Merry #MythpunkMonday! Today I’m going to talk a bit about the power of myth and the importance of Mythpunk in relation to that, then look in depth at some Mythpunk which I think really exemplifies just what the genre is capable of.
So, yay! The second month of #MythpunkMonday is happening! If you’d like to join in and share Mythpunk related marvellousness – your own or other people’s! – then just dive on in using the #MythpunkMonday hashtag or in the comments here, or on your local street corner, or whatever floats your pea green boat! 😉
Myths have been around as long as people have – from the moment we could communicate we started telling stories as a way of understanding our world, preserving and passing on knowledge and, dare I say it, entertaining eachother.
Joseph Campbell (for all his faults) tells us that mythology, particularly when rooted in religion, provides a cultural framework for any one group of people (and Maureen Murdock provides a balancing feminist alternative to his ‘Hero With A Thousand Faces’)
If that’s the case, then folk and fairy tales are perhaps already the rebellious / punk siblings of the stories found in religious texts and preached to the masses as a means of social control ; the secret vehicle by which everyday folk can pass on and preserve their own knowledge, morals, beliefs and understanding. (certainly I like to view them that way!)
It’s easy to see how much power these types of stories can wield. They speak deeply to our souls on a personal level and a lot has been written about the link between myth and psychology by Jung and his followers old and new, but they also resonate in the collective consciousness and the morals, ideas and archetypes they convey slide easily from the lips of the storyteller or the words on the page into the minds of the masses to become accepted as ‘truth’
I’m not a huge fan of Campbell to be honest, but I do recommend reading his works / listening to his interview series if you get the chance because there is a lot to gain despite how out dated and annoying it all is on the surface. He does highlight the need for new myths to be constantly created which reflect and embed the changing understanding of individual and world wide culture – and Mythpunk really does leap out and answer that call doesn’t it?
So as well as being clever, original and entertaining, Mythpunk can be a vital tool in questioning the messages inherent in traditional myths, legends, folk and fairy tales and, like the folktales of old, can be a subversive tool by which ordinary people can voice, preserve and pass on their own values, knowledge and understanding in the face of mainstream dominant cultures.
Most of us live in an exiting technological age, where our punk stories, alternate cultural frameworks and subversive ideologies can reach beyond the small circle of the family hearth, clan campfire or village boundary and touch like-minds across the globe. In a couple of weeks I’m going to start looking at what that means from a perspective of responsibility.
But today I just wanted to focus on the power of Myths and the very subtle, subversive power that Mythpunk can wield as well. Mythpunk has a wide variety of tools at its disposal from the voice it employs – which is often snarky, smart and sassy – to the deep-rooted symbolism which it irreverently, yet sometimes surprisingly tenderly, toys with ; like a kitten with a ball of best knitting yarn.
In that vein, let’s take a look at one of my very favourite graphic novel series Hopeless Maine. This series bridges a wide ocean of genres including Gothic, Steampunk and Mythpunk but I’m just going to focus on its Mythpunk elements because, well, that’s why we’re here right?
WARNING CONTAINS SPOILERS FOR THE SERIES HOPELESS MAINE
Hopeless is a Gothic island just off the coast of Maine, shrouded in sentient mists and born from the imaginations of Nimue and Tom Brown.
People wash up here after the world has chewed them up and spat them out. Few come here by choice. Those who come can never leave. Those who leave can never come back… despite evidence to the contrary, this is what we are lead to believe, this is what the young folk are told, this is what the adults say…
Inside this little pocket-universe are woven together elements of myth, legend, folklore and magic in a beautiful parodic dance macabre.
Just like in the world beyond the mists, life here is hard and troubled and full of questions with no apparent or easy answers. Inhabitants are seldom who or what they seem, and this goes for the disturbingly sentient fauna and flora of the island too who, after all, were surely there before the people came…
And people do keep on ‘washing up’ on the shores of this little hidden isle – just in the same way that world-weary travellers often wash up eventually in a place where our previously held concepts, beliefs, morals, values and so-called truth and virtue and sanity all seem to slide away or stop making sense in the face of incontrovertible evidence that ‘everything is not the way we were told it was.’
The island’s ‘spiritual leader’ seems to embody this place of juxtaposition; on the one hand he is set up as an earthly ‘all-father’ ( being head of the island’s orphanage) … on the other he lacks the ability or will to actually do anything useful to help solve the enormous problems facing his ‘flock’ (other than his default go-to plan of human sacrifice… which is a little disturbing) He calls himself a Reverend… but exactly which religion he is devoted to is a little hazy and the fact that he seems to perform a lot of his devotions in secret, on an island populated by demons, is… curious to say the least. Still, he definitely doesn’t like witches… or does he? You can read more about him here.
Another person who beautifully personifies this ‘crisis’ point is Mrs Beaten, and her regular blog posts are a treat to follow as she flies into one flap after another over the behaviour, depravity and dress sense of her fellow islanders… yet she is obviously far from innocent herself and her very-near-slips every now and then betray an interesting past and a complexity of urges and issues which are all actually possibly very nearly normal if only she hadn’t suppressed them for so long. (On the other hand she could be a multiple murderess with amnesia… only time will tell, but in the meantime, she is definitely judging us all. )
Leaving aside the onion skin layers which parody, lament and poke fun at the condition of the human soul as it flounders in a sea of religious and moral rhetoric and contradiction, Hopeless, Maine is an island full of its own folk lore, magic and elusive myth.
From spoon walkers to night potatoes, there are magical creatures aplenty ; some are native only to the island, some are more readily recognisable from the outer-world and, as such, some are perhaps the monsters and internal demons the islanders have brought with them?
Not much here is edible, not much here sustains the flesh and while that is reminiscent of tales of ‘Fair Elf Land’ where the very air is all that’s needed to sustain life, on Hopeless the air seems to vampirically drain away the will to live – a sort of anti-fairyland perhaps?
There are spiritual entities on the island too. Voices are heard. Eyes appear in the mists. Certainly there are demons and certainly there are those who… associate with them… does this constitute a religion of sorts? A spiritual path through the confusing fog? Are these the Hopeless Gods and do their ways spell salvation for the community of Hopeless? Or should we all be pushing away the voices in the dark that whisper insistently what ‘needs to be done’? Is our new best friend only after our soul after all?
As a series, I have already mentioned that Hopeless poses far more questions about culture and society than it answers, as that is one of the many things I love about it. But there is an ironic thread which runs like red wool through its narrative – I say ironic because that thread is Hope.
Salamandra and Owen are not starry-eyed, lovey-dovey heroes who skip about telling everyone to Hope their way out of their problems like some sickening Disney movie… but through their tenacity, their faith in themselves, their honest endeavours to ‘keep pushing’, they personify Hope whether they mean to or are aware of it or not.
Even by the end of the first volume, I had faith that Sal and Owen would prevail – even if the island itself had to sink into the sea for them to do so – they just carry inside them that punk verve, that subversive spark that glows in the heart of the Mythpunk genre and lights the way for change to slip in through the back door and storm the building.
If you like the sound of the Hopeless Maine series you can find it here:
Merry Mythpunk Monday! Today I’m going to talk about what Mythpunk is and recommend some marvellous Mythpunk to fill your shelves with.
This is a bit of an experiment, I’m hoping to do this every Monday and I’m also hoping that other Mythpunk fans and writers will join me in celebrating this wonderful sub genre by sharing your own / others writing, art, music, inspirations etc. using the #MythpunkMonday hashtag. That’s a lot of hope! … but I really passionately feel the world needs more Mythpunk and there’s some awesome stuff out there already that needs bigging-up so, let’s see what happens!
Mythpunk is a term coined by Catherynne M. Valente to describe Punk fiction which is rooted in folklore, fairytale or mythology.
At its simplest, Mythpunk could be a modern Punk retelling of a fairytale with an original ending, tangent or twist ; at its more complex, it has potential to utterly transcend its origins by bridging the gap between archaic world views and modern experience, making it an important tool for social commentary and cultural evolution.
You can read a great interview with Valente on the subject here:
And you can find her Mythpunk series ‘The Orphan’s Tales’ here:
So Mythpunk can be a punked up retelling of a myth, folktale, fairytale or legend, or it could be an interweaving of many different threads from across history and mythology, or it could be something entirely new which resembles, parodies or has elements of folklore and myth.
Mythpunk doesn’t have to be restricted to writing either – it can be music, art, theatre…
For example here’s the soundtrack to Valente’s series by S J Tucker, which you can listen to and purchase here: https://music.sjtucker.com/album/solace-sorrow
So, if you’re new to Mythpunk and what you’ve seen so far has got you hooked, you’ll now want to rush out and stock your bookshelf / kindle full of fabulous Mythpunk titles, right? – fear not, here’s my quick-fix / take-away / happy-meal list of five fab books / series to get you started…
1 Monstress Series
“Set in an alternate matriarchal 1900’s Asia, in a richly imagined world of art deco-inflected steampunk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both. Entertainment Weekly praised MONSTRESS as “one of Image Comics’ most imaginative and daring new series” and dubbed it the “Best New Original Series” in their year-end “Best Comics of 2015″ list.”
2 The Automation:
“The capital-A Automatons of Greco-Roman myth aren’t clockwork. Their design is much more divine. They’re more intricate than robots or androids or anything else mortal humans could invent. Their windup keys are their human Masters. They aren’t mindless; they have infinite storage space. And, because they have more than one form, they’re more versatile and portable than, say, your cell phone—and much more useful too. The only thing these god-forged beings share in common with those lowercase-A automatons is their pre-programmed existence. They have a function—a function Hephaestus put into place—a function that was questionable from the start…
Odys (no, not short for Odysseus, thank you) finds his hermetic lifestyle falling apart after a stranger commits suicide to free his soul-attached Automaton slave. The humanoid Automaton uses Odys’s soul to “reactivate” herself. Odys must learn to accept that the female Automaton is an extension of his body—that they are the same person—and that her creator-god is forging a new purpose for all with Automatons…”
3 Firebird Fairytales Series:
“Born on the crossroads between worlds Anya’s Gate Keeper magic is buried under grief and rage until one fateful night a firebird hatches on her farm who is sharing its body with the fabled Prince Yvan. With Yvan’s dark magician brother Vasilli and other powerful enemies closing in around them, Anya has no choice but to sober up, follow Yvan intoSkazki and hope that she can learn how to control her awakening magic before it destroys her and any hope of keeping the gates to both world’s safe.”
4 The Tale Of Raw Head And Bloody Bones:
“Meet Tristan Hart, precociously talented student of medicine. His obsession is the nature of pain and preventing. He is on a quest to cut through superstition with the brilliant blade of science. Meet Tristan Hart, madman and deviant. His obsession is the nature of pain, and causing it. He is on a quest to arouse the perfect scream and slay the daemon Raw Head who torments his days and nights. Troubled visionary, twisted genius, loving sadist. What is real and what imagined in Tristan Hart’s brutal, beautiful, complex world?”
5 Vassa In The Night:
“Vassa in the Night is a powerful and haunting modern retelling of the Russian folktale “Vassilissa the Beautiful” for teen fans of urban fantasy, fairy tales, magic, and horror who enjoy books by Leigh Bardugo, Kendare Blake, Catherynne Valente, and V. E. Schwab. In the enchanted kingdom of Brooklyn, the fashionable people put on cute shoes, go to parties in warehouses, drink on rooftops at sunset, and tell themselves they’ve arrived. A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood. In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling out again could become an issue.”
Thankyou for joining me for my very first MythpunkMonday! I really hope you’ve enjoyed it and if you have, feel free to join in and share some Marvellous Mythpunk that you have written, created or enjoyed. You can share using the #MythpunkMonday hashtag or in the comments here below if you like and I will try and make this a regular Monday thing 🙂
Good Morning Ladies and Gentlemen, welcome to Max and Collin’s rambunctiously raucous and chi-chi to the core parlour located high above it all on board our beautiful rainbow-sailed ship, The Harlequin Ladybird.
Our tentacles are all of a quiver this morning and our china cups are chattering because we are still taking part in the Dreamtime Damsels blog tour and we are honoured (and not even slightly alarmed) to have our very dear friend the infamous lunatic and cheese fiend Nimue Brown joining us for elevenses this morning.
Do please put down that lethal looking collection of cutlery, My Dear, and have a seat, (Max, get off the chaise and let her sit down before she takes off a tentacle with that spoon… hm? … no she can’t sit on your lap, just move aside.)
Would you like tea? Earl Grey? Lapsang? Assam? Darjeeling? Oolong? (Max that joke is wearing decidedly thin now)
Earl Grey is my tea of preference, very strong and with no milk in it. Thank you!
I have never understood this human penchant for putting dairy products into hot beverages, there you go my dear, one Naked Earl. (Max get up off the floor I don’t know what you are finding so amusing)
Now then , do tell us more about your contribution to this Dreamtime Damsels anthology which we are now happily able to provide the pre-order links for here…
Well, it is a Hopeless Maine tale, in essence the aftermath of a tragic love story between a giant tentacled sky beast and a hot air balloon. We probably don’t have enough stories about the sort of mopping up other people have to do when love gets out of hand.
Ah, alas, those of us with tentacles have perhaps the most tragic tales to tell… was this story semi-autobiographical?
I was colouring on the Hopeless Maine graphic novel series, and a conversation between Sal and Owen popped into my head in which she was complaining bitterly about his wet hair slapping her in the face, and as I pulled back from this scene, I could see what they were dealing with and it was large, and messy and there were tentacles and bits of rope everywhere….
Max don’t be so rude it does NOT sound like my bedroom on a Sunday morning! Let us just ignore his idiotic remarks – what would you say most influences your writing in general?
Coffee. Tom Brown. Not being able to afford therapy. Being allowed to kill people with absolutely no consequences… I should probably stop there.
I see… Nimue I’m so sorry, I have just noticed that these cake knives seem to be tarnished, I will just put them away out of reach… er, I mean, sight… a-hem… Any authours who have particularly inspired you? (Max put your battered old notebook away, you are not an authour.)
A the moment I am particularly in love with the work of Penny Blake, Carol Lovekin, Alan Garner, Meredith Debonnaire, Margaret Attwood, Robin Treefellow Collins, Adam Horovitz, Nils Nis Visser, Mark Lawrence, Ursula Le Guinn, I could go on listing for pages, I read widely and a lot and am fairly omnivorous…
Hm. Excellent. (No she does not want to hear your dreadful poetry, Max, even if it is about cheese, stop interrupting) Battenburg?
Splendid! Would it be a terrible time to mention how much I like poetry? And also very bad poetry. The worse the better, in fact.
Oh gods above and below, woman, what have you done?
[HISTORIC MOMENT AS MAX SPEAKS OUT LOUD FOR THE FIRST TIME EVER TO ANYONE BUT COLLIN, LEAPS ON THE TABLE, KICKS OVER A TEAPOT AND BEGINS TO READ A TERRIBLE POEM ABOUT CHEESE]
“En Route To The Fromagian Ball”
(A Political Poem Of The Mor Irate Revolution by Eightcups Max)
As I waited for the Tyburn Tree
To spread its limbs and welcome me
To its embrace eternally
I dreamed I journeyed long, to thee
(To dance The Masque at Caerphilly)
I met Morbier on the way
He wore a masque of silver grey
Very smooth he looked, yet grim
And seven rats did follow him
Fat they were, and no surprise
For, despite his mournful sighs,
And as I feasted with my eyes
Yet they with sharp teeth took their prize.
Next came Roqufort and he had on,
All speckled with viridian,
A gown so tattered, holed and frayed
I wondered not he looked dismayed….
MAX THAT IS ENOUGH!! STOP, DESIST, HALT, MY DELICATE SENSIBILITIES CANNOT TAKE ANOTHER CHEESY SYLLABLE!
Good grief, I had forgotten what a terrible influence you are on him, I am certain the world needs no more dirges on the evils of cheese and more sonnets to folk with slime and tentacles, it quite makes me think of taking up the quill myself. Tell me, what was your own road into fiction writing like?
I started out with some notions about being a serious novelist – I was young, and foolish back in those days. By the age of 23 I had been rejected by every major publishnig house in the UK. Then I discovered both the internet, and smut – they both got moving at the same time in an entirely connected way… and I wrote weird, gothic filth for a while, and weird fantasy ebooks, and then I met Tom online and he persuaded me that a weird, gothic graphic novel series was something I should write. Since then I’ve ambled into steampunk, and non-fiction. In essence, I will do almost anything for money, and absolutely anything that strikes me as amusing at the time!
Yeeeees, I shall never quite recover from that street corner encounter a year or so back… and do you have any plans for new projects in the near future? Writng-wise I mean and not in anyway involving cheese or street corners…
There’s more Hopeless Maine graphic novels on the ways and an illustrated prose book in the setting – New England Gothic. I want to get into light novels and I want to write about darkness in a way that deconstructs that racist light/white/good stuff. I’m working on content for the Hopeless Maine role play game, I want to write a murder mystery evening event script, and I’m working on poetry that explores the wildness and naturalness of human bodies…
Well, if you’re looking for something wild and natural to do a project on, I would be happy to offer my services as a subject for study… no? Oh well, no pleasing some folk I suppose. So, where can we get our tentacles on your own work?
Much of it can be bought from anywhere selling books – I work well in search engines, you can find me with relatively little pain!
And can we find you online?
And again, for the dedicated stalker, there’s always a search engine…
Wooooah! Dear me I do apologise, the airship must have slipped and I seem to have landed in your lap I hope I haven’t covered you in octopus slime?
Being a filthy urchin, it would be hard to tell fresh slime from anything else that has happened to my clothing at this stage.
Are you sure you’re alright? Hm, what’s that? Time you were going? Are you sure I can’t tempt you with another cup?
Well, I have an… assignation with a …. poet…. it’s a full diary here most of the time and I have to spread myself about rather carefully. Which probably sounds at least as bad as it actually is…
Well the best of luck with your Poet Assassination, goodbye! Oh dear, next time she comes I shall lock the cheese in the pantry… and perhaps Max too…
Thank you, friends for bravely enduring the madness this morning on board our beautiful rainbow sailed ship The Harlequin Ladybird, you will find all the blog posts so far on the Dreamtime Damsels blog tour listed below and until we see you again, please remain always
Greetings, salutations and the polite waving of tentacles.
I’m Nimue Brown and I write a whole array of stuff – fiction, non-fiction, poetry, graphic novels… I also do unspeakable things for money, but best not to get in to that.
I gather that in Steampunk’d Lancaster there is an annual Aether Egg Hunt – a chance for authors to connect with their readers and give a little gift of thanks for all their support in the form of an Aether Egg or Small Gift linked to the fictional world they have created. I’m always wary when talking about Hopeless Maine in terms of things people might enjoy, but there we go. This may be the bit of the process you get to feel uneasy about, while other aether eggs can be hunted with greater safety.
So here is my contribution which may do more to undermine the fun than perpetrate it, but there we go.
Hopeless Maine Easter Eggs hold the memory of other traditions. Easter itself isn’t reliably celebrated on the island – although shipwrecked Christians will try and honour their festivals. It’s just difficult to work out when anything is supposed to happen. The folk side of Easter – with the traditional decorated eggs tends to happen at the point when there are enough eggs to make a go of it. Someone starts, other people join in. These are simply eggs whose shells have been decorated.
Eggs are painted with whatever pigments can be found. Some things are ideal for colouring eggs – boiling the egg with onion skins for example. Other things, like the exciting turquoise algae Aunt Gladys found, do not always lead to the best results.
Glass heron eggs are a popular choice – their shape and length means the can be painted up to look a bit like people.
Weird and wonky eggs make popular gifts. So do stones that look a bit like eggs, and there’s the added giggle that the intended recipient can’t always tell if it’s a really hard boiled egg, or something from the beach.
Of course, whether by accident or design, an Easter egg is a good way of killing your enemies, and for that matter your friends and family. Sometimes it’s the choice of painting materials. Never use anything derived from a night potato – the glowing in the dark may look charming, but the results of eating are less so. Sometimes the eggs do not belong to the birds you thought they came from. Sometimes the eggs fight back. It has been speculated that brightly coloured eggs are left on doorsteps sometimes by non-human islanders looking for hosts.
You can find my books on any of the usual book selling sites.
This is me on Book Depository https://www.bookdepository.com/author/Nimue-Brown
And connect to me on the internet here: https://twitter.com/Nimue_B
Aether Egg image courtesy of Irum Shahid http://www.freeimages.com
Good Morning Ladies and Gentlemen, welcome to the sweltering summer streets of steampunk’d Lancaster! You find us this morning still trying to sell enough lemonade to keep our sinister landlord off our proverbial backs (and our actual backs, in fact – he has recently fitted his walking cane with a morning star.)
So, can we interest you in a delightfully delinquent and relentlessly refreshing bottle of fiz? Brewed by our own fair tentacles? …. What? Oh, hold on a minute, who’s this?
Well strap me into a corset and call me Susan, it’s our dear friend Nimue Brown! What brings you to this street corner, my darling? (Max, stop being rude and ridiculous)
N: This is what I get for borrowing a pair of trousers from Professor Elemental. At least we now know where and when I am, which is progress…
Well we are very, very glad the trousers went wrong because we have been simply dying to get our tentacles on a copy of Sinners – the newest release in your Hopeless, Maine Steampunk graphic novel series! Please, do tell me you have some Hopeless Sinners tucked away somewhere about your person?
N: I’m like some kind of non-seasonal, less than perfectly masculine Father Christmas with a really dodgy sack just now. I’ve got all the Sinners. Hopeless Sinners.
The very best kind of Father Christmas then by all accounts! Thankyou! (Max take your mits off it you’re getting it all sticky) we will certainly be reviewing that over a nice cup of tea in the parlour shortly, but before we get it home and out of its negligee (Hm? Oh it’s called a ‘dust jacket’ is it? Sorry…) a-hem… do we get a little teaser as to what’s inside? From the cover it looks like Sal has grown up a little!
N: No, you were right first time, it was a negligee, I may have got a bit carried away with the ‘sinners’ part. I don’t think I’ve got any of the chained ones left…
Oh that is shame…
Yes, Sal is a bit more grown up at this point, but it’s still a passably child friendly read, if the child has no fear of demons, elder gods, monstrous sea life and whatnot. Funny things happen, terrible things happen, and we find out more about the people who live underground on the island.
Now that is what I call a tease! And where can our good friends here get their hands (or indeed tentacles) on a copy?
N: In theory, anywhere that sells books. In practice, you have to make an appropriate sacrifice at the full moon and pray to an elder God that the online store of your choosing will have copies and will not be charging an entirely random price for them! We’ve had issues in the pre-order period.
Well if anyone needs a potential sacrifice candidate we have a landlord we are willing to part with for noble purposes such as this so do shout…
Splendid! Now look here, Mrs. Brown, I don’t suppose you could help us sell a few bottles of this fiz here could you? My tentacles are drying out in this heat and Max’s so called ‘wit’ is driving the punters away in… ouch!… I mean, is perhaps not to everyone’s taste…
N:We could redeploy some of the negligees to protect those vulnerable tentacles, don’t you think?
Hm, this reminds of that pole dancing episode … Max get off that lampost people are starting to flee the street…
I don’t know any lemonade songs. I’ve got a lemon song, but I mostly use it for stuffing chickens with. It goes (brace yourself)
‘lemon up your bum, lemon up your bum, lots and lots of lovely lemons, lemons up your bum’.
Which might or might not sell lemonade, I suppose…
Well I think between the three of us we have managed to clear the docklands quicker than if someone had shouted ‘PLAGUE!’ … and now we may well be reduced to pole dancing again to make the rent this month, so may I keep the negligee?
Thankyou for joining us on the street corner this morning, we will be back soon with more splendid shenanigans and a super special announcement … or two… so, until then,
please be always,
Good morning, Ladies and Gentlemen, welcome to Max and Collin’s fabulously festive and expertly extravagant parlour located within the spledidly scenic city of Lancaster, Mor Ire.
True, some have called it an offensively ostentatious affair, filled with frivolous flamboyancy but we consider that such individuals are tasteless and we would never consider having them for supper.
You find us this morning turning the parlour into a veritable Wizmas Wonderland…
Apparently the final battle between Wiz and The Goddess took place on the snowy peaks of Siberia. (Having visited Siberia ourselves recently we are, to be candid, a little sceptical of this assertion.) and so it is traditional to cover one’s self and immediate surroundings in as much snow as possible throughout the Wizmas season. The more snow you are seen to sport, the more you likely to convince The Good Folk of your allegiance to our supreme ruler.
Of course there is always the small problem that snow in The Scattered Isles is not the most common meteorological phenomenon. Still there are ways to fake snow and we have pushed the iceberg out this year on that front!
We have carpeted the entire floor in sheets of cotton wool batting (We did try white crepe paper initially but it wasn’t nearly as messy, irritating or difficult to remove, this cotton stuff soaks up the water from the cellar floor beautifully too!).
The strange chains (which hang from the walls and do not invite us to ask our landlord their purpose) we have piled high with a mixture of baking soda, white and blue glitter, a few drops of vanilla and peppermint oil and a tsp or two of water just to get it to hold together. As Freddy is also chained to the wall we have simply wrapped him in tissue paper to keep him out of sight.
Upon the tea table, we have carefully sculpted a pyramid from ‘snow balls’. These were made by mixing glitter (again) with coconut flour and a little cold water.
Sadly we no longer have any windows, this being a cellar afterall, otherwise we could have stuck baking parchment over them to make them look ‘frosted.’
As for our own attire, we have given eachother a fairly good dusting with white glitter and talcum powder and can safely say we look perfectly abominable.
We simply can’t wait to see the look on Montmorency’s face when he sees the effort we have gone to…true it is difficult to read the facial features of a psychotic scarecrow, but we tend to guess that when his head is leaning to the left he is in a better mood than when it is leaning to the right, he looks a little friendlier like that you see.
And our furry pals the Dustcats seem to have got into the mood as well!
Anyway, now that we have enough snow to infuriate our landlord we can sit back with a nice cup of tea and begin writing our Wizmas cards. Fortunately, our fabulous friends over at Hopeless Maine have brought out several sets of ‘alternative festive cards’ this year to bring a massive helping of Steampunk Splendidness to the season! ‘Steamed Pudding’ , ‘He Hears His Master’s Holiday Message’ and ‘A Hopeless Holiday’ are available from the Hopeless Maine etsy shop (click the image to go straight there) and can be bought as separate designs or as a multi-pack! So if Robins and Penguins and fat men in red suits are putting you off reminding your loved ones that you still exist and would appreciate cash or brandy this year rather than socks or arrest warrants , no more excuses eh? …
Now all that is needed is some suitably seasonal audios to usher in the afternoon so let us tune in our Tesla Radio and ….
Marvellous! We wish you all a very splendidly snow filled afternoon, and we invite you back to join us soon for more festive fabulousness. So, until then please be always,
Good morning Ladies and Gentlemen! Well, it seems the Dustcats of Hopeless Maine are taking over our little parlour for the festive season in some strange steampunk parody of your earthly tradition of ‘Advent’ . Having put them sternly to bed on the mantle piece again last night we found them this morning in a state of spoons… with yet another odd note…