This #IndieThursday Collin is sharing his love of…
The Druid path offers a person many valuable tools for coping in these challenging times. use your spiritual practice to underpin your activism, turn your lifestyle changes into offerings and find the means to stay inspired and hopeful. Explore how the bard path can be applied in face of climate chaos, how to practice self care for the benefit of the planet as a whole, how to harness your dreaming, and work with the elements to change your day to day life. Sustainable living should be the goal of any Druid’s life.
Thanks so much for journeying along with me so far, or if your new then very much welcome aboard!
A lot of my own stories centre around the strife and tension suffered by cultures who come seeking refuge, fleeing war and persecution, when the host country fails to welcome and respect them as human beings with established beliefs, values and ways of life.
These deserve to be valued wherever possible, just as those of the established culture are already, but so often they instead become embedded in a strange juxtaposition of both shame and ferocious pride.
When our beliefs, culture, language, skin colour, clothes and ways of being are treated as strange or unnatural by others (especially if they are outlawed, as in the case of the original Rromani refugees in Europe) those precious things which are innately ours can become a source of shame and we can feel the need (perhaps in fear of our lives or liberties) to hide them.
At the same time, in hiding them there is a sense of ritual preservation – a keeping close, a treasuring – and that can become obsessive and unnatural in itself as the evolution of ideas which would take place naturally over time with each generation is now not allowed to happen.
Sacred things die. They are not passed on. Partly out of fear – putting the young ones in danger. Partly our of pride – this knowledge will die with us, the last pure ones, it cannot be trusted to anyone else now, it will become diluted and destroyed or turned against us all.
I’m going to share with you an extract from ‘Mulengi Sinija’ which means Table For The Dead. This is a small shrine of sweet treats laid out for the ancestors to encourage them to remember the next generation, the little ones, and watch over them and visa versa to encourage the young children to enjoy communing with their ancestors.
Here though, the celebration is taking place in a strange new land where the characters are forced to hide who they truly are (firebirds living secretly amongst a population of spiders) and the irony is that the precious link between young and old, past and present, ancestors and living is being lost as the generations pass and so the title is more a lamenting ; a saying goodbye, rather than the celebration it was meant to be….
Mulengi Sinija Extract:
There is a weight, more than the fabric, of that long black skirt and the high necked lace shirt she heaves up over her fire form. Here are the white-beaked masques now with their golden glitter and their gaudy plumes, here are the capes of scarlet velveteen, the sun is sinking with a sigh to the guillotine.
One more cup before we have to go? We drink it slow. Drink deep the thousand stories calligraphed in dark amber there against the white. And when it is all gone, step out into the night.
If you liked the extract you can read the rest of it on my sister site here:
Thankyou for joining me for MythpunkMonday! I really hope you’ve enjoyed it and if you have, feel free to join in and share some Marvellous Mythpunk that you have written, created or enjoyed. You can share using the #MythpunkMonday hashtag or in the comments here below if you like and I will continue to make this a regular Monday thing 🙂
Merry Mythpunk Monday! Today I’m going to talk about what Mythpunk is and recommend some marvellous Mythpunk to fill your shelves with.
This is a bit of an experiment, I’m hoping to do this every Monday and I’m also hoping that other Mythpunk fans and writers will join me in celebrating this wonderful sub genre by sharing your own / others writing, art, music, inspirations etc. using the #MythpunkMonday hashtag. That’s a lot of hope! … but I really passionately feel the world needs more Mythpunk and there’s some awesome stuff out there already that needs bigging-up so, let’s see what happens!
Mythpunk is a term coined by Catherynne M. Valente to describe Punk fiction which is rooted in folklore, fairytale or mythology.
At its simplest, Mythpunk could be a modern Punk retelling of a fairytale with an original ending, tangent or twist ; at its more complex, it has potential to utterly transcend its origins by bridging the gap between archaic world views and modern experience, making it an important tool for social commentary and cultural evolution.
You can read a great interview with Valente on the subject here:
And you can find her Mythpunk series ‘The Orphan’s Tales’ here:
So Mythpunk can be a punked up retelling of a myth, folktale, fairytale or legend, or it could be an interweaving of many different threads from across history and mythology, or it could be something entirely new which resembles, parodies or has elements of folklore and myth.
Mythpunk doesn’t have to be restricted to writing either – it can be music, art, theatre…
For example here’s the soundtrack to Valente’s series by S J Tucker, which you can listen to and purchase here: https://music.sjtucker.com/album/solace-sorrow
So, if you’re new to Mythpunk and what you’ve seen so far has got you hooked, you’ll now want to rush out and stock your bookshelf / kindle full of fabulous Mythpunk titles, right? – fear not, here’s my quick-fix / take-away / happy-meal list of five fab books / series to get you started…
1 Monstress Series
“Set in an alternate matriarchal 1900’s Asia, in a richly imagined world of art deco-inflected steampunk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both. Entertainment Weekly praised MONSTRESS as “one of Image Comics’ most imaginative and daring new series” and dubbed it the “Best New Original Series” in their year-end “Best Comics of 2015″ list.”
2 The Automation:
“The capital-A Automatons of Greco-Roman myth aren’t clockwork. Their design is much more divine. They’re more intricate than robots or androids or anything else mortal humans could invent. Their windup keys are their human Masters. They aren’t mindless; they have infinite storage space. And, because they have more than one form, they’re more versatile and portable than, say, your cell phone—and much more useful too. The only thing these god-forged beings share in common with those lowercase-A automatons is their pre-programmed existence. They have a function—a function Hephaestus put into place—a function that was questionable from the start…
Odys (no, not short for Odysseus, thank you) finds his hermetic lifestyle falling apart after a stranger commits suicide to free his soul-attached Automaton slave. The humanoid Automaton uses Odys’s soul to “reactivate” herself. Odys must learn to accept that the female Automaton is an extension of his body—that they are the same person—and that her creator-god is forging a new purpose for all with Automatons…”
3 Firebird Fairytales Series:
“Born on the crossroads between worlds Anya’s Gate Keeper magic is buried under grief and rage until one fateful night a firebird hatches on her farm who is sharing its body with the fabled Prince Yvan. With Yvan’s dark magician brother Vasilli and other powerful enemies closing in around them, Anya has no choice but to sober up, follow Yvan intoSkazki and hope that she can learn how to control her awakening magic before it destroys her and any hope of keeping the gates to both world’s safe.”
4 The Tale Of Raw Head And Bloody Bones:
“Meet Tristan Hart, precociously talented student of medicine. His obsession is the nature of pain and preventing. He is on a quest to cut through superstition with the brilliant blade of science. Meet Tristan Hart, madman and deviant. His obsession is the nature of pain, and causing it. He is on a quest to arouse the perfect scream and slay the daemon Raw Head who torments his days and nights. Troubled visionary, twisted genius, loving sadist. What is real and what imagined in Tristan Hart’s brutal, beautiful, complex world?”
5 Vassa In The Night:
“Vassa in the Night is a powerful and haunting modern retelling of the Russian folktale “Vassilissa the Beautiful” for teen fans of urban fantasy, fairy tales, magic, and horror who enjoy books by Leigh Bardugo, Kendare Blake, Catherynne Valente, and V. E. Schwab. In the enchanted kingdom of Brooklyn, the fashionable people put on cute shoes, go to parties in warehouses, drink on rooftops at sunset, and tell themselves they’ve arrived. A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood. In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling out again could become an issue.”
Thankyou for joining me for my very first MythpunkMonday! I really hope you’ve enjoyed it and if you have, feel free to join in and share some Marvellous Mythpunk that you have written, created or enjoyed. You can share using the #MythpunkMonday hashtag or in the comments here below if you like and I will try and make this a regular Monday thing 🙂
Hello! Mrs Albert Baker here, otherwise known as The Last Witch Of Pendle. Obviously there is no Pendle any more, since The Chronic Agronauts utterly destroyed it with treacle and sprats, but I’ve set myself up quite nicely here in Lancaster, running this little soup kitchen for the street urchins. There certainly are a lot of them and I’m always looking for helping hands to cook up and serve something delicious!
Helping me this morning is author and Awenydd (or Spirit-Keeper) Elen Sentier. Good morning Elen, thank you so much for coming to help me in my soup kitchen today! Can I offer you a cup of tea?
Lapsang Souchong, please, straight, no milk. Unless you happen to have Bruichladdich single malt ???
I’m afraid I don’t touch alcohol Elen, it’s my husband Albert who is the drinker. Now here is your tea my dear…
Thankyou Mrs Baker, I wonder if we’re related? My aunt was Ida Baker who kept the sacred well in the village on the edge of Exmoor where I grew up; it was in the wall between her garden and ours, still there and still revered. She was a darling, and so was her magical gardener-husband, Uncle Perce, she gave me seedy cake and strawberries when I got in trouble at home when I was a wee kiddie J, and Uncle Perce taught me about talking with plants and bees.
They both sound marvellous Elen, you know I do think it’s possible we could be connected in some way, although I have never been to Exmore I’m afraid, it was my Mother’s job to guard Pendle before me, and I had never set foot outside it until the pirates came and kidnapped me…
BTW, I’m really sorry to hear about the treacle (and the sprats!). Just down the road from me is, I think, the only pub in the country called The Treacle Mine. Wish they could have done that with you, a much better idea z|a.
Oh we do have treacle mines at Sabden and Chobham, but you’re right it was a dreadful waste of confectionary, I do wish they had used some of the dreadful ‘standard issue tinned soup’ the government forces upon us all instead…
Oh yes, the soup for the orphans! … well, goodness me, there’s so many. When it’s the season, I just love tomato soup and it’s so simple to do. You need a good wallop of ripe tomatoes, the ones with that fabulous smell, a big bunch of fresh basil, and you can either use olive oil or good butter, butter gives it an extra sweetness. You need a good, heavy-bottomed pot to make it in.
Chop the basil really fine so all its scented oils are released. Chop the tomatoes small, and heat up the oil or butter, not boiling but good and hot. Take the pot off the heat, put half the chopped basil into it and swish it about to scent up the oil/butter, then add all the tomatoes and put back on the heat. Don’t have the heat up high or you’ll burn rather than cook. Keep stirring the mix as this helps the flavours to seep through. When the tomatoes look/taste/feel ready take the pot off the heat and allow it to sit for at at least an hour to steep further.
When you want to eat, heat up the pot again but don’t boil, keep stirring and watching, as soon as it’s ready pour it into heated bowls and Bob’s your uncle J. I like to eat it with some fresh sourdough bread and good unsalted butter, and maybe a bit of grated cheese … Yummmm !
Oh how delicious, there is nothing better than good homemade tomato soup (it knocks the socks of the tinned variety every time!) Now while that is simmering away nicely, why don’t you have a seat here by the fire. I hope your journey to our dimension was a good one?
Not too bad at all, got a bit bumpy flying over the M6, the turbulence there can be frightful, damned near fell off me broom and the cat got sick! But we’re all fine now, that cuppa you gave me sorted things.
Oh dear, the poor cat, I’m glad he is feeling better now though. Elen it is so lovely to meet another woman who deals in spiritual matters, here in Ire it is absolutely forbidden and I have to do all my work in secret which is a dreadful strain. Now why don’t I put the kettle on and you can tell me a little more about the work that you do ?
Another cuppa would go down grand, and the cat would love a saucer of milk now, says his stomach can handle it. We, he and me, don’t have quite the same problems you seem to have up here, not down in the Welsh Marches. It’s a lovely twilight land, between two countries and between two worlds, where the Faer folk are very happy to come and play with me and the students. I always have some students to pass on the work to, the old ways, and it’s such a lovely spot for writing too.
It sounds wonderful. I have had the very great pleasure of reading some of your books, including your newest release; Merlin – past and future Wizard, oh is that a copy you have with you there?
Yes, indeed, would you like it? I thought you might so I brought one along. Hmm … Merlin … well he and I’ve been friends all my life. Dad it was who introduced us, Dad’d known him too, when I was nought but a baby, and I began to find out about him through the stories. Where I live now is one of the places he was born and lived, we have our own Merlin-story but here we call him Dyfrig (you say it Duvrigg) which means water-baby because of how he got born.
I had heard a little about this Merlin figure from your world and thought him to be a fascinating mythical character but your book goes beyond these myths to show us a Merlin who we can engage with within the context of our daily lives doesn’t it?
Well yes, he’s not an academic construct and certainly doesn’t fit into those boxes. He really does want to get known again, to make friends with as many people as want to know him because he really can, and will, help us through this enormous crisis the Earth is going through.
He wants to know people – when they want to know him. He comes as a friend, an older and more experienced friend who has walked the path far longer than any of us humans. But he comes as a guide not someone who expects either worship or rule-book following. He works with each of us in ways we can do best. All we need to do is ask him. I say “all” but I do know how hard that can be, because we’re no longer encouraged to believe and work with our intuition, nor are we taught how to know it from our personal wants and desires. That’s part of what we learn with Merlin.
It seems that Merlin is a figure who can guide and influence us no matter what age we are living in but are the old stories as important as the new?
Yes, indeed. Merlin is just what the book-title says – the once and future wizard. He has been with us here on Earth since time out of mind, and he will be as long as the Earth still orbits the Sun. And, it seems to me from my lifelong experience with him, that he was around in the universe long before the Earth was formed and will be still after she’s gone. That makes him always here, always available to help … whenever we ask. And the old stories are still as important as the new. Our old ways are what I call “and/and” rather than “either/or”, they’re inclusive not exclusive. We are our personal selves and, at the same time, we are our spirit selves, the two are not exclusive, they happen at the same time – we call it walking between worlds.
Everyone’s spirit-life is always evolving. Nothing is ever set in tablets of stone, it’s always growing and adapting to where and when we are at this instant, so new stories are needed to fit with who we are now. But the old stories still fit too – if you read them properly and don’t try to dumb them down into whatever your “normal-box” is. Stories are one of the very basic ways humans learn and pass on wisdom to each other, and always have. Recent research has shown that our stories – the ones they’ve worked with – go back at least to the Bronze Age, that’s maybe 5,000 years ago! The old stories show us how to be, how to behave, how things really are, and how to relate with otherworld, as well as how to travel there. But we, and our stories, are as riddling and contrary as Zen, if not more so. To get the point, understand them, you need to spend time with the stories learning how to feel into them rather than trying to translate them into what you already know. After all, what’s the point of doing that? !!!
Throughout the book this dynamic, engaging (at times quite seductive) spirit of Merlin urges us to take up that liminal space between past and present and truly live ‘in the moment’… that is a very big challenge isn’t it, especially with all the pressures and insecurities of modern life?
Chuckle! Yes, he can be very seductive! That way of living, engaging all the time with the liminal, is very challenging for many modern folk. We’re so heavily caught up in the shibboleths of how we should be, according to the adverts on TV, politics, political correctness and all that crap! And it’s so scary for most people to dare to break out. This is the first hurdle my students have to get themselves over, and they do it too but it can be like ripping your skin off, like a snake shedding its skin. And getting used to the fact (yes, fact!) that otherworld completely permeates your everyday world is a huge step, but it does, and the students discover this for themselves with my help. That’s really important too, I do Merlin’s job in little, at my own small level, because I’ve walked the path a bit longer than my students. You always need that, someone you can really get on with who’s been doing it longer than you. That’s what being apprentice is about.
The Merlin I felt as I read your book, Elen, seemed to be firmly planted in the modern man-made world, but at the same time you show us his continuing rootedness in nature and the history of the land, do you think it is important that Merlin is able to straddle these, sometimes so opposing, spaces?
Oh yes, he’s the threshold, the doorway, the place between that connects us across the worlds. And he’s in the here-n-now with us just as much as in the “past”. An example – he called one of my students on her mobile phone last autumn on the workshop! LOL, it was hairy for her but she got it, worked with it and grew herself enormously as a result. And it made me smile. We too often want to get into the cutesy fantasy-stuff rather than reality, and Merlin’s all about reality. He’s in every particle of our Earth’s body as well as being with us in our everyday modern world – and/and again. Try this ancient picture of the goddess/god, it’s on a gold brooch from the La Teine culture …
Do you get it? The one head is the other but turned upside-down! And/and yet again J. One interpretation of this is Vivien and Merlin as lady and lord, the pairs of opposites which make the whole. We’ve forgotten that. We’re taught to think that things are “opposing” when in reality they’re two sides of one coin. We need to change this attitude and Merlin will help us with that. Being a threshold is how he does it. Come to me he says, step through me, now look back and I’m still here but different, the same but different. It’s a bit like light which is both particles and waves at the same time!
Your book was such an enlightening read, Elen, and I really feel I could pick your brains all day about this subject but I know you must be off soon, you have a talk to prepare for in London is that correct?
I do indeed. I’m doing an illustrated talk for Earthstars Sacred Space, at Steiner House in London on 24th Feb, and need to get on it J. It’s about Merlin and his relevance for us today too. If you want to come here’s the link https://www.facebook.com/events/1839244072988715/
Oh marvellous, I shall certainly try to come along, even if I cannot do the dimension hop in person I will try to tune in with Max and Collin’s Spirit Radio, it picks up most things from your world. Well thank you so much for coming to help out in the soup kitchen today, Elen, it’s been wonderful to chat with you and I must say that soup smells delicious. I think it must be about ready and the little urchins have their rosy noses pushed up against the glass in anticipation so shall we start dishing it up?
Yummm! Let me give you a hand …
Wonderful, thankyou. I hope you will all join me in the kitchen next week when Steampunk author Liz Hennessy will be dropping in to give me a hand and talk about her book Grogory’s Gadget. Until then,
Blessings on your brew my dears!