells delicious. I think it must be about ready so shall we start dishing it up?
Please, and thank you so much for inviting me today! May your soups always be fulfilling to the soul!
Thankyou all of you for joining us today, I hope you will come back again next week and until then,
Blessings on your brew my dears!
Oh and before I go I must take a moment to apologise for the absence of Max and Collin this week, apparently their participation in the de-flowering festival has resulted in their home-made-steam-powered-wagonette crashing into a farmer’s barn and setting the whole thing on fire. They are now walking home, keeping to the woods and ditches to avoid said irate farmer, and should hopefully be back in the parlour next week – in my opinion it serves them right for fraternising with wayward cultists but, you know how it is, boys will be boys…
Hello! Mrs Albert Baker here, otherwise known as The Last Witch Of Pendle. Obviously there is no Pendle any more, since The Chronic Agronauts utterly destroyed it with treacle and sprats, but I’ve set myself up quite nicely here in Lancaster, running this little soup kitchen for the street urchins. There certainly are a lot of them and I’m always looking for helping hands to cook up and serve something delicious!
Helping me this morning is Sara, creator of the marvellous larp and steampunk clothing at Citadel Costumes. Good morning Sara, thank you so much for coming to help me in my soup kitchen today! Tell me, have you brought along some soup to share with us?
Yes, I have my favourite homemade tomato and red pepper soup. I made it by softening a large, diced brown onion in a knob of butter. When soft, add two diced red bell peppers and several different types of sliced fresh tomatoes. My favourites are vine tomatoes and baby plums, but you can use any you like. Then add enough vegetable stock to cover the ingredients, a little salt and pepper and simmer until the tomatoes have turned into a pulp. Whilst you are waiting for that to happen put two sweet pointed peppers on a baking tray, and drizzle in a little oil, pop them in the oven at about 200 degrees, and roast them until soft and the skin is slightly blackened, drop them whole into the soup and remove from the heat. Once the soup is cooled, blend it in the pan until smooth… you can add a little single cream or natural yoghurt to make it creamier if you wish
Mmm, it smells delicious, I’m sure the little urchins will enjoy it immensely. Now while that is simmering away nicely, why don’t we take a look at some of your lovely hats and costumes, I see you have you brought some along to show us today!
You certainly have a wide range of costumes, what inspires or influences you when you sit down to create a new costume?
It depends really, if it’s a costume from my own imagination, it can be something as simple as seeing an image or texture, I then start to think about how to translate that into fabric, which then develops into a whole character costume…If it’s for a client, generally I build on key aspects of their brief, and add my own creative spin to it. I love a challenge, so I always try to add something to the design, which will push me outside my comfort zone. Whether that’s a challenging pattern cut, or a difficult dye job, I think it adds something special to the piece, a kind of exclusivity if you will.
Splendid! Do you usually have a particular character or setting in mind when you create each one?
Not always, but sometimes a whole costume will pop into my head; I’ll think “Sea Elf” and the whole thing will be there in colour and texture with accessories! Other times I’ll get inspired by a fabric, like Chinese Brocade and a kimono with a bustle will pop into my head! I’ll start to make the piece and a character will form around it, I’ll begin to visualise other aspects of the costume, the accessories, hairstyle, mannerisms etc.
(this must sound mad! Hehe)
No, no my dear, that does not sound mad at all, unless, as they say, ‘We’re all mad around here’ … but tell me, do you take part in live action role play yourself?
Yes, I’ve only been involved in it for a couple of years, but it’s an amazing hobby. I’ve always been a bit of a daydreamer and I love dressing up. The role play was challenging for me, I felt rather awkward the first few events I went to, but throwing yourself into the game and the character you’re portraying is the best way forward. It’s pure escapism for me, a way to get away from work/life stress and although I come home from events exhausted, in a way, I always feel recharged too
It sounds marvellous! You have a lovely range of costumes in your shop but if a customer wanted something special do you take custom orders?
Yes I’m happy to take commissions, I find some of my best work comes from other peoples briefs, even though I’m quite whimsical, I like having guidelines too, it helps me focus!
Oh lovely! Now I know I am just longing to get one of your lovely hats! Tell me, where can we find your work displayed, featured or for sale?
Currently, I only have my Etsy store for online purchases, you can find that here:
I’m also on Facebook, where you can see what I’ve been up to, recent makes, upcoming trading events etc, that’s here:
And, if any of our discerning Steampunk friends attended The Chepstow Steampunk market, in south wales on the 22nd of april I was there too and may be again in the future.
Now that is a curious thing as I think some friends of ours were there as well! Now then, as the kettle is singing, the all important question, on which the fate of the world may hang… which is the brew that inspires you more when you are creating, coffee or tea?
Oooh both really!, a good cup of coffee, with milk, is what gets me going in a morning, and a nice cup of tea in the afternoon to pick me up when I’m flagging!
Splendid, here you are then a nice cup of tea to usher in the afternoon!
Well thank you so much for coming to help out in the soup kitchen today, Sara, it’s been wonderful to chat with you and I must say that soup smells delicious. I think it must be about ready and the little urchins have their rosy noses pushed up against the glass in anticipation so shall we start dishing it up?
By all means
Lovely, thankyou all for joining us in the soup kitchen today, and I will see you again next week with another splendid steampunk guest,
Blessings on your brew my dears!
Hello! Mrs Albert Baker here, otherwise known as The Last Witch Of Pendle. Obviously there is no Pendle any more, since those dreadful land pirates, The Chronic Agronauts, utterly destroyed it with treacle and sprats, but I’ve set myself up quite nicely here in Lancaster, running this little soup kitchen for the street urchins. There certainly are a lot of them and I’m always looking for helping hands to cook up and serve something delicious!
Helping me this morning is Punk Fairy artist and creator , Sally Jacob! Good morning to you, my dear, thank you so much for flying in to help me in my soup kitchen today, Sally, I see you have brought the sunshine with you! Now do please have a seat here at the table and I will put the kettle on. I hope your journey to our dimension was a good one?
Well, I always love flying in – especially on a broomstick!
Splendid! It certainly looks good weather for it! Well now before we take a look at some of your marvellous artwork, tell me, have you brought some soup to share with the orphans?
Sadly my skills at cooking are very lacking, so I haven’t been able to bring any homemade soup with me. However I am more than happy to provide somebody else’s soup!
Not to worry my dear you know Mr Temperance and Miss Plumtartt left some of their ‘interesting’ brew behind when they last visited, I have been looking fr an excuse to get rid of it before it eats somebody. Now, while that is simmering away nicely, why don’t you show me some of your wonderful creations?
I’m sharing one of my more recent paintings, called “Bound”, which I feel has steampunk undertones, and an older piece called “Broken”, which has some fun steampunk wings. I’m also sharing a magpie feather and watch movement fascinator, clock hands headpiece and Octopus and titanium quartz necklace.
Your creations are absolutely stunning my dear, and your artwork is wonderful ! Have you always had a passion for art?
Thank you, art has always been a big part of my life, it’s not necessarily that I consciously decide to keep painting, but the ideas are always there and I have to express them. I was always creative as a child and I don’t think I ever stopped. I get to express that creativity now with my artwork and also the jewellery and headpieces I create.
Marvellous, and what attracted you to Steampunk in particular?
I love the mixture you get with steampunk, you can have so many ideas and put them together and they just work. I have always has a passion for history, and I love that with steampunk you get to give it unusual and interesting twists.
Indeed, and where do you draw your creative inspiration from for each new piece?
That’s hard to say, I get asked this a lot and I don’t have a definite answer. My art is very much shaped by my life and the things my brain is processing at any given time. I will get mad moments where I’m obsessed with painting certain things (the latest one was moths!) and I will find that little part will inspire a whole painting. With the jewellery and accessories I will usually become inspired when I find a component, or I’ll want to make an elaborate headpiece with a sort-of character in mind.
And how do you source your materials?
Well, painting wise its straightforward art shops. With the jewellery I make I love to include found objects like keys, bits of watch and clock … and my headpieces often include vintage beading and trims, sometimes taxidermy all of which I hunt down at local flea markets.
If a customer wanted something particular, do you take custom orders?
Absolutely, I’m always happy to take on custom orders.
Ah, now the kettle is boiled, can I offer you both a hot beverage? What would you like and how do you take it?
Tea with milk please, you can’t beat a good cup of tea!
Here you are, now do tell me, where can we find your work displayed, featured or for sale?
My work can be found for sale online, via my website www.thepunkfaeryartworks.com, and in the real world I trade at various events in the Southwest.
Wonderful! Well thank you so much for coming to help out in the soup kitchen today, Sally, it’s been wonderful to chat with you and I must say that soup smells delicious. I think it must be about ready and the little urchins have their rosy noses pushed up against the glass in anticipation so shall we start dishing it up before it becomes hostile?
I think that’s an excellent idea, and thanks for having me here to chat.
A pleasure my dear. Thankyou all for joining us today and I hope you will cme back and see me next week, until then,
Blessings on your brew my dears!