Frost Fair: My Fair Temperance
“Oh my Goodness, please be careful Miss Plumtartt! The ice on this here frozen Lancastrian river is as hard as marble and slicker than silk sheets. It’ll drop you on your bustle quicker than a steam whistle.”
“Quite so, Mr. Temperance, though if the river were not frozen over, we would not be present at this delightful Frost Fair. I had no idea Lancaster produced such a wide variety of wonderful crafts and delicious treats. One notices that you have no inhibitions toward satiating your indulgences concerning sickly sweets, eh hem?”
“But I was assured that these treacle tooth-breakers are the last ones mined from these hills in thirty years!”
“I see. And did these treacle miners deplete your own allowance reserves?”
“Yes, Ma’am.”
“It is just as well, sir, for I now have our own kiosk, cum stall, a’la merchant’s stand in place.”
“But I wanted to walk around with the books displayed on a board resting on my tummy and hanging from a strap around my neck!”
“No, we are going to cooperate with Miss Blake and sell our wares from behind this small table surrounded by colourful bunting. Did you really all eat the treats that I had prepared to entice prospective customers?”
“Uhb.”
“Never mind, I want you to remain here in the hopes that someone may wish to inspect one of your written adventures. The novels might require some explanation.”
“These books are of high adventure Miss Plumtartt! I can’t help it if they sometimes come across as whimsical!”
“Of course not, Mr. Temperance, and I’m sure your sprinkling of mild innuendo through these tales is completely accidental.”
“I reckon it would have to be, ’cause I don’t even know what that is.”
“Perhaps you could inform any potential readers that you have saved this, our blessed planet, from a number of global, paranormal threats in these themed adventures?”
“Oh, yes, Ma’am, Miss Plumtartt, Ma’am! There was the time that C’thuller tried to eat us all up, and then there was the time we had to beat back a Martian invasion. We’ve had run-ins with broods of Nosferaters, VooDoo zombies, and the mighty Zodgila. I’ve gotten to be pals with Sherlock Holmes, King Arthur, and even some gigantic dragons.”
“One must admit that these are an intriguing, and colourful collection of novels. Here is the link to your international Amazon page:
https://www.amazon.com/Ichabod-Temperance/e/B00J71862M/
“My word, the treacle appears to have solidified to solid mass within Mr. Temperance’s mouth, locking his jaws. Might One say, on Ichabod’s behalf, what a delight it has been to visit lovely Lancaster on the frozen river Lune. Our very best to Penny, Max, Colin, and everyone else in this charming shire. Toodle-loo!”
Soup Of The Day: With Mat McCall
Hello! Mrs Albert Baker here, otherwise known as The Last Witch Of Pendle. Obviously there is no Pendle any more, since The Chronic Argonauts utterly destroyed it with treacle and sprats, but I’ve set myself up quite nicely here in Lancaster, running this little soup kitchen for the street urchins. There certainly are a lot of them and I’m always looking for helping hands to cook up and serve something delicious!
Helping me this morning is Steampunk author, pillar of the Steampunk Community and all-round Accomplished Gentleman, Mat McCall! Thank you so much for coming to help me in my soup kitchen today, Mat! May I take your coat? Despite the deluge it is very warm here in Lancaster today…
Indeed. It’s wonderful to be here. Something smells delicious!
Ah yes I have been doing a spot of illicit baking this morning! Oh, could you leave your blunderbuss in the hat stand please, if you don’t mind?
Carefully.
Thank you, dear. I’m afraid weapons unnerve me somewhat. Now, why don’t you have a seat by the window there, how was your trip from your own dimension? I hope those wretched airship pirates didn’t give you any trouble?
Well, no. They are mostly me old mates.
Ah, that is good news indeed! And have you brought along some soup to share with us?
Cream of Dandelion Soup.
- 2 or 3 cups chopped dandelion leaves
- 1 cup dandelion flower petals, divided
- 1 cup dandelion buds
- 1 Tbsp olive oil
- 1 cup chopped onions
- 3 cloves garlic, minced
- 2 cups water
- 1 cup of cream
- 3 tablespoons grated Parmesan cheese
- 1 teaspoon each: salt, dried parsley, dried basil
- 1/4 teaspoon pepper
- 1/2 teaspoon each; cumin, garlic powder
- Chopped spring onion or nasturtium flowers to garnish
Instructions
- Bring a pot of water to boil, add the dandelion leaves and boil until tender, 3-5 minutes. Drain and transfer to a bowl of ice water to stop cooking.
- In a heavy-bottom soup pot, sauté onion and garlic in butter or oil on medium heat, until tender.
- Add 2 cups water.
- Reserve some of the petals for garnishing, and put aside.
- Add dandelion leaves, flower petals, buds, and spices to the pot.
- Lower heat and simmer gently 45 minutes.
- Add cream and Parmesan cheese, and simmer a few minutes more.
- Serve immediately and garnish with flower petals and green onion.
- If you don’t have enough dandelions, or like a more peppery taste, you can use nasturtium leaves and flowers.
Mmm, it smells delicious, I’m sure the little urchins will enjoy it immensely. Now, while that is simmering away nicely, why don’t you tell us all a little more about your book The Dandelion Farmer? Have you brought a copy with you to show the orphans?
I do.
It looks marvelous, I must say! What inspired you to write such a unique tale?
I have always felt that a lot of Steampunk literature, if you can call it that, has always played to the audience with all the subtlety of a Brian Rix farce, nudge-nudge, wink-wink… and making virtually no contribution to Science Fiction as a genre. So I aimed to write a ‘Steampunked’ Science Fiction novel that was more Science Fiction than Steampunk whimsy.
Saying that, there are some amazing authors writing in the genre of Steampunk, authors that do not get the recognition they deserve, like Craig Hallam, Nimue and Tom Brown, Meg Kingston and Ceri-Leigh Harper, I think that is because Steampunk is not taken seriously as a legitimate branch of Science Fiction by publishers.
Steampunk often postures itself as the badly behaved and absinthe-sotted cousin of Sci Fi doesn’t it? Do you think that Steampunk has more to say on the world stage than “Oops Ma’arm where’s me cucumber sandwiches?” – If you’ll pardon the phrase; living in close proximity to a flirtatious Octopus and his Gentleman Friend tends to rub off on One I’m afraid!
Nothing wrong with that.
Thankyou! Of course we all like a good laugh and a giggle, I’m sure, but do you think that sometimes the flamboyantly flippant style of many Steampunk novels prevents some of those more serious issues, which are so prominent in science fiction works, from coming to light or being taken seriously?
I think you’re absolutely right. SF has always been the best literary medium for exploring issues; such as the nature of being human; from Frankenstein and I Robot to Do Androids Dream of Electric Sheep? To the nature of sexuality and gender, The Left Hand of Darkness, to the subjugation of women in our societies, The Hand Maid’s Tale, even the nature of sanity, anything by Philip K Dick, and it predicts the future, sometimes with frightening accuracy, read anything by William Gibson or Bruce Sterling. I don’t see any attempt in most Steampunk SF to tackle similar subjects.
In Steampunk’s pseudo Victoriana there is little exploration of the moral or social issues of today, let alone what life was like for the vast majority of ordinary people in the late 18th, 19th and very early 20th century. Gender and racial inequality, Imperialism, war, deprivation and grinding poverty.
I think that Steampunk should be as willing to explore tough issues and ideas as much as the main body of SF does.
Do you think it is possible, appropriate or even necessary, for the more humorous side of Steampunk to be used to highlight more serious issues? – ‘Heavy words, lightly thrown’ as some would say? I am thinking in particular of Professor Elemental who was recently criticized by a minority of his audience for bringing politics into his stage show...
Oh god yes. I think Steampunk can and should play a powerful role in social commentary, both of the past and the present. And as my late Mum used to quote, Chaucer, I think; “Many a true word spoken in jest.”
My book was accused by some rabid Trumpite of being a left wing diatribe, he also complained because it had transgender and lesbian characters. He didn’t see any place in what he thinks is Steampunk for them, he even questioned having black characters in a neo-Victorian story. Well, I put his “review” up on Facebook and let the Steampunks decide, they supported me whole heartedly, as I support Prof. Elemental.
Steampunk in all its forms is, at its heart, ART, and art’s greatest power is to challenge our preconceptions.
I absolutely agree with you, Dear… Ah, now the kettle is boiling, what is your ‘poison’ , as they say, and how do you take it?
Tea, please. Milk, no sugar. It’s a mnemonic I use to get people to remember my name; Mat, one T, no sugar.
Oh dear me! You musn’t make me chuckle I shall spill the hot water all over the mechanical cat. There you are, now then, tell me, what made you choose Mars as the setting for The Dandelion Farmer? Do you think perhaps the human race may end up there one day?
Yes. Unless we extinguish ourselves first. The day a successful colony on Mars reaches true independence is the day our survival as a race takes one major step closer to certainty.
My Mars is probably more about the realities of colonialism. The historical parts of the background story, presented to the reader in the form of extracts from Beresford’s History of the Martian Colonies, is about the failure of imperial colonialism. This follows a clear historical pattern that we have seen, again and again, on Earth, except in this narrative it is accelerated.
Will such a thing happen if we colonise Mars? A struggle for independence from Earthly bound powers. Yes, probably.
Mars, real and fictional, is Science Fiction’s first great love. A hostile world where if you just dig a little below that red sandy surface you will discover a literary layer cake, a fictional geology, of several hundred years if not longer, laid down by writers and imagineers like Greg, Flammarion, du Maurier, MacColl, Wells, Verne, Wyndham, Robinson and Weir, to mention only a few.
I wanted to draw on elements of Verne and Wells, but also Bradbury’s Martian Chronicles, Burroughs’ John Carter/Barsoom adventures, and little touches of Le Guin’s questioning of humanity, P.K. Dick high strangeness and Lovecraftian menace. There are elements of homage, but not cod plagiarism, and it gave me the opportunity to build, not only an alternative history but an entirely new world.
That big red dust ball has been the playground for SF fiction since the earliest stories. SF’s fascination with other worlds and space travel is at least as old as Lucian of Samosata’s True History, written in the second century.
So I wanted to play in that barren garden of delights, and leave my metaphorical boot prints in the red dust of Mars.
And Dandelions! Of course I use them for tea and coffee, but I’d never entertained the notion that they could be used as a botanical fuel crop! Such an elegant idea, was there a particular reason behind that too?
I was walking the dogs, one morning and at the end of the road where I turn into the park is a house, and that house’s front garden was awash with dandelions. I made a remark to my partner, Nikki, that it looked as if they were farming dandelions. And the idea stuck.
Dandelions are an amazing plant. Everything that Edwin does with them is being done today; liquid fuel, biomass, tea, even soup. Russian dandelions are the best. In a world without much in the way of fossil fuels, humans will have to grow their own fuel.
Did you know that the German bombers of WWII were flying on fuel made from dandelions? It’s not a new idea.
My goodness I had no idea! (Mind you, I am stuck here in the future 1840s and I’m afraid my soup-scrying does not always furnish me with a comprehensive picture of past-future events.. )
The Victorians were also very ingenious about using alternative fuel sources; they were using mummies to fuel the Cairo express at one point, they were cheaper than wood or coal and pretty plentiful.
Goodness! I had no idea!
The book contains an excellent mix of high action and intriguing plot development which adds to the tension, but, as a reader, I felt at all times in touch with the feelings and emotions of the characters because of the structure of using journal entries and letters to tell the story… Was this a very difficult balance to get right?
Very. I wanted the plot to move fast, and there is a lot of plot, several major interwoven themes, in fact, but I didn’t want to lose sight of the humanity of the characters involved. The tradition of using journals and diaries of course goes back beyond Victorian literature, but it has been a device Victorian writers used often.
I like to take the reader into the minds of the characters, to let them see the world through their eyes. To explore their passions, fears, motivations and ideals without bogging the reader down with long expositions by a third person narrator.
It’s also important, when exploring the frailties and uniqueness of the characters, to let them have their own voice. My characters are complex people. Edwin is wracked by self-doubt and worries, and that intensifies his stammer, Adam is on a journey to discover his origins, but everything he learns horrifies him, Aelita is discovering who and what she is, but to do so she has to throw off a lifetime of colonial Victorian culture, Charity is on a mission of vengeance but ends up finding love.
You are obviously a long standing fan of Science Fiction and Steampunk, are there any particular authors, books or events which have influenced your work?
I have always had an abiding passion for Science Fiction and Fantasy only equalled by my passion for Archaeology and History. I’m a big fan of Philip K. Dick, Ray Bradbury, William Gibson, Bruce Sterling, Robert Aspin’s “Thieves World,” George Martin’s “Game of Thrones,” and Ursula La Guin’s “Earthsea.”
So I guess all those writers are conscious and unconscious influences on my writing. Specifically, La Guin’s Left Hand of Darkness, Shelly’s Frankenstein, Bradbury’s Martian Chronicles, Borough’s Barsoom stories and, of course, Jules Verne and Lovecraft.
The story ends on a cliffhanger, please don’t say we have to twiddle our thumbs for long before the tale continues?
No, not too long, the second book, The Hourglass Sea, is already half completed.
And in the meantime, where can we stay in touch with you and your works in progress?
Anyone who wants to contact me is welcome to.
My web site is Doktormatas@weebly.com, where you can read the first couple of chapters for free.
On Facebook author’s page is Mathew McCall, author.
And I also have the FB page. Matas Corvus.
I am at Goodreads and the book is available, at the moment, from Amazon UK, and worldwide.
Marvelous, thankyou! But writing fiction is not the only string to your bow is it? When you are not penning works of Steampunk Splendidness what else can you be found doing?
I am very active in the British Steampunk community both online and in the real world. I’m an educationalist, specialising in Adult Education, I also work for the NHS presenting Diabetes Prevention courses. I’m a History and Archaeology lecturer, award-winning Steampunk artist and contraption maker, bulldog fancier, natural philosopher, gardener, Socialist, non-fundamentalist Christian and Fortean.
I believe very much in the idea of a worldwide Steampunk Community in which we are all part and so I started and run the FB pages; The Steampunk Community Bookshop and Steamcycle.
Steamcycle is the Steampunk’s Freecycle, which I and the inimitable Janine Marriott run so as to help foster that sense of community. Steamcycle has over 1500 Steampunks around the world swapping or giving away things for free to other Steampunks.
The Steampunk Community Bookshop was created to give Steampunk authors a platform to promote their own work to the Steampunk community and for Steampunks looking for a good book to browse through.
I also am a founding member of the Steampunks of Gloucestershire group and the Minimum Altitude Display Team, “MAD T’s,” that has featured at the Lincoln Asylum for the last 5 years.
Splendid! Well, thank you so much for coming to help out in the soup kitchen today, Mat, it’s been wonderful chatting with you and I must say that soup smells delicious. I think it must be about ready and the little urchins have their rosy noses pushed up against the glass in anticipation so shall we start dishing it up?
Shall I be mother?
Thankyou very much! – and thankyou to all of you for joining us today in the soup kitchen,
Blessings on your brew my dears!
Soup of the day with Suna Dasi of Steampunk India
Hello! Mrs Albert Baker here, otherwise known as The Last Witch Of Pendle. Obviously there is no Pendle any more, since The Chronic Agronauts utterly destroyed it with treacle and sprats, but I’ve set myself up quite nicely here in Lancaster, running this little soup kitchen for the street urchins. There certainly are a lot of them and I’m always looking for helping hands to cook up and serve something delicious!
Helping me this morning is Suna Dasi of Steampunk India ! Good morning Suna, thank you so much for coming to help me in my soup kitchen today, there is a weapons cache in the bread bin there by door if you’d like to leave your… what do you call that piece of dispachorial equipment, I have never seen anything like it!?
It’s my Aural Induction Oscillator, also known as the Earwig…and I shan’t need it while enjoying the hospitality of your kitchen! I’ll lean my pneumatic crossbow against the wall if that’s alright?
Of course! How was your journey here from your own dimension? I hope you were not waylaid by any skywaymen or land pirates en route?
Well, I was hoping you were receiving my ship’s dispatches, as I very much wished to arrive on time. Unfortunately we had some temporal flux issues – putting us about eight months off-course! – but we made it in the end. As far as pirates and other skyjackers are concerned, I’d like to see them try! My airship The DevaDasi is perfectly well equipped to deal with such situations and my pilot, Captain Gita Rohini is a force to be reckoned with.
Well you don’t look at all ruffled my dear, your outfit is amazing, did you make it yourself?
I wish I were skilled enough with my hands, but no. I’m a Pengineer, so I’m most at home in the inkwell, not the sewing kit….my saree was hand spun in Varanasi, the blouse custom fit to match. Only the embellishments are mine, which reminds me, I should have taken off the bandolier belt that holds my crossbow bolts, my apologies.
That’s quite alright! And have you brought some soup with you today to share with the orphans?
No soup, I had hoped your orphans might be adventurous enough to try some South Indian kitchree? This is the original dish that Scottish kedgeree is a derivation off. So a base of fragrant stock with ginger, galangal, some chilli, turmeric and coriander, thickened with basmati rice, chopped carrots, chickpeas, okra and green beans. My own version; you’ll find many varieties and the ‘right way’ to make it in several regions of India. I have added crumbed eggs and dried caramelised onion flakes on top. I do hope it’s not too outlandish!
Oh what a splendid idea! Thankyou! Now while that is simmering away nicely, why don’t you have a seat here by the fire and tell us what attracted you to Steampunk in the first place?
My passion existed before I discovered the word.
As a child I was fascinated by aspects of history like the Age of Sail, the history of global trade and the Age of Steam. I had a hankering for objects behaving like more than what they were designed for. I’ve always loved classic adventure novels (Edgar Rice Burroughs, H. Rider Haggard, et al may be problematic to modern sensibilities but their books are also ripping adventure stories!), vintage sci-fi, Victorian poetry, weird fiction, mythology, folklore and pantheism. I’m hugely interested in applied sciences, neuroscience and robotics. I’ve never grown out of preferring costume-type clothing incorporated in daily attire and because of my heritage I was very focused on blending in Indian elements. Corsets combined with tweed trousers, riding boots, a sash and a jacket made of saree material and a turban, or better yet, a traditional Indian saree or salwar kameez suit with Steampunk accessories are so much more enjoyable than modern Western fashion! All these things and many more besides, seemed to suddenly fall into the same category called Steampunk, or aspects of my interests were used in the world-building of Steampunk fiction.
And have you found that your own cultural heritage has influenced your participation in the genre?
Absolutely. I am less active at events and cons, but if I do, my costumes are always based on Indian dress. Mostly, though, it expresses itself in writing and that is because I wasn’t reading characters I wished to see.
When we read, we want an escape and an anchor at the same time. We want to escape into worlds beyond our own and we want a character we can anchor ourselves to, a way of sailing through the narrative.
Aside from a very few dusky damsels in distress or a few crudely drawn male martial sidekicks or stern warrior types, there was a dearth of actual Indian characters with developing stories. League of Extraordinary Gentlemen’s Nemo is great because we follow him through the second half of his adult life, all the way to the very end; after he dies, his daughter takes the relay baton as the protagonist. It’s almost unheard of for a non-Western character to have such a narrative run in Steampunk.
On the other hand we have the fact that the Victorian Age transformed society and made it what is today; one of the biggest ingredients of that transformation was British rule in India.
It can perhaps be understood why I felt underrepresented within the genre once I started reading the fiction on offer. India during the British occupation is a prominent and influential chapter in history, a chapter that has a deep political and cultural resonance to this day. It is really quite odd to completely ignore it as a part of the Steampunk genre. What makes engaging in Steampunk so wonderful is the re-creation of an era in history in a different mould – an era that has the Empire running roughshod over other cultures. Why not make alternate history truly alternative? Instead of writhing in post-modernist angst about what is ‘correct’, which seems to be the going trend, we should grasp the creative nettle, as it were. It is fiction: the creativity that builds alternate history must be allowed to run unimpeded or the trap of self-censoring is a very real and dangerous one. And humour. Humour is so important!
I confess to very much enjoying your writing, would you mind telling the little urchins here a little about the wonderful Steampunk world you have created?
My India has seen the Mutiny come and go, but the outcome is very different indeed. India has essentially been split into three enormous regions and the British are more or less integrated in society, depending on the region.
For my stories I have taken certain things as read: though there are traditional elements to my alternate India, it is a given that women can study, work any kind of job, have sexual relationships with whomever they please, including other women, and lead independent lives to a reasonable degree. This is not a glorious, golden army of amazing accomplished saints, however; there are thieves, cowards, degenerates and murderers among them… They are people. I have moved certain elements from Victorian Britain to the Indian setting, such as children’s workhouses, though they may not be what they seem at first glance…Mostly, it is important to me to think through of what might be in such a society. The added mythological and slightly supernatural elements, which are sparse but present, are pure fun.
Empowerment of women is a strong theme running through your fiction isn’t it? Is that something you feel particularly passionate about?
It fuels everything. I work in the creative industries, I’ve done some acting for theatre and film and I currently earn my living as a singer. The glass ceiling for women within the creative disciplines is an ever present beast. I wish this wasn’t so and there is a massive sea change occurring as we speak, in the film industry, the music industry. In fiction, I contribute in my own way by writing women (and men) in reversed roles, unexpected situations in which their reactions aren’t restricted to classic, outdated heteronormative expectations of how men and women are. (I’d like to say that I’m pretty politically incorrect in all areas however; I may not satisfy. I am satisfying me.)
At the moment, I’m actually digressing from specifically Steampunk into speculative poetry and harder Sci-Fi, both excellent formats for expanding similar ideas and great vehicles for turning some classic tropes on their head. Similarly, I’m exploring ancient Indian myth and folklore for writing fiction.
You have some wonderful, strong female characters, I particularly fell in love with the idea of the Temple Priestesses with their secret double lives, would you tell us a little more about them and how their creation come about?
It comes from the very popular and often loudly vocalised idea that all sex workers are always downtrodden doormats who had no choice and that there is no woman on the planet who would enjoy doing that kind of work. That no woman would make the autonomous choice to give the gift of sex to paying customers and actively enjoys it.
Yes, there are women who fall under this category, especially in impoverished countries. But nuance is vital. There is a history of sacred sexuality in many cultures, of ecstatic pagan worship involving orgiastic rituals and yes, of sacred prostitution as a lauded, accepted and valid path for a woman to pursue (cadres of historians and feminists serving a certain agenda will loudly naysay this, whatever I say or do) So I am writing about two strong willed, happy, sex positive, kick ass temple dancers, whose patron deity is Vajrayogini (an emanation of Chinnamasta, a left hand path Tantric goddess). They use everything in their considerable arsenal of feminine autonomous strength to solve crimes and political intrigues. The underlying reasons for them being who and what they are sound quite heavy, I know, but it will make for quite the adventure.
No one is black and white in my universe, people are complex creatures, they have flaws and foibles and they make stupid choices when they’re emotional. No one is exempt.
I am working on a short SciFi story that goes deeper into the morals and values that surround this topic, including certain strands of current sex-negative feminism.
Your writing takes the viewpoint of characters who are often looked over in society, those who come and go unnoticed but without whom 19th century society would have ground to a halt, was that a pre-meditated decision?
It was! It seems preposterous to me that worlds are built without those strata of society, especially as, when they are incorporated, it is usually in an antagonistic setting, or a classic ‘frowned upon romance across different societal layers’. Surely there can be more outside of those contexts! It’s a big part of any culture’s struggle away from restrictive caste systems, to this day many cultures only marry into families of their own social milieu and many cultures have class wars that are still ongoing – but there were far more ‘odd couple’ groups and pairings in history than recorded history lets on. In Science, in Music, in Romance….
I must say, we don’t see many Chimney Sweeps or Night Soil Men walking round Steampunk conventions do we? Do you think Steampunk would benefit from more diversity in it’s central characters, settings and themes?
I think Steampunk, like any genre or subculture, would benefit most from accepting that everyone has different ways of expressing their passion for said genre or subculture and make sure there is enough room, without being snotty or judgemental about somebody else’s enthusiasms.
With common sense and some self awareness, everyone should be able to enjoy their favourite genres.
I understand that some Steampunks especially love the etiquette and sense of inherent poshness that goes with Victoriana, but I imagine they may conveniently forget that some of the most retentive politeness in Victorian society covered up some of the most hedonistic behaviour behind closed doors, the Victorian criminal underworld was something to behold and some of the most inventive smut ever written comes from the 1800s. I should know, I’ve read quite a bit of it.
And as Steampunk is about alternate worlds and universes, what a great opportunity to incorporate everything, bloomers out and all – including the peoples and cultures of all those wondrous, far flung continents that made up the Empire.
If I may deviate from Steampunk for a moment, I have just seen Deadpool 2 and straight up loved it. One of my favourite characters is Dopinder, the starry eyed cab driver who wants to be a superhero. I’ve heard from many different directions how he is seen as a problematic character.
I thought he was hilarious and everything relating to his race was pure, unalloyed, wicked irony, especially as (spoiler alert!) he actually pulls through in the end and gets his kill in.
If I listen to most of the indignant people, apparently I should be offended. I am Indian and I wasn’t. I’ve asked fellow Indian, Pakistani and Sikh people what they thought and they all without fail thought he was great.
By the same token, there was a great outcry when the other Avengers ranted at Thor about how his brother attempted to level New York, to which Thor hastily responds: “He’s adopted”.
I was howling with mirth in my seat at that. I am also adopted. I was not offended in the least.
(I’m also very invested in the Marvelverse – I’ve been reading X-Men since I was 14 – so I will stop digressing or we’ll be here forever.)
You describe the Victorians as ‘dodgy’ my dear, which I confess did make me chuckle, do you think that, as Steampunks, we stand, at times, on slightly thin ice and have a duty to make sure that we challenge rather than glorify that ‘dodgyness’?
No, I think we should absolutely glorify the dodgyness! I think a lot of Steampunk is way too politically correct. Be the cads, scoundrels and perverts some of them were, openly and with pride. It’s the glorification of stilted manners and stuffiness that gets on my nerves. You can be a sophisticate and a thorough sexual hedonist, an autodidact scientist, mathematician and musician and a wheeler dealer in the London underground crime scene.
It’s what makes Gordon Dahlquist’s Glass Books of the Dream Eaters such an exquisite symphony of politics, science, intrigue, cultishness and sexual deviance. For me, those books are the perfect Steampunk; quite literary but not eschewing the underbelly of life and it still involves airships, steam-trains and afternoon tea. Just perfect.
And what about challenging prejudice within the genre, that’s not always easy to tackle head-on is it?
The only prejudice that continuously gets my goat is ‘more Steampunk than thou’ attitudes. Everyone is here to have a good time, whether they wear a dress with clockwork print or a full suit of armour with actual working, ticking clockwork. MAKE ROOM. YOU’RE NOT LOSING ANYTHING.
*cough*
Apologies, I hope I didn’t startle you.
What would you say to those here today who might want to express their own culture and history through their Steampunk writing and costuming?
Do it. Be proud.
And what about those who might want to explore and express aspects of cultures that are not their own?
Do it. Be not an idiot about it.
Now then, I must apologise, the kettle has long been singing at us and I haven’t offered you a cup of tea! What is your poison dear and how do you take it?
Masala chai without sugar, please!
Ah, one of my favourites! There you are. Well thank you so much for coming to help out in the soup kitchen today, it’s been wonderful to chat with you! I know you are very busy at the moment, would you like to point us to where we can find out about your current projects?
Please could I refer to my website and Twitter account for listed projects and some free fiction?
http://www.steampunkindia.com and http://www.twitter.com/SteampunkIndia
Some of my work includes:
A Day in the Life or, What The Tiffin Saw, Steampunk fiction, February 2014, Brown Girl Magazine, USA
Those Dark Satanic Mills, Steampunk Novella for the Tales From the Archives anthologies, edited by Pip Ballantine and Tee Morris, May 2014
The Steampunk User’s Manual by Jeff VanderMeer & Desirina Boskovich, (nonfiction contribution), October 2014
The Tinku Diaries, Steam/Clockpunk fiction for The Clockwork Watch Transmedia Project & the National Maritime Museum, Greenwich, UK, November 2014
UnMade, Steampunk LGBT romance for the Steampunk Writers Around the World anthology, Luna Press, August 2017
Internal Devices, Steampunk LGBT romance for the Steampunk Universe anthology, Alliteration Ink, January 2018
Marvellous! Well now, I must say that kitchree smells delicious. I think it must be about ready and the little urchins are starting to get fidgety so shall we start dishing it up?
Let’s! I have been baking some roti’s and garlic naan to accompany the food and I have brought some jars of my homemade courgette chutney.
Splendid, thankyou so much all of you for joining us in the kitchen today – blessings on your brew my dears!
Elevenses: The Politics of Post-Brexit treacle
Good morning Ladies and Gentlemen, thankyou for joining us for elevenses this morning! Today you find us burning the candle at both ends. We have just returned from laying bets on a splendid spot of hex-slinging over at The Angel where we ran into a very dear friend of ours, Jack and Marjory, who used to work in the treacle mines over at Chobham (before we liberated them and the other orphans who had been enslaved there that is)
We should probably explain to any non-UK residents that, here in Britain, we mine our treacle out of the ground. This has been the case for centuries and William Cobbet, recently visiting Crumbria in 1816, wrote:
“This place I found to be a fair and healthy place, the women and children well fed and happy. Most menfolk were at work upon the Land but that evening in the excellent Crown and Thorns Inn I was surpassingly surprised to see many men brown of hue. On enquiry I determined that these were miners of Treacle and what a jolly crew they turned out to be. That night I repaired to my bed thanking our maker that there was at least one happy parish in the land.”
You see, when rain water falls over Birch forests any residual sap on the sides of the tree trunks becomes dissolved in the rain water and is carried down under the ground. The rainwater seeps into the bedrock where it pools and eventually evaporates, leaving behind the black sticky birch sap , or treacle. Over thousands of years the treacle hardens into veins which can be mined out of the rock in the same way as coal. Occasionally, the pressure of large deposits causes the rock to crack and the treacle to ooze, or sometimes rocket, to the surface, in fact this is how the treacle hot spot in Chobham was discovered – much to the embarrassment of the courting couple who were caught in the explosion.
Treacle mining has, in the past, controversially employed boggarts to retrieve the ‘black gold’ (as we call it over here) but the government now ‘employs’ street children to do the dirty work as the boggarts, along with all other magical beings, disappeared after the goddess was defeated.
Of course Max and I are communicating with you via the wonders of aether-technology from the year 1842 but Penny tells us that in fact the last known treacle mine in Britain closed in 2012, which begs the question…if you are still eating treacle, where is all your treacle coming from? Hm? Because if you are depending on the one and only European Treacle Mine in Bergues, you may find your post-Brexit desserts have come to a sticky end.
The Bergues Treacle Mine was founded when Frittenden pit boss Harrold Gray was forced to close his mine after a plague-like infestation of Fritts (small insects which live below ground and destroy the wheat crops of neighbouring farms). Gray decided to take a trip down to the cliffs at Dover and reflect on which direction his life now ought to take. Gazing out to see he happened to glance down and saw a gentleman of similar age standing perilously close to the cliff edge. Harry called out to warn the fellow but in doing so alarmed him and the young man slipped, falling into the waves below. Without thinking, Harry leapt after him and, clinging to eachother for dear life, the two were quickly swept out to sea. Fortunately they were picked up by a schooner running buns out of Calais but as the smugglers were on their return trip they could only agree to drop the two men in France. Stranded with no means of getting home, Harry and his new chum Herbert made their way by happenchance to Bergues where they discovered that the local forester, Majolica Luneville, had recently struck a treacle gyser and had no idea how to exploit the vein. Harry stepped in with his expertise and together the three treacleteers opened the first and only ever French Treacle Mine. Since all the British mines are now closed, we can only assume that all the world’s treacle now comes from there.
Still it is possible that the British monarchy have already forseen this problem and made the first move – The Prince Of Wales has apparently recently laid claim to the treacle mining rights in the Duchy of Cornwall, much to the anger of Talskiddy Treacle Mining Corporation.
Luke Bazeley, the mine boss at Talskiddy said “Although it’s said that nothing will come of this, I think that as the current climate is cold as far as Talskiddy treacle’s market value is concerned, this worried some local employees.”
Talskiddy residents first heard about the claims in a letter sent to them by the Land Registry. It said the registration did not mean it had any intentions of mining the land but residents and workers are naturally concerned.
Mayor of St Columb David Swindells said: “The Duke of Cornwall is trying to claim the land and minerals of the people of Talskiddy, but this is a Mad Hatter idea. This isn’t Alice In Wonderland and if he continues, he might find himself in a sticky situation.”
A Cornwall Council spokesman said they would try “ to keep the local community sweet”
So there you have it, will there still be treacle after Britain leaves the EU? Will the crown seize the day and cash-in by re-opening the mines of old Blighty? Or will treacle deposits be discovered elsewhere and instigate world war five? Who knows. In the meantime here are some interesting articles exploring the plight, decline and politics of the treacle industry in Britain , you know, in case you thought we were making it all up… oh ye of little faith…
Treacle Mines Of Britain: http://www.treacleminer.com
Treacle Tax: Dunchideok Mine Treacle Tax
Trevithick re-opnes – https://trevithick-society.org.uk/cornish-treacle-mine-re-open/
Miners convention: http://www.treacleminer.com/
Kent closures: http://www.treacleminer.com/
Saben mine closure: https://www.duedil.com/company/gb/02159301/sabden-treacle-mines-limited
Mrs Baker will be talking Steampunk India with Suna Dasi in her soup kitchen tomorrow and Peril flings wide the doors of his Lovely Library on Friday to bring you his latest piece of anthropological research – ‘Tales From Steampunk’d Lancaster Part 1: Tales Of The Hex Slingers’ . And of course Max and I will be back on Monday with some more excellent fiction and tea so, until then please remain always,
Utterly Yourself
Steampunk summer postcards: Karen J Carlisle
Welcome to Steampunk’d Lancaster my dears! I am Mrs Baker, otherwise known as The Last Witch Of Pendle. My soup kitchen is rather quiet now for the summer, Max and Collin and all the little street urchins are out selling Lemonade, everyone else seems to be off on their holidays and things are overly quiet around the bakery. Nevermind, it gives me a chance to go through all the lovely postcards I have been receiving – although some appear to be mis-directed and others seem to be from dimensions I have never even heard of! Still, it is very nice to have mail, let us see now what have we got in the letter box today… why it’s a beautiful postcard from our dear friend Karen J Carlisle…
Goodness yes it was a scorching summer for Aunt Enid, why I’m sure I was sweating just reading about it … although that may well have been the tension as well! If you haven’t yet delved into this new paranormal mystery series you can read the first book here:
Blessings on your brew my dears!
